Clarissa Lima Loures

Clarissa Loures, Caio Hosken, Luan Oliveira et al.

Attributing authorship to paintings is a historically complex task, and one of its main challenges is the limited availability of real artworks for training computational models. This study investigates whether synthetic images, generated through DreamBooth fine-tuning of Stable Diffusion, can improve the performance of classification models in this context. We propose a hybrid approach that combines real and synthetic data to enhance model accuracy and generalization across similar artistic styles. Experimental results show that adding synthetic images leads to higher ROC-AUC and accuracy compared to using only real paintings. By integrating generative and discriminative methods, this work contributes to the development of computer vision techniques for artwork authentication in data-scarce scenarios.

Francisco Galuppo Azevedo, Clarissa Lima Loures, Denis Oliveira Correa

Training relational foundation models requires learning representations that transfer across tasks, yet available supervision is typically limited to a small number of prediction targets per database. This task scarcity causes learned representations to encode task-specific shortcuts that degrade transfer even within the same schema, a problem we call label leakage. We study this using K-Space, a modular architecture combining frozen pretrained tabular encoders with a lightweight message-passing core. To suppress leakage, we introduce a gradient projection method that removes label-predictive directions from representation updates. On RelBench, this improves within-dataset transfer by +0.145 AUROC on average, often recovering near single-task performance. Our results suggest that limited task diversity, not just limited data, constrains relational foundation models.