Jingru Li

Jingru Li, Sheng Zhou, Liangcheng Li et al.

Data-free knowledge distillation (DFKD) is a widely-used strategy for Knowledge Distillation (KD) whose training data is not available. It trains a lightweight student model with the aid of a large pretrained teacher model without any access to training data. However, existing DFKD methods suffer from inadequate and unstable training process, as they do not adjust the generation target dynamically based on the status of the student model during learning. To address this limitation, we propose a novel DFKD method called CuDFKD. It teaches students by a dynamic strategy that gradually generates easy-to-hard pseudo samples, mirroring how humans learn. Besides, CuDFKD adapts the generation target dynamically according to the status of student model. Moreover, We provide a theoretical analysis of the majorization minimization (MM) algorithm and explain the convergence of CuDFKD. To measure the robustness and fidelity of DFKD methods, we propose two more metrics, and experiments shows CuDFKD has comparable performance to state-of-the-art (SOTA) DFKD methods on all datasets. Experiments also present that our CuDFKD has the fastest convergence and best robustness over other SOTA DFKD methods.

Zehao Wang, Jingru Li, Xiaoou Chen et al.

Unlike melody extraction and other aspects of music transcription, research on playing technique detection is still in its early stages. Compared to existing work mostly focused on playing technique detection for individual single notes, we propose a general end-to-end method based on Sound Event Detection by FCN for musical instrument playing technique detection. In our case, we choose Erhu, a well-known Chinese bowed-stringed instrument, to experiment with our method. Because of the limitation of FCN, we present an algorithm to detect on variable length audio. The effectiveness of the proposed framework is tested on a new dataset, its categorization of techniques is similar to our training dataset. The highest accuracy of our 3 experiments on the new test set is 87.31%. Furthermore, we also evaluate the performance of the proposed framework on 10 real-world studio music (produced by midi) and 7 real-world recording samples to address the ability of generalization on our model.