Mehul Agarwal

Mehul Agarwal, Aditya Aggarwal, Arnav Goel et al.

While multilingual large language models (LLMs) perform well on high-level tasks like translation and question answering, their ability to handle grammatical gender and morphological agreement remains underexplored. In morphologically rich languages, gender influences verb conjugation, pronouns, and even first-person constructions with explicit and implicit mentions of gender. We introduce MORPHOGEN, a morphologically grounded large-scale benchmark dataset for evaluating gender-aware generation in three typologically diverse grammatically gendered languages: French, Arabic, and Hindi. The core task, GENFORM, requires models to rewrite a first-person sentence in the opposite gender while preserving its meaning and structure. We construct a high-quality synthetic dataset spanning these three languages and benchmark 15 popular multilingual LLMs (2B-70B) on their ability to perform this transformation. Our results reveal significant gaps and interesting insights into how current models handle morphological gender. MORPHOGEN provides a focused diagnostic lens for gender-aware language modeling and lays the groundwork for future research on inclusive and morphology-sensitive NLP.

Mehul Agarwal, Gauri Agarwal, Santiago Benoit et al.

Music is a deeply personal experience and our aim is to enhance this with a fully-automated pipeline for personalized music video generation. Our work allows listeners to not just be consumers but co-creators in the music video generation process by creating personalized, consistent and context-driven visuals based on lyrics, rhythm and emotion in the music. The pipeline combines multimodal translation and generation techniques and utilizes low-rank adaptation on listeners' images to create immersive music videos that reflect both the music and the individual. To ensure the ethical use of users' identity, we also introduce CHARCHA (patent pending), a facial identity verification protocol that protects people against unauthorized use of their face while at the same time collecting authorized images from users for personalizing their videos. This paper thus provides a secure and innovative framework for creating deeply personalized music videos.

Huichan Seo, Sieun Choi, Minki Hong et al.

Generative image models produce striking visuals yet often misrepresent culture. Prior work has examined cultural bias mainly in text-to-image (T2I) systems, leaving image-to-image (I2I) editors underexplored. We bridge this gap with a unified evaluation across six countries, an 8-category/36-subcategory schema, and era-aware prompts, auditing both T2I generation and I2I editing under a standardized protocol that yields comparable diagnostics. Using open models with fixed settings, we derive cross-country, cross-era, and cross-category evaluations. Our framework combines standard automatic metrics, a culture-aware retrieval-augmented VQA, and expert human judgments collected from native reviewers. To enable reproducibility, we release the complete image corpus, prompts, and configurations. Our study reveals three findings: (1) under country-agnostic prompts, models default to Global-North, modern-leaning depictions that flatten cross-country distinctions; (2) iterative I2I editing erodes cultural fidelity even when conventional metrics remain flat or improve; and (3) I2I models apply superficial cues (palette shifts, generic props) rather than era-consistent, context-aware changes, often retaining source identity for Global-South targets. These results highlight that culture-sensitive edits remain unreliable in current systems. By releasing standardized data, prompts, and human evaluation protocols, we provide a reproducible, culture-centered benchmark for diagnosing and tracking cultural bias in generative image models.

Auroshikha Mandal, Mehul Agarwal, Malay Bhattacharyya

Collaborative creativity is the approach of employing crowd to accomplish creative tasks. In this paper, we present a collaborative crowdsourcing platform for writing stories by means of connecting a series of `images'. These connected images are termed as Image Chains, reflecting successive scenarios. Users can either start or extend an Image Chain by uploading their own image or choosing from the available ones. These users are allowed to pen their stories from the Image Chains. Finally, stories get published based on the number of votes obtained. This provides an organized framework of story writing unlike most of the state-of-the-art collaborative editing platforms. Our experiments on 25 contributors highlight their interest in growing shorter Image Chains but voting longer Image Chains.