Heng Wang

Yuhan Shen, Linjie Yang, Longyin Wen et al.

Recent focus in video captioning has been on designing architectures that can consume both video and text modalities, and using large-scale video datasets with text transcripts for pre-training, such as HowTo100M. Though these approaches have achieved significant improvement, the audio modality is often ignored in video captioning. In this work, we present an audio-visual framework, which aims to fully exploit the potential of the audio modality for captioning. Instead of relying on text transcripts extracted via automatic speech recognition (ASR), we argue that learning with raw audio signals can be more beneficial, as audio has additional information including acoustic events, speaker identity, etc. Our contributions are twofold. First, we observed that the model overspecializes to the audio modality when pre-training with both video and audio modality, since the ground truth (i.e., text transcripts) can be solely predicted using audio. We proposed a Modality Balanced Pre-training (MBP) loss to mitigate this issue and significantly improve the performance on downstream tasks. Second, we slice and dice different design choices of the cross-modal module, which may become an information bottleneck and generate inferior results. We proposed new local-global fusion mechanisms to improve information exchange across audio and video. We demonstrate significant improvements by leveraging the audio modality on four datasets, and even outperform the state of the art on some metrics without relying on the text modality as the input.

Yan-Bo Lin, Yu Tian, Linjie Yang et al.

We present a framework for learning to generate background music from video inputs. Unlike existing works that rely on symbolic musical annotations, which are limited in quantity and diversity, our method leverages large-scale web videos accompanied by background music. This enables our model to learn to generate realistic and diverse music. To accomplish this goal, we develop a generative video-music Transformer with a novel semantic video-music alignment scheme. Our model uses a joint autoregressive and contrastive learning objective, which encourages the generation of music aligned with high-level video content. We also introduce a novel video-beat alignment scheme to match the generated music beats with the low-level motions in the video. Lastly, to capture fine-grained visual cues in a video needed for realistic background music generation, we introduce a new temporal video encoder architecture, allowing us to efficiently process videos consisting of many densely sampled frames. We train our framework on our newly curated DISCO-MV dataset, consisting of 2.2M video-music samples, which is orders of magnitude larger than any prior datasets used for video music generation. Our method outperforms existing approaches on the DISCO-MV and MusicCaps datasets according to various music generation evaluation metrics, including human evaluation. Results are available at https://genjib.github.io/project_page/VMAs/index.html

Haokai Zhang, Shengtao Zhang, Zijian Cai et al.

Spoilers in movie reviews are important on platforms like IMDb and Rotten Tomatoes, offering benefits and drawbacks. They can guide some viewers' choices but also affect those who prefer no plot details in advance, making effective spoiler detection essential. Existing spoiler detection methods mainly analyze review text, often overlooking the impact of movie genres and user bias, limiting their effectiveness. To address this, we analyze movie review data, finding genre-specific variations in spoiler rates and identifying that certain users are more likely to post spoilers. Based on these findings, we introduce a new spoiler detection framework called GUSD (The code is available at https://github.com/AI-explorer-123/GUSD) (Genre-aware and User-specific Spoiler Detection), which incorporates genre-specific data and user behavior bias. User bias is calculated through dynamic graph modeling of review history. Additionally, the R2GFormer module combines RetGAT (Retentive Graph Attention Network) for graph information and GenreFormer for genre-specific aggregation. The GMoE (Genre-Aware Mixture of Experts) model further assigns reviews to specialized experts based on genre. Extensive testing on benchmark datasets shows that GUSD achieves state-of-the-art results. This approach advances spoiler detection by addressing genre and user-specific patterns, enhancing user experience on movie review platforms.

Mingfei Han, Linjie Yang, Xiaojie Jin et al.

The creation of new datasets often presents new challenges for video recognition and can inspire novel ideas while addressing these challenges. While existing datasets mainly comprise landscape mode videos, our paper seeks to introduce portrait mode videos to the research community and highlight the unique challenges associated with this video format. With the growing popularity of smartphones and social media applications, recognizing portrait mode videos is becoming increasingly important. To this end, we have developed the first dataset dedicated to portrait mode video recognition, namely PortraitMode-400. The taxonomy of PortraitMode-400 was constructed in a data-driven manner, comprising 400 fine-grained categories, and rigorous quality assurance was implemented to ensure the accuracy of human annotations. In addition to the new dataset, we conducted a comprehensive analysis of the impact of video format (portrait mode versus landscape mode) on recognition accuracy and spatial bias due to the different formats. Furthermore, we designed extensive experiments to explore key aspects of portrait mode video recognition, including the choice of data augmentation, evaluation procedure, the importance of temporal information, and the role of audio modality. Building on the insights from our experimental results and the introduction of PortraitMode-400, our paper aims to inspire further research efforts in this emerging research area.