Modan Tailleur

SD
h-index7
4papers
14citations
Novelty18%
AI Score19

4 Papers

SDSep 16, 2024
Machine listening in a neonatal intensive care unit

Modan Tailleur, Vincent Lostanlen, Jean-Philippe Rivière et al.

Oxygenators, alarm devices, and footsteps are some of the most common sound sources in a hospital. Detecting them has scientific value for environmental psychology but comes with challenges of its own: namely, privacy preservation and limited labeled data. In this paper, we address these two challenges via a combination of edge computing and cloud computing. For privacy preservation, we have designed an acoustic sensor which computes third-octave spectrograms on the fly instead of recording audio waveforms. For sample-efficient machine learning, we have repurposed a pretrained audio neural network (PANN) via spectral transcoding and label space adaptation. A small-scale study in a neonatological intensive care unit (NICU) confirms that the time series of detected events align with another modality of measurement: i.e., electronic badges for parents and healthcare professionals. Hence, this paper demonstrates the feasibility of polyphonic machine listening in a hospital ward while guaranteeing privacy by design.

SDOct 23, 2024
Challenge on Sound Scene Synthesis: Evaluating Text-to-Audio Generation

Junwon Lee, Modan Tailleur, Laurie M. Heller et al.

Despite significant advancements in neural text-to-audio generation, challenges persist in controllability and evaluation. This paper addresses these issues through the Sound Scene Synthesis challenge held as part of the Detection and Classification of Acoustic Scenes and Events 2024. We present an evaluation protocol combining objective metric, namely Fréchet Audio Distance, with perceptual assessments, utilizing a structured prompt format to enable diverse captions and effective evaluation. Our analysis reveals varying performance across sound categories and model architectures, with larger models generally excelling but innovative lightweight approaches also showing promise. The strong correlation between objective metrics and human ratings validates our evaluation approach. We discuss outcomes in terms of audio quality, controllability, and architectural considerations for text-to-audio synthesizers, providing direction for future research.

AIJan 15, 2025
Sound Scene Synthesis at the DCASE 2024 Challenge

Mathieu Lagrange, Junwon Lee, Modan Tailleur et al.

This paper presents Task 7 at the DCASE 2024 Challenge: sound scene synthesis. Recent advances in sound synthesis and generative models have enabled the creation of realistic and diverse audio content. We introduce a standardized evaluation framework for comparing different sound scene synthesis systems, incorporating both objective and subjective metrics. The challenge attracted four submissions, which are evaluated using the Fréchet Audio Distance (FAD) and human perceptual ratings. Our analysis reveals significant insights into the current capabilities and limitations of sound scene synthesis systems, while also highlighting areas for future improvement in this rapidly evolving field.

SDJun 24, 2024
EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal

Modan Tailleur, Julien Pinquier, Laurent Millot et al.

In this paper, we introduce the Extreme Metal Vocals Dataset, which comprises a collection of recordings of extreme vocal techniques performed within the realm of heavy metal music. The dataset consists of 760 audio excerpts of 1 second to 30 seconds long, totaling about 100 min of audio material, roughly composed of 60 minutes of distorted voices and 40 minutes of clear voice recordings. These vocal recordings are from 27 different singers and are provided without accompanying musical instruments or post-processing effects. The distortion taxonomy within this dataset encompasses four distinct distortion techniques and three vocal effects, all performed in different pitch ranges. Performance of a state-of-the-art deep learning model is evaluated for two different classification tasks related to vocal techniques, demonstrating the potential of this resource for the audio processing community.