Antonio Ríos-Vila

Enrique Vidal, Alejandro H. Toselli, Antonio Ríos-Vila et al.

The evaluation of Handwritten Text Recognition (HTR) systems has traditionally used metrics based on the edit distance between HTR and ground truth (GT) transcripts, at both the character and word levels. This is very adequate when the experimental protocol assumes that both GT and HTR text lines are the same, which allows edit distances to be independently computed to each given line. Driven by recent advances in pattern recognition, HTR systems increasingly face the end-to-end page-level transcription of a document, where the precision of locating the different text lines and their corresponding reading order (RO) play a key role. In such a case, the standard metrics do not take into account the inconsistencies that might appear. In this paper, the problem of evaluating HTR systems at the page level is introduced in detail. We analyse the convenience of using a two-fold evaluation, where the transcription accuracy and the RO goodness are considered separately. Different alternatives are proposed, analysed and empirically compared both through partially simulated and through real, full end-to-end experiments. Results support the validity of the proposed two-fold evaluation approach. An important conclusion is that such an evaluation can be adequately achieved by just two simple and well-known metrics: the Word Error Rate (WER), that takes transcription sequentiality into account, and the here re-formulated Bag of Words Word Error Rate (bWER), that ignores order. While the latter directly and very accurately assess intrinsic word recognition errors, the difference between both metrics gracefully correlates with the Normalised Spearman's Foot Rule Distance (NSFD), a metric which explicitly measures RO errors associated with layout analysis flaws.

Enrique Mas-Candela, Antonio Ríos-Vila, Jorge Calvo-Zaragoza

In this work, the novel Image Transformation Sequence Retrieval (ITSR) task is presented, in which a model must retrieve the sequence of transformations between two given images that act as source and target, respectively. Given certain characteristics of the challenge such as the multiplicity of a correct sequence or the correlation between consecutive steps of the process, we propose a solution to ITSR using a general model-based Reinforcement Learning such as Monte Carlo Tree Search (MCTS), which is combined with a deep neural network. Our experiments provide a benchmark in both synthetic and real domains, where the proposed approach is compared with supervised training. The results report that a model trained with MCTS is able to outperform its supervised counterpart in both the simplest and the most complex cases. Our work draws interesting conclusions about the nature of ITSR and its associated challenges.

Noelia Luna-Barahona, Antonio Ríos-Vila, David Rizo et al.

The digitization of musical scores plays a crucial role in their preservation and accessibility, yet information retrieval still depends mainly on metadata searches, such as by title or composer. Content based search in music score images remains underexplored compared to text documents, despite its potential value for musicians, musicologists, and educators. This work contributes to the field by first studying which characteristics of a score are most relevant for search and by defining a systematic method to build query datasets from any annotated corpus. We also consider diverse methods for content-based search on music score images, ranging from transcription-based approaches relying on Optical Music Recognition (OMR), to a transcription-free Transformer model trained to recognize queries directly from score images, and a text-prompted Large Language Model. Our experiments evaluate these models on four corpora exhibiting diverse characteristics in terms of dataset size, image quality, and typesetting mechanisms. Overall, each method excels under different conditions: OMR-based pipelines achieve higher in-domain retrieval, whereas transcription-free models handle domain variability more effectively.

Antonio Ríos-Vila, Jorge Calvo-Zaragoza, Thierry Paquet

State-of-the-art end-to-end Optical Music Recognition (OMR) has, to date, primarily been carried out using monophonic transcription techniques to handle complex score layouts, such as polyphony, often by resorting to simplifications or specific adaptations. Despite their efficacy, these approaches imply challenges related to scalability and limitations. This paper presents the Sheet Music Transformer, the first end-to-end OMR model designed to transcribe complex musical scores without relying solely on monophonic strategies. Our model employs a Transformer-based image-to-sequence framework that predicts score transcriptions in a standard digital music encoding format from input images. Our model has been tested on two polyphonic music datasets and has proven capable of handling these intricate music structures effectively. The experimental outcomes not only indicate the competence of the model, but also show that it is better than the state-of-the-art methods, thus contributing to advancements in end-to-end OMR transcription.

Antonio Ríos-Vila, Jorge Calvo-Zaragoza, David Rizo et al.

Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats. Despite these advancements, most so-called end-to-end OMR approaches still rely on multi-stage processing pipelines for transcribing full-page score images, which entails challenges such as the need for dedicated layout analysis and specific annotated data, thereby limiting the general applicability of such methods. In this paper, we present the first truly end-to-end approach for page-level OMR in complex layouts. Our system, which combines convolutional layers with autoregressive Transformers, processes an entire music score page and outputs a complete transcription in a music encoding format. This is made possible by both the architecture and the training procedure, which utilizes curriculum learning through incremental synthetic data generation. We evaluate the proposed system using pianoform corpora, which is one of the most complex sources in the OMR literature. This evaluation is conducted first in a controlled scenario with synthetic data, and subsequently against two real-world corpora of varying conditions. Our approach is compared with leading commercial OMR software. The results demonstrate that our system not only successfully transcribes full-page music scores but also outperforms the commercial tool in both zero-shot settings and after fine-tuning with the target domain, representing a significant contribution to the field of OMR.

Eliseo Fuentes-Martínez, Antonio Ríos-Vila, Juan C. Martinez-Sevilla et al.

The digitization of vocal music scores presents unique challenges that go beyond traditional Optical Music Recognition (OMR) and Optical Character Recognition (OCR), as it necessitates preserving the critical alignment between music notation and lyrics. This alignment is essential for proper interpretation and processing in practical applications. This paper introduces and formalizes, for the first time, the Aligned Music Notation and Lyrics Transcription (AMNLT) challenge, which addresses the complete transcription of vocal scores by jointly considering music symbols, lyrics, and their synchronization. We analyze different approaches to address this challenge, ranging from traditional divide-and-conquer methods that handle music and lyrics separately, to novel end-to-end solutions including direct transcription, unfolding mechanisms, and language modeling. To evaluate these methods, we introduce four datasets of Gregorian chants, comprising both real and synthetic sources, along with custom metrics specifically designed to assess both transcription and alignment accuracy. Our experimental results demonstrate that end-to-end approaches generally outperform heuristic methods in the alignment challenge, with language models showing particular promise in scenarios where sufficient training data is available. This work establishes the first comprehensive framework for AMNLT, providing both theoretical foundations and practical solutions for preserving and digitizing vocal music heritage.

Francisco J. Castellanos, Carlos Garrido-Munoz, Antonio Ríos-Vila et al.

The Layout Analysis (LA) stage is of vital importance to the correct performance of an Optical Music Recognition (OMR) system. It identifies the regions of interest, such as staves or lyrics, which must then be processed in order to transcribe their content. Despite the existence of modern approaches based on deep learning, an exhaustive study of LA in OMR has not yet been carried out with regard to the precision of different models, their generalization to different domains or, more importantly, their impact on subsequent stages of the pipeline. This work focuses on filling this gap in literature by means of an experimental study of different neural architectures, music document types and evaluation scenarios. The need for training data has also led to a proposal for a new semi-synthetic data generation technique that enables the efficient applicability of LA approaches in real scenarios. Our results show that: (i) the choice of the model and its performance are crucial for the entire transcription process; (ii) the metrics commonly used to evaluate the LA stage do not always correlate with the final performance of the OMR system, and (iii) the proposed data-generation technique enables state-of-the-art results to be achieved with a limited set of labeled data.