Sriharsh Bhyravajjula

Sriharsh Bhyravajjula, Ujwal Narayan, Manish Shrivastava

Character arcs are important theoretical devices employed in literary studies to understand character journeys, identify tropes across literary genres, and establish similarities between narratives. This work addresses the novel task of computationally generating event-centric, relation-based character arcs from narratives. Providing a quantitative representation for arcs brings tangibility to a theoretical concept and paves the way for subsequent applications. We present MARCUS (Modelling Arcs for Understanding Stories), an NLP pipeline that extracts events, participant characters, implied emotion, and sentiment to model inter-character relations. MARCUS tracks and aggregates these relations across the narrative to generate character arcs as graphical plots. We generate character arcs from two extended fantasy series, Harry Potter and Lord of the Rings. We evaluate our approach before outlining existing challenges, suggesting applications of our pipeline, and discussing future work.

Sriharsh Bhyravajjula, Melanie Walsh, Anna Preus et al.

Whitespace is a critical component of poetic form, reflecting both adherence to standardized forms and rebellion against those forms. Each poem's whitespace distribution reflects the artistic choices of the poet and is an integral semantic and spatial feature of the poem. Yet, despite the popularity of poetry as both a long-standing art form and as a generation task for large language models (LLMs), whitespace has not received sufficient attention from the NLP community. Using a corpus of 19k English-language published poems from Poetry Foundation, we investigate how 4k poets have used whitespace in their works. We release a subset of 2.8k public-domain poems with preserved formatting to facilitate further research in this area. We compare whitespace usage in the published poems to (1) 51k LLM-generated poems, and (2) 12k unpublished poems posted in an online community. We also explore whitespace usage across time periods, poetic forms, and data sources. Additionally, we find that different text processing methods can result in significantly different representations of whitespace in poetry data, motivating us to use these poems and whitespace patterns to discuss implications for the processing strategies used to assemble pretraining datasets for LLMs.