Rongliang Wu

Fangneng Zhan, Jiahui Zhang, Yingchen Yu et al.

Perceiving the similarity between images has been a long-standing and fundamental problem underlying various visual generation tasks. Predominant approaches measure the inter-image distance by computing pointwise absolute deviations, which tends to estimate the median of instance distributions and leads to blurs and artifacts in the generated images. This paper presents MoNCE, a versatile metric that introduces image contrast to learn a calibrated metric for the perception of multifaceted inter-image distances. Unlike vanilla contrast which indiscriminately pushes negative samples from the anchor regardless of their similarity, we propose to re-weight the pushing force of negative samples adaptively according to their similarity to the anchor, which facilitates the contrastive learning from informative negative samples. Since multiple patch-level contrastive objectives are involved in image distance measurement, we introduce optimal transport in MoNCE to modulate the pushing force of negative samples collaboratively across multiple contrastive objectives. Extensive experiments over multiple image translation tasks show that the proposed MoNCE outperforms various prevailing metrics substantially. The code is available at https://github.com/fnzhan/MoNCE.

Yingchen Yu, Fangneng Zhan, Rongliang Wu et al.

Leveraging StyleGAN's expressivity and its disentangled latent codes, existing methods can achieve realistic editing of different visual attributes such as age and gender of facial images. An intriguing yet challenging problem arises: Can generative models achieve counterfactual editing against their learnt priors? Due to the lack of counterfactual samples in natural datasets, we investigate this problem in a text-driven manner with Contrastive-Language-Image-Pretraining (CLIP), which can offer rich semantic knowledge even for various counterfactual concepts. Different from in-domain manipulation, counterfactual manipulation requires more comprehensive exploitation of semantic knowledge encapsulated in CLIP as well as more delicate handling of editing directions for avoiding being stuck in local minimum or undesired editing. To this end, we design a novel contrastive loss that exploits predefined CLIP-space directions to guide the editing toward desired directions from different perspectives. In addition, we design a simple yet effective scheme that explicitly maps CLIP embeddings (of target text) to the latent space and fuses them with latent codes for effective latent code optimization and accurate editing. Extensive experiments show that our design achieves accurate and realistic editing while driving by target texts with various counterfactual concepts.

Fangneng Zhan, Yingchen Yu, Rongliang Wu et al.

Exemplar-based image translation establishes dense correspondences between a conditional input and an exemplar (from two different domains) for leveraging detailed exemplar styles to achieve realistic image translation. Existing work builds the cross-domain correspondences implicitly by minimizing feature-wise distances across the two domains. Without explicit exploitation of domain-invariant features, this approach may not reduce the domain gap effectively which often leads to sub-optimal correspondences and image translation. We design a Marginal Contrastive Learning Network (MCL-Net) that explores contrastive learning to learn domain-invariant features for realistic exemplar-based image translation. Specifically, we design an innovative marginal contrastive loss that guides to establish dense correspondences explicitly. Nevertheless, building correspondence with domain-invariant semantics alone may impair the texture patterns and lead to degraded texture generation. We thus design a Self-Correlation Map (SCM) that incorporates scene structures as auxiliary information which improves the built correspondences substantially. Quantitative and qualitative experiments on multifarious image translation tasks show that the proposed method outperforms the state-of-the-art consistently.

Jiahui Zhang, Fangneng Zhan, Rongliang Wu et al.

Neural Radiance Fields (NeRF) have demonstrated very impressive performance in novel view synthesis via implicitly modelling 3D representations from multi-view 2D images. However, most existing studies train NeRF models with either reasonable camera pose initialization or manually-crafted camera pose distributions which are often unavailable or hard to acquire in various real-world data. We design VMRF, an innovative view matching NeRF that enables effective NeRF training without requiring prior knowledge in camera poses or camera pose distributions. VMRF introduces a view matching scheme, which exploits unbalanced optimal transport to produce a feature transport plan for mapping a rendered image with randomly initialized camera pose to the corresponding real image. With the feature transport plan as the guidance, a novel pose calibration technique is designed which rectifies the initially randomized camera poses by predicting relative pose transformations between the pair of rendered and real images. Extensive experiments over a number of synthetic and real datasets show that the proposed VMRF outperforms the state-of-the-art qualitatively and quantitatively by large margins.

Kaiwen Cui, Rongliang Wu, Fangneng Zhan et al.

Face swapping aims to generate swapped images that fuse the identity of source faces and the attributes of target faces. Most existing works address this challenging task through 3D modelling or generation using generative adversarial networks (GANs), but 3D modelling suffers from limited reconstruction accuracy and GANs often struggle in preserving subtle yet important identity details of source faces (e.g., skin colors, face features) and structural attributes of target faces (e.g., face shapes, facial expressions). This paper presents Face Transformer, a novel face swapping network that can accurately preserve source identities and target attributes simultaneously in the swapped face images. We introduce a transformer network for the face swapping task, which learns high-quality semantic-aware correspondence between source and target faces and maps identity features of source faces to the corresponding region in target faces. The high-quality semantic-aware correspondence enables smooth and accurate transfer of source identity information with minimal modification of target shapes and expressions. In addition, our Face Transformer incorporates a multi-scale transformation mechanism for preserving the rich fine facial details. Extensive experiments show that our Face Transformer achieves superior face swapping performance qualitatively and quantitatively.

Fangneng Zhan, Yingchen Yu, Rongliang Wu et al.

Deep generative models have achieved conspicuous progress in realistic image synthesis with multifarious conditional inputs, while generating diverse yet high-fidelity images remains a grand challenge in conditional image generation. This paper presents a versatile framework for conditional image generation which incorporates the inductive bias of CNNs and powerful sequence modeling of auto-regression that naturally leads to diverse image generation. Instead of independently quantizing the features of multiple domains as in prior research, we design an integrated quantization scheme with a variational regularizer that mingles the feature discretization in multiple domains, and markedly boosts the auto-regressive modeling performance. Notably, the variational regularizer enables to regularize feature distributions in incomparable latent spaces by penalizing the intra-domain variations of distributions. In addition, we design a Gumbel sampling strategy that allows to incorporate distribution uncertainty into the auto-regressive training procedure. The Gumbel sampling substantially mitigates the exposure bias that often incurs misalignment between the training and inference stages and severely impairs the inference performance. Extensive experiments over multiple conditional image generation tasks show that our method achieves superior diverse image generation performance qualitatively and quantitatively as compared with the state-of-the-art.

Jiahui Zhang, Fangneng Zhan, Yingchen Yu et al.

Pose-free neural radiance fields (NeRF) aim to train NeRF with unposed multi-view images and it has achieved very impressive success in recent years. Most existing works share the pipeline of training a coarse pose estimator with rendered images at first, followed by a joint optimization of estimated poses and neural radiance field. However, as the pose estimator is trained with only rendered images, the pose estimation is usually biased or inaccurate for real images due to the domain gap between real images and rendered images, leading to poor robustness for the pose estimation of real images and further local minima in joint optimization. We design IR-NeRF, an innovative pose-free NeRF that introduces implicit pose regularization to refine pose estimator with unposed real images and improve the robustness of the pose estimation for real images. With a collection of 2D images of a specific scene, IR-NeRF constructs a scene codebook that stores scene features and captures the scene-specific pose distribution implicitly as priors. Thus, the robustness of pose estimation can be promoted with the scene priors according to the rationale that a 2D real image can be well reconstructed from the scene codebook only when its estimated pose lies within the pose distribution. Extensive experiments show that IR-NeRF achieves superior novel view synthesis and outperforms the state-of-the-art consistently across multiple synthetic and real datasets.

Rongliang Wu, Yingchen Yu, Fangneng Zhan et al.

Audio-driven talking face generation, which aims to synthesize talking faces with realistic facial animations (including accurate lip movements, vivid facial expression details and natural head poses) corresponding to the audio, has achieved rapid progress in recent years. However, most existing work focuses on generating lip movements only without handling the closely correlated facial expressions, which degrades the realism of the generated faces greatly. This paper presents DIRFA, a novel method that can generate talking faces with diverse yet realistic facial animations from the same driving audio. To accommodate fair variation of plausible facial animations for the same audio, we design a transformer-based probabilistic mapping network that can model the variational facial animation distribution conditioned upon the input audio and autoregressively convert the audio signals into a facial animation sequence. In addition, we introduce a temporally-biased mask into the mapping network, which allows to model the temporal dependency of facial animations and produce temporally smooth facial animation sequence. With the generated facial animation sequence and a source image, photo-realistic talking faces can be synthesized with a generic generation network. Extensive experiments show that DIRFA can generate talking faces with realistic facial animations effectively.

Rongliang Wu, Yingchen Yu, Fangneng Zhan et al.

Facial expression editing has attracted increasing attention with the advance of deep neural networks in recent years. However, most existing methods suffer from compromised editing fidelity and limited usability as they either ignore pose variations (unrealistic editing) or require paired training data (not easy to collect) for pose controls. This paper presents POCE, an innovative pose-controllable expression editing network that can generate realistic facial expressions and head poses simultaneously with just unpaired training images. POCE achieves the more accessible and realistic pose-controllable expression editing by mapping face images into UV space, where facial expressions and head poses can be disentangled and edited separately. POCE has two novel designs. The first is self-supervised UV completion that allows to complete UV maps sampled under different head poses, which often suffer from self-occlusions and missing facial texture. The second is weakly-supervised UV editing that allows to generate new facial expressions with minimal modification of facial identity, where the synthesized expression could be controlled by either an expression label or directly transplanted from a reference UV map via feature transfer. Extensive experiments show that POCE can learn from unpaired face images effectively, and the learned model can generate realistic and high-fidelity facial expressions under various new poses.

Jiahui Zhang, Fangneng Zhan, Yingchen Yu et al.

Recently, single image super-resolution (SR) under large scaling factors has witnessed impressive progress by introducing pre-trained generative adversarial networks (GANs) as priors. However, most GAN-Priors based SR methods are constrained by an attribute disentanglement problem in inverted latent codes which directly leads to mismatches of visual attributes in the generator layers and further degraded reconstruction. In addition, stochastic noises fed to the generator are employed for unconditional detail generation, which tends to produce unfaithful details that compromise the fidelity of the generated SR image. We design LAREN, a LAtent multi-Relation rEasoNing technique that achieves superb large-factor SR through graph-based multi-relation reasoning in latent space. LAREN consists of two innovative designs. The first is graph-based disentanglement that constructs a superior disentangled latent space via hierarchical multi-relation reasoning. The second is graph-based code generation that produces image-specific codes progressively via recursive relation reasoning which enables prior GANs to generate desirable image details. Extensive experiments show that LAREN achieves superior large-factor image SR and outperforms the state-of-the-art consistently across multiple benchmarks.

Fangneng Zhan, Yingchen Yu, Rongliang Wu et al.

As information exists in various modalities in real world, effective interaction and fusion among multimodal information plays a key role for the creation and perception of multimodal data in computer vision and deep learning research. With superb power in modeling the interaction among multimodal information, multimodal image synthesis and editing has become a hot research topic in recent years. Instead of providing explicit guidance for network training, multimodal guidance offers intuitive and flexible means for image synthesis and editing. On the other hand, this field is also facing several challenges in alignment of multimodal features, synthesis of high-resolution images, faithful evaluation metrics, etc. In this survey, we comprehensively contextualize the advance of the recent multimodal image synthesis and editing and formulate taxonomies according to data modalities and model types. We start with an introduction to different guidance modalities in image synthesis and editing, and then describe multimodal image synthesis and editing approaches extensively according to their model types. After that, we describe benchmark datasets and evaluation metrics as well as corresponding experimental results. Finally, we provide insights about the current research challenges and possible directions for future research. A project associated with this survey is available at https://github.com/fnzhan/Generative-AI.

Fangneng Zhan, Yingchen Yu, Changgong Zhang et al.

Inferring the scene illumination from a single image is an essential yet challenging task in computer vision and computer graphics. Existing works estimate lighting by regressing representative illumination parameters or generating illumination maps directly. However, these methods often suffer from poor accuracy and generalization. This paper presents Geometric Mover's Light (GMLight), a lighting estimation framework that employs a regression network and a generative projector for effective illumination estimation. We parameterize illumination scenes in terms of the geometric light distribution, light intensity, ambient term, and auxiliary depth, which can be estimated by a regression network. Inspired by the earth mover's distance, we design a novel geometric mover's loss to guide the accurate regression of light distribution parameters. With the estimated light parameters, the generative projector synthesizes panoramic illumination maps with realistic appearance and high-frequency details. Extensive experiments show that GMLight achieves accurate illumination estimation and superior fidelity in relighting for 3D object insertion. The codes are available at \href{https://github.com/fnzhan/Illumination-Estimation}{https://github.com/fnzhan/Illumination-Estimation}.

Ishant, Rongliang Wu, Joo Hwee Lim

Controllable affordance Hand-Object Interaction (HOI) generation has become an increasingly important area of research in computer vision. In HOI generation, the hand grasp generation is a crucial step for effectively controlling the geometry of the hand. Current hand grasp generation methods rely on 3D information for both the hand and the object. In addition, these methods lack controllability concerning the hand's location and orientation. We treat the hand pose as the discrete graph structure and exploit the geometric priors. It is well established that higher order contextual dependency among the points improves the quality of the results in general. We propose a framework of higher order geometric representations (HOR's) inspired by spectral graph theory and vector algebra to improve the quality of generated hand poses. We demonstrate the effectiveness of our proposed HOR's in devising a controllable novel diffusion method (based on 2D information) for hand grasp generation that outperforms the state of the art (SOTA). Overcoming the limitations of existing methods: like lacking of controllability and dependency on 3D information. Once we have the generated pose, it is very natural to evaluate them using a metric. Popular metrics like FID and MMD are biased and inefficient for evaluating the generated hand poses. Using our proposed HOR's, we introduce an efficient and stable framework of evaluation metrics for grasp generation methods, addressing inefficiencies and biases in FID and MMD.

Fangneng Zhan, Yingchen Yu, Rongliang Wu et al.

Generative adversarial networks (GANs) have achieved great success in image translation and manipulation. However, high-fidelity image generation with faithful style control remains a grand challenge in computer vision. This paper presents a versatile image translation and manipulation framework that achieves accurate semantic and style guidance in image generation by explicitly building a correspondence. To handle the quadratic complexity incurred by building the dense correspondences, we introduce a bi-level feature alignment strategy that adopts a top-$k$ operation to rank block-wise features followed by dense attention between block features which reduces memory cost substantially. As the top-$k$ operation involves index swapping which precludes the gradient propagation, we approximate the non-differentiable top-$k$ operation with a regularized earth mover's problem so that its gradient can be effectively back-propagated. In addition, we design a novel semantic position encoding mechanism that builds up coordinate for each individual semantic region to preserve texture structures while building correspondences. Further, we design a novel confidence feature injection module which mitigates mismatch problem by fusing features adaptively according to the reliability of built correspondences. Extensive experiments show that our method achieves superior performance qualitatively and quantitatively as compared with the state-of-the-art.

Yingchen Yu, Fangneng Zhan, Rongliang Wu et al.

Image inpainting is an underdetermined inverse problem, which naturally allows diverse contents to fill up the missing or corrupted regions realistically. Prevalent approaches using convolutional neural networks (CNNs) can synthesize visually pleasant contents, but CNNs suffer from limited perception fields for capturing global features. With image-level attention, transformers enable to model long-range dependencies and generate diverse contents with autoregressive modeling of pixel-sequence distributions. However, the unidirectional attention in autoregressive transformers is suboptimal as corrupted image regions may have arbitrary shapes with contexts from any direction. We propose BAT-Fill, an innovative image inpainting framework that introduces a novel bidirectional autoregressive transformer (BAT) for image inpainting. BAT utilizes the transformers to learn autoregressive distributions, which naturally allows the diverse generation of missing contents. In addition, it incorporates the masked language model like BERT, which enables bidirectionally modeling of contextual information of missing regions for better image completion. Extensive experiments over multiple datasets show that BAT-Fill achieves superior diversity and fidelity in image inpainting qualitatively and quantitatively.

Rongliang Wu, Shijian Lu

Recent studies on facial expression editing have obtained very promising progress. On the other hand, existing methods face the constraint of requiring a large amount of expression labels which are often expensive and time-consuming to collect. This paper presents an innovative label-free expression editing via disentanglement (LEED) framework that is capable of editing the expression of both frontal and profile facial images without requiring any expression label. The idea is to disentangle the identity and expression of a facial image in the expression manifold, where the neutral face captures the identity attribute and the displacement between the neutral image and the expressive image captures the expression attribute. Two novel losses are designed for optimal expression disentanglement and consistent synthesis, including a mutual expression information loss that aims to extract pure expression-related features and a siamese loss that aims to enhance the expression similarity between the synthesized image and the reference image. Extensive experiments over two public facial expression datasets show that LEED achieves superior facial expression editing qualitatively and quantitatively.

Rongliang Wu, Gongjie Zhang, Shijian Lu et al.

Recent advances in Generative Adversarial Nets (GANs) have shown remarkable improvements for facial expression editing. However, current methods are still prone to generate artifacts and blurs around expression-intensive regions, and often introduce undesired overlapping artifacts while handling large-gap expression transformations such as transformation from furious to laughing. To address these limitations, we propose Cascade Expression Focal GAN (Cascade EF-GAN), a novel network that performs progressive facial expression editing with local expression focuses. The introduction of the local focus enables the Cascade EF-GAN to better preserve identity-related features and details around eyes, noses and mouths, which further helps reduce artifacts and blurs within the generated facial images. In addition, an innovative cascade transformation strategy is designed by dividing a large facial expression transformation into multiple small ones in cascade, which helps suppress overlapping artifacts and produce more realistic editing while dealing with large-gap expression transformations. Extensive experiments over two publicly available facial expression datasets show that our proposed Cascade EF-GAN achieves superior performance for facial expression editing.