Pedro Morgado

Cheng-En Wu, Yu Tian, Haichao Yu et al.

Vision-language models such as CLIP learn a generic text-image embedding from large-scale training data. A vision-language model can be adapted to a new classification task through few-shot prompt tuning. We find that such a prompt tuning process is highly robust to label noises. This intrigues us to study the key reasons contributing to the robustness of the prompt tuning paradigm. We conducted extensive experiments to explore this property and find the key factors are: 1) the fixed classname tokens provide a strong regularization to the optimization of the model, reducing gradients induced by the noisy samples; 2) the powerful pre-trained image-text embedding that is learned from diverse and generic web data provides strong prior knowledge for image classification. Further, we demonstrate that noisy zero-shot predictions from CLIP can be used to tune its own prompt, significantly enhancing prediction accuracy in the unsupervised setting. The code is available at https://github.com/CEWu/PTNL.

Shentong Mo, Pedro Morgado

Unsupervised audio-visual source localization aims at localizing visible sound sources in a video without relying on ground-truth localization for training. Previous works often seek high audio-visual similarities for likely positive (sounding) regions and low similarities for likely negative regions. However, accurately distinguishing between sounding and non-sounding regions is challenging without manual annotations. In this work, we propose a simple yet effective approach for Easy Visual Sound Localization, namely EZ-VSL, without relying on the construction of positive and/or negative regions during training. Instead, we align audio and visual spaces by seeking audio-visual representations that are aligned in, at least, one location of the associated image, while not matching other images, at any location. We also introduce a novel object guided localization scheme at inference time for improved precision. Our simple and effective framework achieves state-of-the-art performance on two popular benchmarks, Flickr SoundNet and VGG-Sound Source. In particular, we improve the CIoU of the Flickr SoundNet test set from 76.80% to 83.94%, and on the VGG-Sound Source dataset from 34.60% to 38.85%. The code is available at https://github.com/stoneMo/EZ-VSL.

Shentong Mo, Pedro Morgado

Audio-visual source localization is a challenging task that aims to predict the location of visual sound sources in a video. Since collecting ground-truth annotations of sounding objects can be costly, a plethora of weakly-supervised localization methods that can learn from datasets with no bounding-box annotations have been proposed in recent years, by leveraging the natural co-occurrence of audio and visual signals. Despite significant interest, popular evaluation protocols have two major flaws. First, they allow for the use of a fully annotated dataset to perform early stopping, thus significantly increasing the annotation effort required for training. Second, current evaluation metrics assume the presence of sound sources at all times. This is of course an unrealistic assumption, and thus better metrics are necessary to capture the model's performance on (negative) samples with no visible sound sources. To accomplish this, we extend the test set of popular benchmarks, Flickr SoundNet and VGG-Sound Sources, in order to include negative samples, and measure performance using metrics that balance localization accuracy and recall. Using the new protocol, we conducted an extensive evaluation of prior methods, and found that most prior works are not capable of identifying negatives and suffer from significant overfitting problems (rely heavily on early stopping for best results). We also propose a new approach for visual sound source localization that addresses both these problems. In particular, we found that, through extreme visual dropout and the use of momentum encoders, the proposed approach combats overfitting effectively, and establishes a new state-of-the-art performance on both Flickr SoundNet and VGG-Sound Source. Code and pre-trained models are available at https://github.com/stoneMo/SLAVC.

Himangi Mittal, Pedro Morgado, Unnat Jain et al.

We propose a self-supervised algorithm to learn representations from egocentric video data. Recently, significant efforts have been made to capture humans interacting with their own environments as they go about their daily activities. In result, several large egocentric datasets of interaction-rich multi-modal data have emerged. However, learning representations from videos can be challenging. First, given the uncurated nature of long-form continuous videos, learning effective representations require focusing on moments in time when interactions take place. Second, visual representations of daily activities should be sensitive to changes in the state of the environment. However, current successful multi-modal learning frameworks encourage representation invariance over time. To address these challenges, we leverage audio signals to identify moments of likely interactions which are conducive to better learning. We also propose a novel self-supervised objective that learns from audible state changes caused by interactions. We validate these contributions extensively on two large-scale egocentric datasets, EPIC-Kitchens-100 and the recently released Ego4D, and show improvements on several downstream tasks, including action recognition, long-term action anticipation, and object state change classification.

Senthil Purushwalkam, Pedro Morgado, Abhinav Gupta

Self-supervised learning (SSL) aims to eliminate one of the major bottlenecks in representation learning - the need for human annotations. As a result, SSL holds the promise to learn representations from data in-the-wild, i.e., without the need for finite and static datasets. Instead, true SSL algorithms should be able to exploit the continuous stream of data being generated on the internet or by agents exploring their environments. But do traditional self-supervised learning approaches work in this setup? In this work, we investigate this question by conducting experiments on the continuous self-supervised learning problem. While learning in the wild, we expect to see a continuous (infinite) non-IID data stream that follows a non-stationary distribution of visual concepts. The goal is to learn a representation that can be robust, adaptive yet not forgetful of concepts seen in the past. We show that a direct application of current methods to such continuous setup is 1) inefficient both computationally and in the amount of data required, 2) leads to inferior representations due to temporal correlations (non-IID data) in some sources of streaming data and 3) exhibits signs of catastrophic forgetting when trained on sources with non-stationary data distributions. We propose the use of replay buffers as an approach to alleviate the issues of inefficiency and temporal correlations. We further propose a novel method to enhance the replay buffer by maintaining the least redundant samples. Minimum redundancy (MinRed) buffers allow us to learn effective representations even in the most challenging streaming scenarios composed of sequential visual data obtained from a single embodied agent, and alleviates the problem of catastrophic forgetting when learning from data with non-stationary semantic distributions.

Cheng-En Wu, Jinhong Lin, Yu Hen Hu et al.

Contrastive image-text pre-trained models such as CLIP have shown remarkable adaptability to downstream tasks. However, they face challenges due to the high computational requirements of the Vision Transformer (ViT) backbone. Current strategies to boost ViT efficiency focus on pruning patch tokens but fall short in addressing the multimodal nature of CLIP and identifying the optimal subset of tokens for maximum performance. To address this, we propose greedy search methods to establish a "Golden Ranking" and introduce a lightweight predictor specifically trained to approximate this Ranking. To compensate for any performance degradation resulting from token pruning, we incorporate learnable visual tokens that aid in restoring and potentially enhancing the model's performance. Our work presents a comprehensive and systematic investigation of pruning tokens within the ViT backbone of CLIP models. Through our framework, we successfully reduced 40% of patch tokens in CLIP's ViT while only suffering a minimal average accuracy loss of 0.3 across seven datasets. Our study lays the groundwork for building more computationally efficient multimodal models without sacrificing their performance, addressing a key challenge in the application of advanced vision-language models.

Jinhong Lin, Cheng-En Wu, Huanran Li et al.

Masked Image Modeling (MIM) has emerged as a powerful self-supervised learning paradigm for visual representation learning, enabling models to acquire rich visual representations by predicting masked portions of images from their visible regions. While this approach has shown promising results, we hypothesize that its effectiveness may be limited by optimization challenges during early training stages, where models are expected to learn complex image distributions from partial observations before developing basic visual processing capabilities. To address this limitation, we propose a prototype-driven curriculum leagrning framework that structures the learning process to progress from prototypical examples to more complex variations in the dataset. Our approach introduces a temperature-based annealing scheme that gradually expands the training distribution, enabling more stable and efficient learning trajectories. Through extensive experiments on ImageNet-1K, we demonstrate that our curriculum learning strategy significantly improves both training efficiency and representation quality while requiring substantially fewer training epochs compared to standard Masked Auto-Encoding. Our findings suggest that carefully controlling the order of training examples plays a crucial role in self-supervised visual learning, providing a practical solution to the early-stage optimization challenges in MIM.

Shentong Mo, Pedro Morgado

The ability to accurately recognize, localize and separate sound sources is fundamental to any audio-visual perception task. Historically, these abilities were tackled separately, with several methods developed independently for each task. However, given the interconnected nature of source localization, separation, and recognition, independent models are likely to yield suboptimal performance as they fail to capture the interdependence between these tasks. To address this problem, we propose a unified audio-visual learning framework (dubbed OneAVM) that integrates audio and visual cues for joint localization, separation, and recognition. OneAVM comprises a shared audio-visual encoder and task-specific decoders trained with three objectives. The first objective aligns audio and visual representations through a localized audio-visual correspondence loss. The second tackles visual source separation using a traditional mix-and-separate framework. Finally, the third objective reinforces visual feature separation and localization by mixing images in pixel space and aligning their representations with those of all corresponding sound sources. Extensive experiments on MUSIC, VGG-Instruments, VGG-Music, and VGGSound datasets demonstrate the effectiveness of OneAVM for all three tasks, audio-visual source localization, separation, and nearest neighbor recognition, and empirically demonstrate a strong positive transfer between them.