Seungwoo Lee

h-index14
2papers
1,005citations

2 Papers

13.6LGApr 13, 2022Code
AHP: Learning to Negative Sample for Hyperedge Prediction

Hyunjin Hwang, Seungwoo Lee, Chanyoung Park et al.

Hypergraphs (i.e., sets of hyperedges) naturally represent group relations (e.g., researchers co-authoring a paper and ingredients used together in a recipe), each of which corresponds to a hyperedge (i.e., a subset of nodes). Predicting future or missing hyperedges bears significant implications for many applications (e.g., collaboration and recipe recommendation). What makes hyperedge prediction particularly challenging is the vast number of non-hyperedge subsets, which grows exponentially with the number of nodes. Since it is prohibitive to use all of them as negative examples for model training, it is inevitable to sample a very small portion of them, and to this end, heuristic sampling schemes have been employed. However, trained models suffer from poor generalization capability for examples of different natures. In this paper, we propose AHP, an adversarial training-based hyperedge-prediction method. It learns to sample negative examples without relying on any heuristic schemes. Using six real hypergraphs, we show that AHP generalizes better to negative examples of various natures. It yields up to 28.2% higher AUROC than the best existing methods and often even outperforms its variants with sampling schemes tailored to test sets.

14.5CVMay 6, 2023
AADiff: Audio-Aligned Video Synthesis with Text-to-Image Diffusion

Seungwoo Lee, Chaerin Kong, Donghyeon Jeon et al.

Recent advances in diffusion models have showcased promising results in the text-to-video (T2V) synthesis task. However, as these T2V models solely employ text as the guidance, they tend to struggle in modeling detailed temporal dynamics. In this paper, we introduce a novel T2V framework that additionally employ audio signals to control the temporal dynamics, empowering an off-the-shelf T2I diffusion to generate audio-aligned videos. We propose audio-based regional editing and signal smoothing to strike a good balance between the two contradicting desiderata of video synthesis, i.e., temporal flexibility and coherence. We empirically demonstrate the effectiveness of our method through experiments, and further present practical applications for contents creation.