Jinyu Wang

h-index10
2papers
341citations

2 Papers

7.9LGSep 11, 2024
Unveiling Markov Heads in Pretrained Language Models for Offline Reinforcement Learning

Wenhao Zhao, Qiushui Xu, Linjie Xu et al.

Recently, incorporating knowledge from pretrained language models (PLMs) into decision transformers (DTs) has generated significant attention in offline reinforcement learning (RL). These PLMs perform well in RL tasks, raising an intriguing question: what kind of knowledge from PLMs has been transferred to RL to achieve such good results? This work first dives into this problem by analyzing each head quantitatively and points out Markov head, a crucial component that exists in the attention heads of PLMs. It leads to extreme attention on the last-input token and performs well only in short-term environments. Furthermore, we prove that this extreme attention cannot be changed by re-training embedding layer or fine-tuning. Inspired by our analysis, we propose a general method GPT2-DTMA, which equips a pretrained DT with Mixture of Attention (MoA), to accommodate diverse attention requirements during fine-tuning. Extensive experiments corroborate our theorems and demonstrate the effectiveness of GPT2-DTMA: it achieves comparable performance in short-term environments while significantly narrowing the performance gap in long-term environments.

2.3SDApr 23, 2023
An Order-Complexity Model for Aesthetic Quality Assessment of Homophony Music Performance

Xin Jin, Wu Zhou, Jinyu Wang et al.

Although computational aesthetics evaluation has made certain achievements in many fields, its research of music performance remains to be explored. At present, subjective evaluation is still a ultimate method of music aesthetics research, but it will consume a lot of human and material resources. In addition, the music performance generated by AI is still mechanical, monotonous and lacking in beauty. In order to guide the generation task of AI music performance, and to improve the performance effect of human performers, this paper uses Birkhoff's aesthetic measure to propose a method of objective measurement of beauty. The main contributions of this paper are as follows: Firstly, we put forward an objective aesthetic evaluation method to measure the music performance aesthetic; Secondly, we propose 10 basic music features and 4 aesthetic music features. Experiments show that our method performs well on performance assessment.