Nicolas Turpault

Scott Wisdom, Hakan Erdogan, Daniel Ellis et al.

We introduce the Free Universal Sound Separation (FUSS) dataset, a new corpus for experiments in separating mixtures of an unknown number of sounds from an open domain of sound types. The dataset consists of 23 hours of single-source audio data drawn from 357 classes, which are used to create mixtures of one to four sources. To simulate reverberation, an acoustic room simulator is used to generate impulse responses of box shaped rooms with frequency-dependent reflective walls. Additional open-source data augmentation tools are also provided to produce new mixtures with different combinations of sources and room simulations. Finally, we introduce an open-source baseline separation model, based on an improved time-domain convolutional network (TDCN++), that can separate a variable number of sources in a mixture. This model achieves 9.8 dB of scale-invariant signal-to-noise ratio improvement (SI-SNRi) on mixtures with two to four sources, while reconstructing single-source inputs with 35.5 dB absolute SI-SNR. We hope this dataset will lower the barrier to new research and allow for fast iteration and application of novel techniques from other machine learning domains to the sound separation challenge.

Karyna Isaieva, Yves Laprie, Nicolas Turpault et al.

Tongue contour extraction from real-time magnetic resonance images is a nontrivial task due to the presence of artifacts manifesting in form of blurring or ghostly contours. In this work, we present results of automatic tongue delineation achieved by means of U-Net auto-encoder convolutional neural network. We present both intra- and inter-subject validation. We used real-time magnetic resonance images and manually annotated 1-pixel wide contours as inputs. Predicted probability maps were post-processed in order to obtain 1-pixel wide tongue contours. The results are very good and slightly outperform published results on automatic tongue segmentation.

Francesca Ronchini, Romain Serizel, Nicolas Turpault et al.

Detection and Classification Acoustic Scene and Events Challenge 2021 Task 4 uses a heterogeneous dataset that includes both recorded and synthetic soundscapes. Until recently only target sound events were considered when synthesizing the soundscapes. However, recorded soundscapes often contain a substantial amount of non-target events that may affect the performance. In this paper, we focus on the impact of these non-target events in the synthetic soundscapes. Firstly, we investigate to what extent using non-target events alternatively during the training or validation phase (or none of them) helps the system to correctly detect target events. Secondly, we analyze to what extend adjusting the signal-to-noise ratio between target and non-target events at training improves the sound event detection performance. The results show that using both target and non-target events for only one of the phases (validation or training) helps the system to properly detect sound events, outperforming the baseline (which uses non-target events in both phases). The paper also reports the results of a preliminary study on evaluating the system on clips that contain only non-target events. This opens questions for future work on non-target subset and acoustic similarity between target and non-target events which might confuse the system.

Nicolas Turpault, Romain Serizel, Scott Wisdom et al.

We propose a benchmark of state-of-the-art sound event detection systems (SED). We designed synthetic evaluation sets to focus on specific sound event detection challenges. We analyze the performance of the submissions to DCASE 2021 task 4 depending on time related modifications (time position of an event and length of clips) and we study the impact of non-target sound events and reverberation. We show that the localization in time of sound events is still a problem for SED systems. We also show that reverberation and non-target sound events are severely degrading the performance of the SED systems. In the latter case, sound separation seems like a promising solution.

Giacomo Ferroni, Nicolas Turpault, Juan Azcarreta et al.

The ranking of sound event detection (SED) systems may be biased by assumptions inherent to evaluation criteria and to the choice of an operating point. This paper compares conventional event-based and segment-based criteria against the Polyphonic Sound Detection Score (PSDS)'s intersection-based criterion, over a selection of systems from DCASE 2020 Challenge Task 4. It shows that, by relying on collars , the conventional event-based criterion introduces different strictness levels depending on the length of the sound events, and that the segment-based criterion may lack precision and be application dependent. Alternatively, PSDS's intersection-based criterion overcomes the dependency of the evaluation on sound event duration and provides robustness to labelling subjectivity, by allowing valid detections of interrupted events. Furthermore, PSDS enhances the comparison of SED systems by measuring sound event modelling performance independently from the systems' operating points.

Nicolas Turpault, Scott Wisdom, Hakan Erdogan et al.

Performing sound event detection on real-world recordings often implies dealing with overlapping target sound events and non-target sounds, also referred to as interference or noise. Until now these problems were mainly tackled at the classifier level. We propose to use sound separation as a pre-processing for sound event detection. In this paper we start from a sound separation model trained on the Free Universal Sound Separation dataset and the DCASE 2020 task 4 sound event detection baseline. We explore different methods to combine separated sound sources and the original mixture within the sound event detection. Furthermore, we investigate the impact of adapting the sound separation model to the sound event detection data on both the sound separation and the sound event detection.

Nicolas Turpault, Romain Serizel

Training a sound event detection algorithm on a heterogeneous dataset including both recorded and synthetic soundscapes that can have various labeling granularity is a non-trivial task that can lead to systems requiring several technical choices. These technical choices are often passed from one system to another without being questioned. We propose to perform a detailed analysis of DCASE 2020 task 4 sound event detection baseline with regards to several aspects such as the type of data used for training, the parameters of the mean-teacher or the transformations applied while generating the synthetic soundscapes. Some of the parameters that are usually used as default are shown to be sub-optimal.

Nicolas Turpault, Romain Serizel, Emmanuel Vincent

Many datasets and approaches in ambient sound analysis use weakly labeled data.Weak labels are employed because annotating every data sample with a strong label is too expensive.Yet, their impact on the performance in comparison to strong labels remains unclear.Indeed, weak labels must often be dealt with at the same time as other challenges, namely multiple labels per sample, unbalanced classes and/or overlapping events.In this paper, we formulate a supervised learning problem which involves weak labels.We create a dataset that focuses on the difference between strong and weak labels as opposed to other challenges. We investigate the impact of weak labels when training an embedding or an end-to-end classifier.Different experimental scenarios are discussed to provide insights into which applications are most sensitive to weakly labeled data.

Romain Serizel, Nicolas Turpault, Hamid Eghbal-Zadeh et al.

This paper presents DCASE 2018 task 4. The task evaluates systems for the large-scale detection of sound events using weakly labeled data (without time boundaries). The target of the systems is to provide not only the event class but also the event time boundaries given that multiple events can be present in an audio recording. Another challenge of the task is to explore the possibility to exploit a large amount of unbalanced and unlabeled training data together with a small weakly labeled training set to improve system performance. The data are Youtube video excerpts from domestic context which have many applications such as ambient assisted living. The domain was chosen due to the scientific challenges (wide variety of sounds, time-localized events.. .) and potential industrial applications .