Sheng Li

CV
h-index20
6papers
156citations
Novelty56%
AI Score49

6 Papers

21.8CVApr 20, 2023Code
Text2Seg: Remote Sensing Image Semantic Segmentation via Text-Guided Visual Foundation Models

Jielu Zhang, Zhongliang Zhou, Gengchen Mai et al.

Remote sensing imagery has attracted significant attention in recent years due to its instrumental role in global environmental monitoring, land usage monitoring, and more. As image databases grow each year, performing automatic segmentation with deep learning models has gradually become the standard approach for processing the data. Despite the improved performance of current models, certain limitations remain unresolved. Firstly, training deep learning models for segmentation requires per-pixel annotations. Given the large size of datasets, only a small portion is fully annotated and ready for training. Additionally, the high intra-dataset variance in remote sensing data limits the transfer learning ability of such models. Although recently proposed generic segmentation models like SAM have shown promising results in zero-shot instance-level segmentation, adapting them to semantic segmentation is a non-trivial task. To tackle these challenges, we propose a novel method named Text2Seg for remote sensing semantic segmentation. Text2Seg overcomes the dependency on extensive annotations by employing an automatic prompt generation process using different visual foundation models (VFMs), which are trained to understand semantic information in various ways. This approach not only reduces the need for fully annotated datasets but also enhances the model's ability to generalize across diverse datasets. Evaluations on four widely adopted remote sensing datasets demonstrate that Text2Seg significantly improves zero-shot prediction performance compared to the vanilla SAM model, with relative improvements ranging from 31% to 225%. Our code is available at https://github.com/Douglas2Code/Text2Seg.

2.0CVSep 29, 2024
Neural-Polyptych: Content Controllable Painting Recreation for Diverse Genres

Yiming Zhao, Dewen Guo, Zhouhui Lian et al.

To bridge the gap between artists and non-specialists, we present a unified framework, Neural-Polyptych, to facilitate the creation of expansive, high-resolution paintings by seamlessly incorporating interactive hand-drawn sketches with fragments from original paintings. We have designed a multi-scale GAN-based architecture to decompose the generation process into two parts, each responsible for identifying global and local features. To enhance the fidelity of semantic details generated from users' sketched outlines, we introduce a Correspondence Attention module utilizing our Reference Bank strategy. This ensures the creation of high-quality, intricately detailed elements within the artwork. The final result is achieved by carefully blending these local elements while preserving coherent global consistency. Consequently, this methodology enables the production of digital paintings at megapixel scale, accommodating diverse artistic expressions and enabling users to recreate content in a controlled manner. We validate our approach to diverse genres of both Eastern and Western paintings. Applications such as large painting extension, texture shuffling, genre switching, mural art restoration, and recomposition can be successfully based on our framework.

3.6CVApr 7, 2025Code
Bridging Knowledge Gap Between Image Inpainting and Large-Area Visible Watermark Removal

Yicheng Leng, Chaowei Fang, Junye Chen et al.

Visible watermark removal which involves watermark cleaning and background content restoration is pivotal to evaluate the resilience of watermarks. Existing deep neural network (DNN)-based models still struggle with large-area watermarks and are overly dependent on the quality of watermark mask prediction. To overcome these challenges, we introduce a novel feature adapting framework that leverages the representation modeling capacity of a pre-trained image inpainting model. Our approach bridges the knowledge gap between image inpainting and watermark removal by fusing information of the residual background content beneath watermarks into the inpainting backbone model. We establish a dual-branch system to capture and embed features from the residual background content, which are merged into intermediate features of the inpainting backbone model via gated feature fusion modules. Moreover, for relieving the dependence on high-quality watermark masks, we introduce a new training paradigm by utilizing coarse watermark masks to guide the inference process. This contributes to a visible image removal model which is insensitive to the quality of watermark mask during testing. Extensive experiments on both a large-scale synthesized dataset and a real-world dataset demonstrate that our approach significantly outperforms existing state-of-the-art methods. The source code is available in the supplementary materials.

20.9CVMar 28, 2024Code
Img2Loc: Revisiting Image Geolocalization using Multi-modality Foundation Models and Image-based Retrieval-Augmented Generation

Zhongliang Zhou, Jielu Zhang, Zihan Guan et al.

Geolocating precise locations from images presents a challenging problem in computer vision and information retrieval.Traditional methods typically employ either classification, which dividing the Earth surface into grid cells and classifying images accordingly, or retrieval, which identifying locations by matching images with a database of image-location pairs. However, classification-based approaches are limited by the cell size and cannot yield precise predictions, while retrieval-based systems usually suffer from poor search quality and inadequate coverage of the global landscape at varied scale and aggregation levels. To overcome these drawbacks, we present Img2Loc, a novel system that redefines image geolocalization as a text generation task. This is achieved using cutting-edge large multi-modality models like GPT4V or LLaVA with retrieval augmented generation. Img2Loc first employs CLIP-based representations to generate an image-based coordinate query database. It then uniquely combines query results with images itself, forming elaborate prompts customized for LMMs. When tested on benchmark datasets such as Im2GPS3k and YFCC4k, Img2Loc not only surpasses the performance of previous state-of-the-art models but does so without any model training.

13.1CVSep 23, 2025
The Photographer Eye: Teaching Multimodal Large Language Models to Understand Image Aesthetics like Photographers

Daiqing Qi, Handong Zhao, Jing Shi et al.

While editing directly from life, photographers have found it too difficult to see simultaneously both the blue and the sky. Photographer and curator, Szarkowski insightfully revealed one of the notable gaps between general and aesthetic visual understanding: while the former focuses on identifying the factual element in an image (sky), the latter transcends such object identification, viewing it instead as an aesthetic component--a pure color block (blue). Such fundamental distinctions between general (detection, localization, etc.) and aesthetic (color, lighting, composition, etc.) visual understanding present a significant challenge for Multimodal Large Language Models (MLLMs). Although some recent works have made initial explorations, they are often limited to general and basic aesthetic commonsense. As a result, they frequently fall short in real-world scenarios (Fig. 1), which require extensive expertise--including photographic techniques, photo pre/post-processing knowledge, and more, to provide a detailed analysis and description. To fundamentally enhance the aesthetics understanding of MLLMs, we first introduce a novel dataset, PhotoCritique, derived from extensive discussions among professional photographers and enthusiasts, and characterized by the large scale, expertise, and diversity. Then, to better learn visual aesthetics from PhotoCritique, we furthur propose a novel model, PhotoEye, featuring a languageguided multi-view vision fusion mechanism to understand image aesthetics from multiple perspectives. Finally, we present a novel benchmark, PhotoBench, a comprehensive and professional benchmark for aesthetic visual understanding. On existing benchmarks and PhotoBench, our model demonstrates clear advantages over existing models.

4.7CVApr 3, 2019
SADIH: Semantic-Aware DIscrete Hashing

Zheng Zhang, Guo-sen Xie, Yang Li et al.

Due to its low storage cost and fast query speed, hashing has been recognized to accomplish similarity search in large-scale multimedia retrieval applications. Particularly supervised hashing has recently received considerable research attention by leveraging the label information to preserve the pairwise similarities of data points in the Hamming space. However, there still remain two crucial bottlenecks: 1) the learning process of the full pairwise similarity preservation is computationally unaffordable and unscalable to deal with big data; 2) the available category information of data are not well-explored to learn discriminative hash functions. To overcome these challenges, we propose a unified Semantic-Aware DIscrete Hashing (SADIH) framework, which aims to directly embed the transformed semantic information into the asymmetric similarity approximation and discriminative hashing function learning. Specifically, a semantic-aware latent embedding is introduced to asymmetrically preserve the full pairwise similarities while skillfully handle the cumbersome n times n pairwise similarity matrix. Meanwhile, a semantic-aware autoencoder is developed to jointly preserve the data structures in the discriminative latent semantic space and perform data reconstruction. Moreover, an efficient alternating optimization algorithm is proposed to solve the resulting discrete optimization problem. Extensive experimental results on multiple large-scale datasets demonstrate that our SADIH can clearly outperform the state-of-the-art baselines with the additional benefit of lower computational costs.