Bo-Yu Chen

Jerry Yao-Chieh Hu, Donglin Yang, Dennis Wu et al.

We introduce the sparse modern Hopfield model as a sparse extension of the modern Hopfield model. Like its dense counterpart, the sparse modern Hopfield model equips a memory-retrieval dynamics whose one-step approximation corresponds to the sparse attention mechanism. Theoretically, our key contribution is a principled derivation of a closed-form sparse Hopfield energy using the convex conjugate of the sparse entropic regularizer. Building upon this, we derive the sparse memory retrieval dynamics from the sparse energy function and show its one-step approximation is equivalent to the sparse-structured attention. Importantly, we provide a sparsity-dependent memory retrieval error bound which is provably tighter than its dense analog. The conditions for the benefits of sparsity to arise are therefore identified and discussed. In addition, we show that the sparse modern Hopfield model maintains the robust theoretical properties of its dense counterpart, including rapid fixed point convergence and exponential memory capacity. Empirically, we use both synthetic and real-world datasets to demonstrate that the sparse Hopfield model outperforms its dense counterpart in many situations.

Fang-Duo Tsai, Shih-Lun Wu, Haven Kim et al.

Text-to-music models allow users to generate nearly realistic musical audio with textual commands. However, editing music audios remains challenging due to the conflicting desiderata of performing fine-grained alterations on the audio while maintaining a simple user interface. To address this challenge, we propose Audio Prompt Adapter (or AP-Adapter), a lightweight addition to pretrained text-to-music models. We utilize AudioMAE to extract features from the input audio, and construct attention-based adapters to feedthese features into the internal layers of AudioLDM2, a diffusion-based text-to-music model. With 22M trainable parameters, AP-Adapter empowers users to harness both global (e.g., genre and timbre) and local (e.g., melody) aspects of music, using the original audio and a short text as inputs. Through objective and subjective studies, we evaluate AP-Adapter on three tasks: timbre transfer, genre transfer, and accompaniment generation. Additionally, we demonstrate its effectiveness on out-of-domain audios containing unseen instruments during training.

Dennis Wu, Jerry Yao-Chieh Hu, Weijian Li et al.

We present STanHop-Net (Sparse Tandem Hopfield Network) for multivariate time series prediction with memory-enhanced capabilities. At the heart of our approach is STanHop, a novel Hopfield-based neural network block, which sparsely learns and stores both temporal and cross-series representations in a data-dependent fashion. In essence, STanHop sequentially learn temporal representation and cross-series representation using two tandem sparse Hopfield layers. In addition, StanHop incorporates two additional external memory modules: a Plug-and-Play module and a Tune-and-Play module for train-less and task-aware memory-enhancements, respectively. They allow StanHop-Net to swiftly respond to certain sudden events. Methodologically, we construct the StanHop-Net by stacking STanHop blocks in a hierarchical fashion, enabling multi-resolution feature extraction with resolution-specific sparsity. Theoretically, we introduce a sparse extension of the modern Hopfield model (Generalized Sparse Modern Hopfield Model) and show that it endows a tighter memory retrieval error compared to the dense counterpart without sacrificing memory capacity. Empirically, we validate the efficacy of our framework on both synthetic and real-world settings.

Jerry Yao-Chieh Hu, Bo-Yu Chen, Dennis Wu et al.

We present a nonparametric interpretation for deep learning compatible modern Hopfield models and utilize this new perspective to debut efficient variants. Our key contribution stems from interpreting the memory storage and retrieval processes in modern Hopfield models as a nonparametric regression problem subject to a set of query-memory pairs. Interestingly, our framework not only recovers the known results from the original dense modern Hopfield model but also fills the void in the literature regarding efficient modern Hopfield models, by introducing \textit{sparse-structured} modern Hopfield models with sub-quadratic complexity. We establish that this sparse model inherits the appealing theoretical properties of its dense analogue -- connection with transformer attention, fixed point convergence and exponential memory capacity. Additionally, we showcase the versatility of our framework by constructing a family of modern Hopfield models as extensions, including linear, random masked, top-$K$ and positive random feature modern Hopfield models. Empirically, we validate our framework in both synthetic and realistic settings for memory retrieval and learning tasks.

Bo-Yu Chen, Chiao-Wei Huang, Lung-Pan Cheng

We present FlueBricks, a construction kit for acoustic reasoning via building and customizing flute-like instruments. By assembling generator, resonator, and connector modules that embody various aeroacoustic properties, users gain deeper understanding of how blowhole, tube length, and tone-hole placement alter onset, pitch, and timbre through hands-on experimentation. This forms a designer-player loop of configuring and playing to form, test, and refine acoustic behaviors-acoustic reasoning-shifting acoustic instruments from static artifacts to dynamic systems. To understand how users engage with this system, we conducted an exploratory study with 12 participants ranging from novices to professional musicians. During their explorations, we observed participants fluently switching between designer and player roles, scaffolding designs from familiar instruments, forming and refining their acoustic understanding of length, tone holes, and generator geometry, reinterpreting modules beyond their intended functions, and using their creations for performative acts such as pedagogical showing and musical expression. These collectively demonstrated FlueBricks's potential as a pedagogical tool for embodied acoustic reasoning.

Yi-Lin Jiang, Chia-Ho Hsiung, Yen-Tung Yeh et al.

The rise of "bedroom producers" has democratized music creation, while challenging producers to objectively evaluate their work. To address this, we present AI TrackMate, an LLM-based music chatbot designed to provide constructive feedback on music productions. By combining LLMs' inherent musical knowledge with direct audio track analysis, AI TrackMate offers production-specific insights, distinguishing it from text-only approaches. Our framework integrates a Music Analysis Module, an LLM-Readable Music Report, and Music Production-Oriented Feedback Instruction, creating a plug-and-play, training-free system compatible with various LLMs and adaptable to future advancements. We demonstrate AI TrackMate's capabilities through an interactive web interface and present findings from a pilot study with a music producer. By bridging AI capabilities with the needs of independent producers, AI TrackMate offers on-demand analytical feedback, potentially supporting the creative process and skill development in music production. This system addresses the growing demand for objective self-assessment tools in the evolving landscape of independent music production.

Wei-Han Hsu, Bo-Yu Chen, Yi-Hsuan Yang

Along with the evolution of music technology, a large number of styles, or "subgenres," of Electronic Dance Music(EDM) have emerged in recent years. While the classification task of distinguishing between EDM and non-EDM has been often studied in the context of music genre classification, little work has been done on the more challenging EDM subgenre classification. The state-of-art model is based on extremely randomized trees and could be improved by deep learning methods. In this paper, we extend the state-of-art music auto-tagging model "short-chunkCNN+Resnet" to EDM subgenre classification, with the addition of two mid-level tempo-related feature representations, called the Fourier tempogram and autocorrelation tempogram. And, we explore two fusion strategies, early fusion and late fusion, to aggregate the two types of tempograms. We evaluate the proposed models using a large dataset consisting of 75,000 songs for 30 different EDM subgenres, and show that the adoption of deep learning models and tempo features indeed leads to higher classification accuracy.

Bo-Yu Chen, Wei-Han Hsu, Wei-Hsiang Liao et al.

A central task of a Disc Jockey (DJ) is to create a mixset of mu-sic with seamless transitions between adjacent tracks. In this paper, we explore a data-driven approach that uses a generative adversarial network to create the song transition by learning from real-world DJ mixes. In particular, the generator of the model uses two differentiable digital signal processing components, an equalizer (EQ) and a fader, to mix two tracks selected by a data generation pipeline. The generator has to set the parameters of the EQs and fader in such away that the resulting mix resembles real mixes created by humanDJ, as judged by the discriminator counterpart. Result of a listening test shows that the model can achieve competitive results compared with a number of baselines.

Tun-Min Hung, Bo-Yu Chen, Yen-Tung Yeh et al.

This paper proposes a new benchmark task for generat-ing musical passages in the audio domain by using thedrum loops from the FreeSound Loop Dataset, which arepublicly re-distributable. Moreover, we use a larger col-lection of drum loops from Looperman to establish fourmodel-based objective metrics for evaluation, releasingthese metrics as a library for quantifying and facilitatingthe progress of musical audio generation. Under this eval-uation framework, we benchmark the performance of threerecent deep generative adversarial network (GAN) mod-els we customize to generate loops, including StyleGAN,StyleGAN2, and UNAGAN. We also report a subjectiveevaluation of these models. Our evaluation shows that theone based on StyleGAN2 performs the best in both objec-tive and subjective metrics.

Antonio Ramires, Frederic Font, Dmitry Bogdanov et al.

Music loops are essential ingredients in electronic music production, and there is a high demand for pre-recorded loops in a variety of styles. Several commercial and community databases have been created to meet this demand, but most are not suitable for research due to their strict licensing. We present the Freesound Loop Dataset (FSLD), a new large-scale dataset of music loops annotated by experts. The loops originate from Freesound, a community database of audio recordings released under Creative Commons licenses, so the audio in our dataset may be redistributed. The annotations include instrument, tempo, meter, key and genre tags. We describe the methodology used to assemble and annotate the data, and report on the distribution of tags in the data and inter-annotator agreement. We also present to the community an online loop annotator tool that we developed. To illustrate the usefulness of FSLD, we present short case studies on using it to estimate tempo and key, generate music tracks, and evaluate a loop separation algorithm. We anticipate that the community will find yet more uses for the data, in applications from automatic loop characterisation to algorithmic composition.

Bo-Yu Chen, Jordan B. L. Smith, Yi-Hsuan Yang

Music producers who use loops may have access to thousands in loop libraries, but finding ones that are compatible is a time-consuming process; we hope to reduce this burden with automation. State-of-the-art systems for estimating compatibility, such as AutoMashUpper, are mostly rule-based and could be improved on with machine learn-ing. To train a model, we need a large set of loops with ground truth compatibility values. No such dataset exists, so we extract loops from existing music to obtain positive examples of compatible loops, and propose and compare various strategies for choosing negative examples. For re-producibility, we curate data from the Free Music Archive.Using this data, we investigate two types of model architectures for estimating the compatibility of loops: one based on a Siamese network, and the other a pure convolutional neural network (CNN). We conducted a user study in which participants rated the quality of the combinations suggested by each model, and found the CNN to outperform the Siamese network. Both model-based approaches outperformed the rule-based one. We have opened source the code for building the models and the dataset.