Jinhua Liang

Xubo Liu, Zhongkai Zhu, Haohe Liu et al.

Despite breakthroughs in audio generation models, their capabilities are often confined to domain-specific conditions such as speech transcriptions and audio captions. However, real-world audio creation aims to generate harmonious audio containing various elements such as speech, music, and sound effects with controllable conditions, which is challenging to address using existing audio generation systems. We present WavJourney, a novel framework that leverages Large Language Models (LLMs) to connect various audio models for audio creation. WavJourney allows users to create storytelling audio content with diverse audio elements simply from textual descriptions. Specifically, given a text instruction, WavJourney first prompts LLMs to generate an audio script that serves as a structured semantic representation of audio elements. The audio script is then converted into a computer program, where each line of the program calls a task-specific audio generation model or computational operation function. The computer program is then executed to obtain a compositional and interpretable solution for audio creation. Experimental results suggest that WavJourney is capable of synthesizing realistic audio aligned with textually-described semantic, spatial and temporal conditions, achieving state-of-the-art results on text-to-audio generation benchmarks. Additionally, we introduce a new multi-genre story benchmark. Subjective evaluations demonstrate the potential of WavJourney in crafting engaging storytelling audio content from text. We further demonstrate that WavJourney can facilitate human-machine co-creation in multi-round dialogues. To foster future research, the code and synthesized audio are available at: https://audio-agi.github.io/WavJourney_demopage/.

Yi Yuan, Haohe Liu, Jinhua Liang et al.

Deep neural networks have recently achieved breakthroughs in sound generation. Despite the outstanding sample quality, current sound generation models face issues on small-scale datasets (e.g., overfitting), significantly limiting performance. In this paper, we make the first attempt to investigate the benefits of pre-training on sound generation with AudioLDM, the cutting-edge model for audio generation, as the backbone. Our study demonstrates the advantages of the pre-trained AudioLDM, especially in data-scarcity scenarios. In addition, the baselines and evaluation protocol for sound generation systems are not consistent enough to compare different studies directly. Aiming to facilitate further study on sound generation tasks, we benchmark the sound generation task on various frequently-used datasets. We hope our results on transfer learning and benchmarks can provide references for further research on conditional sound generation.

Tanisha Hisariya, Huan Zhang, Jinhua Liang

Rapid advancements in artificial intelligence have significantly enhanced generative tasks involving music and images, employing both unimodal and multimodal approaches. This research develops a model capable of generating music that resonates with the emotions depicted in visual arts, integrating emotion labeling, image captioning, and language models to transform visual inputs into musical compositions. Addressing the scarcity of aligned art and music data, we curated the Emotion Painting Music Dataset, pairing paintings with corresponding music for effective training and evaluation. Our dual-stage framework converts images to text descriptions of emotional content and then transforms these descriptions into music, facilitating efficient learning with minimal data. Performance is evaluated using metrics such as Fréchet Audio Distance (FAD), Total Harmonic Distortion (THD), Inception Score (IS), and KL divergence, with audio-emotion text similarity confirmed by the pre-trained CLAP model to demonstrate high alignment between generated music and text. This synthesis tool bridges visual art and music, enhancing accessibility for the visually impaired and opening avenues in educational and therapeutic applications by providing enriched multi-sensory experiences.

Jinhua Liang, Tao Zhang, Guoqing Feng

Model compression and acceleration are attracting increasing attentions due to the demand for embedded devices and mobile applications. Research on efficient convolutional neural networks (CNNs) aims at removing feature redundancy by decomposing or optimizing the convolutional calculation. In this work, feature redundancy is assumed to exist among channels in CNN architectures, which provides some leeway to boost calculation efficiency. Aiming at channel compression, a novel convolutional construction named compact convolution is proposed to embrace the progress in spatial convolution, channel grouping and pooling operation. Specifically, the depth-wise separable convolution and the point-wise interchannel operation are utilized to efficiently extract features. Different from the existing channel compression method which usually introduces considerable learnable weights, the proposed compact convolution can reduce feature redundancy with no extra parameters. With the point-wise interchannel operation, compact convolutions implicitly squeeze the channel dimension of feature maps. To explore the rules on reducing channel redundancy in neural networks, the comparison is made among different point-wise interchannel operations. Moreover, compact convolutions are extended to tackle with multiple tasks, such as acoustic scene classification, sound event detection and image classification. The extensive experiments demonstrate that our compact convolution not only exhibits high effectiveness in several multimedia tasks, but also can be efficiently implemented by benefiting from parallel computation.