Zhikang Dong

Sharath Girish, Tsai-Shien Chen, Zhikang Dong et al.

Cinematic video depicts multiple subjects acting or interacting at specific moments, captured with deliberate camera movement, and stitched together by shot transitions. Together, these elements demand a level of fine-grained control beyond current text-to-video models. Existing work addresses each axis in isolation: multi-subject personalization, temporal control, multi-shot synthesis, or camera control; no prior framework jointly integrates all four. We present CineOrchestra, a unified video diffusion model that controls subjects, events, cameras, and shot transitions simultaneously. Our key insight is that these heterogeneous cinematic elements share a fundamental structure: each is an entity acting over a specific temporal interval, which can therefore all be expressed through one shared structure of entity-centric conditioning primitives, augmented with reference images for visual entities. This formulation reduces the architectural challenge to a single positional encoding problem, which we solve with two parameter-free coordinated rotary embeddings: (a) an interval-sampled temporal RoPE that yields consistent attention behavior across events of dramatically varying duration, and (b) a 2D entity-temporal cross-attention RoPE that disambiguates per-entity conditions and routes each to its corresponding spatiotemporal region. On two new benchmarks, CineOrchestra outperforms six per-axis specialists on dense caption following and shot-transition timing, with consistent gains in a pairwise user study and component ablations.

Zhikang Dong, Bin Chen, Xiulong Liu et al.

Music recommendation for videos attracts growing interest in multi-modal research. However, existing systems focus primarily on content compatibility, often ignoring the users' preferences. Their inability to interact with users for further refinements or to provide explanations leads to a less satisfying experience. We address these issues with MuseChat, a first-of-its-kind dialogue-based recommendation system that personalizes music suggestions for videos. Our system consists of two key functionalities with associated modules: recommendation and reasoning. The recommendation module takes a video along with optional information including previous suggested music and user's preference as inputs and retrieves an appropriate music matching the context. The reasoning module, equipped with the power of Large Language Model (Vicuna-7B) and extended to multi-modal inputs, is able to provide reasonable explanation for the recommended music. To evaluate the effectiveness of MuseChat, we build a large-scale dataset, conversational music recommendation for videos, that simulates a two-turn interaction between a user and a recommender based on accurate music track information. Experiment results show that MuseChat achieves significant improvements over existing video-based music retrieval methods as well as offers strong interpretability and interactability.

Xiulong Liu, Zhikang Dong, Peng Zhang

In recent years, there has been a growing emphasis on the intersection of audio, vision, and text modalities, driving forward the advancements in multimodal research. However, strong bias that exists in any modality can lead to the model neglecting the others. Consequently, the model's ability to effectively reason across these diverse modalities is compromised, impeding further advancement. In this paper, we meticulously review each question type from the original dataset, selecting those with pronounced answer biases. To counter these biases, we gather complementary videos and questions, ensuring that no answers have outstanding skewed distribution. In particular, for binary questions, we strive to ensure that both answers are almost uniformly spread within each question category. As a result, we construct a new dataset, named MUSIC-AVQA v2.0, which is more challenging and we believe could better foster the progress of AVQA task. Furthermore, we present a novel baseline model that delves deeper into the audio-visual-text interrelation. On MUSIC-AVQA v2.0, this model surpasses all the existing benchmarks, improving accuracy by 2% on MUSIC-AVQA v2.0, setting a new state-of-the-art performance.

Zhikang Dong, Pawel Polak

We investigate the inverse problem for Partial Differential Equations (PDEs) in scenarios where the parameters of the given PDE dynamics may exhibit changepoints at random time. We employ Physics-Informed Neural Networks (PINNs) - universal approximators capable of estimating the solution of any physical law described by a system of PDEs, which serves as a regularization during neural network training, restricting the space of admissible solutions and enhancing function approximation accuracy. We demonstrate that when the system exhibits sudden changes in the PDE dynamics, this regularization is either insufficient to accurately estimate the true dynamics, or it may result in model miscalibration and failure. Consequently, we propose a PINNs extension using a Total-Variation penalty, which allows to accommodate multiple changepoints in the PDE dynamics and significantly improves function approximation. These changepoints can occur at random locations over time and are estimated concurrently with the solutions. Additionally, we introduce an online learning method for re-weighting loss function terms dynamically. Through empirical analysis using examples of various equations with parameter changes, we showcase the advantages of our proposed model. In the absence of changepoints, the model reverts to the original PINNs model. However, when changepoints are present, our approach yields superior parameter estimation, improved model fitting, and reduced training error compared to the original PINNs model.

Juni Kim, Zhikang Dong, Eric Guan et al.

We provide a new non-invasive, easy-to-scale for large amounts of subjects and a remotely accessible method for (hidden) emotion detection from videos of human faces. Our approach combines face manifold detection for accurate location of the face in the video with local face manifold embedding to create a common domain for the measurements of muscle micro-movements that is invariant to the movement of the subject in the video. In the next step, we employ the Digital Image Speckle Correlation (DISC) and the optical flow algorithm to compute the pattern of micro-movements in the face. The corresponding vector field is mapped back to the original space and superimposed on the original frames of the videos. Hence, the resulting videos include additional information about the direction of the movement of the muscles in the face. We take the publicly available CK++ dataset of visible emotions and add to it videos of the same format but with hidden emotions. We process all the videos using our micro-movement detection and use the results to train a state-of-the-art network for emotions classification from videos -- Frame Attention Network (FAN). Although the original FAN model achieves very high out-of-sample performance on the original CK++ videos, it does not perform so well on hidden emotions videos. The performance improves significantly when the model is trained and tested on videos with the vector fields of muscle movements. Intuitively, the corresponding arrows serve as edges in the image that are easily captured by the convolutions filters in the FAN network.

Juni Kim, Zhikang Dong, Pawel Polak

We introduce a novel method that combines differential geometry, kernels smoothing, and spectral analysis to quantify facial muscle activity from widely accessible video recordings, such as those captured on personal smartphones. Our approach emphasizes practicality and accessibility. It has significant potential for applications in national security and plastic surgery. Additionally, it offers remote diagnosis and monitoring for medical conditions such as stroke, Bell's palsy, and acoustic neuroma. Moreover, it is adept at detecting and classifying emotions, from the overt to the subtle. The proposed face muscle analysis technique is an explainable alternative to deep learning methods and a non-invasive substitute to facial electromyography (fEMG).

Zhikang Dong, Weituo Hao, Ju-Chiang Wang et al.

Image animation has become a promising area in multimodal research, with a focus on generating videos from reference images. While prior work has largely emphasized generic video generation guided by text, music-driven dance video generation remains underexplored. In this paper, we introduce MuseDance, an innovative end-to-end model that animates reference images using both music and text inputs. This dual input enables MuseDance to generate personalized videos that follow text descriptions and synchronize character movements with the music. Unlike existing approaches, MuseDance eliminates the need for complex motion guidance inputs, such as pose or depth sequences, making flexible and creative video generation accessible to users of all expertise levels. To advance research in this field, we present a new multimodal dataset comprising 2,904 dance videos with corresponding background music and text descriptions. Our approach leverages diffusion-based methods to achieve robust generalization, precise control, and temporal consistency, setting a new baseline for the music-driven image animation task.