Federico Visi

h-index6
2papers
154citations

2 Papers

1.4CVMay 5, 2022
Deep Neural Network approaches for Analysing Videos of Music Performances

Foteini Simistira Liwicki, Richa Upadhyay, Prakash Chandra Chhipa et al.

This paper presents a framework to automate the labelling process for gestures in musical performance videos with a 3D Convolutional Neural Network (CNN). While this idea was proposed in a previous study, this paper introduces several novelties: (i) Presents a novel method to overcome the class imbalance challenge and make learning possible for co-existent gestures by batch balancing approach and spatial-temporal representations of gestures. (ii) Performs a detailed study on 7 and 18 categories of gestures generated during the performance (guitar play) of musical pieces that have been video-recorded. (iii) Investigates the possibility to use audio features. (iv) Extends the analysis to multiple videos. The novel methods significantly improve the performance of gesture identification by 12 %, when compared to the previous work (51 % in this study over 39 % in previous work). We successfully validate the proposed methods on 7 super classes (72 %), an ensemble of the 18 gestures/classes, and additional videos (75 %).

4.2LGNov 26, 2020Code
Interactive Machine Learning of Musical Gesture

Federico Ghelli Visi, Atau Tanaka

This chapter presents an overview of Interactive Machine Learning (IML) techniques applied to the analysis and design of musical gestures. We go through the main challenges and needs related to capturing, analysing, and applying IML techniques to human bodily gestures with the purpose of performing with sound synthesis systems. We discuss how different algorithms may be used to accomplish different tasks, including interacting with complex synthesis techniques and exploring interaction possibilities by means of Reinforcement Learning (RL) in an interaction paradigm we developed called Assisted Interactive Machine Learning (AIML). We conclude the chapter with a description of how some of these techniques were employed by the authors for the development of four musical pieces, thus outlining the implications that IML have for musical practice.