Shuchen Weng

Peixuan Zhang, Chang Zhou, Ziyuan Zhang et al.

The surging demand for adapting long-form cinematic content into short videos has motivated the need for versatile automatic video compilation systems. However, existing compilation methods are limited to predefined tasks, and the community lacks a comprehensive benchmark to evaluate the cinematic compilation. To address this, we introduce CineBench, the first benchmark for instruction-driven cinematic video compilation, featuring diverse user instructions and high-quality ground-truth compilations annotated by professional editors. To overcome contextual collapse and temporal fragmentation, we present CineAgents, a multi-agent system that reformulates cinematic video compilation into ``design-and-compose'' paradigm. CineAgents performs script reverse-engineering to construct a hierarchical narrative memory to provide multi-level context and employs an iterative narrative planning process that refines a creative blueprint into a final compiled script. Extensive experiments demonstrate that CineAgents significantly outperforms existing methods, generating compilations with superior narrative coherence and logical coherence.

Peixuan Zhang, Zijian Jia, Ziqi Cai et al.

Effective poster design requires rapidly capturing attention and clearly conveying messages. Inspired by the ``contrast effects'' principle, we propose ReContraster, the first training-free model to leverage regional contrast to make posters stand out. By emulating the cognitive behaviors of a poster designer, ReContraster introduces the compositional multi-agent system to identify elements, organize layout, and evaluate generated poster candidates. To further ensure harmonious transitions across region boundaries, ReContraster integrates the hybrid denoising strategy during the diffusion process. We additionally contribute a new benchmark dataset for comprehensive evaluation. Seven quantitative metrics and four user studies confirm its superiority over relevant state-of-the-art methods, producing visually striking and aesthetically appealing posters.

Peixuan Zhang, Shuchen Weng, Jiajun Tang et al.

Social media platforms enable users to express emotions by posting text with accompanying images. In this paper, we propose the Affective Image Filter (AIF) task, which aims to reflect visually-abstract emotions from text into visually-concrete images, thereby creating emotionally compelling results. We first introduce the AIF dataset and the formulation of the AIF models. Then, we present AIF-B as an initial attempt based on a multi-modal transformer architecture. After that, we propose AIF-D as an extension of AIF-B towards deeper emotional reflection, effectively leveraging generative priors from pre-trained large-scale diffusion models. Quantitative and qualitative experiments demonstrate that AIF models achieve superior performance for both content consistency and emotional fidelity compared to state-of-the-art methods. Extensive user study experiments demonstrate that AIF models are significantly more effective at evoking specific emotions. Based on the presented results, we comprehensively discuss the value and potential of AIF models.

Haojie Zheng, Yixin Yang, Siqi Yang et al.

Recent diffusion-based methods have achieved impressive progress in video content manipulation. However, they typically ignore the accompanying audio, leaving the audio disjointed from the edited results. In this paper, we propose InstructAV2AV, the first end-to-end framework for instruction-guided audio-video joint editing. We first develop a scalable data synthesis pipeline and construct InsAVE-80K, the first large-scale audio-video editing dataset with high-quality source-to-target pairs. With this data foundation, we adapt an audio-video generation backbone to leverage its robust priors. We concatenate the audio-video input with noisy latent codes to anchor the source context, propose the source-instruction gated attention to improve instruction following and content preservation, and introduce a two-stage training strategy to effectively transfer these pre-trained priors. Extensive experiments demonstrate that InstructAV2AV outperforms state-of-the-art methods across 11 metrics spanning three aspects on two evaluation sets, highlighting its potential for controllable content creation. Project page: https://hjzheng.net/projects/InstructAV2AV/.

Zheng Chang, Shuchen Weng, Peixuan Zhang et al.

Language-based colorization produces plausible and visually pleasing colors under the guidance of user-friendly natural language descriptions. Previous methods implicitly assume that users provide comprehensive color descriptions for most of the objects in the image, which leads to suboptimal performance. In this paper, we propose a unified model to perform language-based colorization with any-level descriptions. We leverage the pretrained cross-modality generative model for its robust language understanding and rich color priors to handle the inherent ambiguity of any-level descriptions. We further design modules to align with input conditions to preserve local spatial structures and prevent the ghosting effect. With the proposed novel sampling strategy, our model achieves instance-aware colorization in diverse and complex scenarios. Extensive experimental results demonstrate our advantages of effectively handling any-level descriptions and outperforming both language-based and automatic colorization methods. The code and pretrained models are available at: https://github.com/changzheng123/L-CAD.

Haofeng Zhong, Yuchen Hong, Shuchen Weng et al.

This paper studies the problem of language-guided reflection separation, which aims at addressing the ill-posed reflection separation problem by introducing language descriptions to provide layer content. We propose a unified framework to solve this problem, which leverages the cross-attention mechanism with contrastive learning strategies to construct the correspondence between language descriptions and image layers. A gated network design and a randomized training strategy are employed to tackle the recognizable layer ambiguity. The effectiveness of the proposed method is validated by the significant performance advantage over existing reflection separation methods on both quantitative and qualitative comparisons.

Yean Cheng, Renjie Wan, Shuchen Weng et al.

Though Neural Radiance Fields (NeRF) can produce colorful 3D representations of the world by using a set of 2D images, such ability becomes non-existent when only monochromatic images are provided. Since color is necessary in representing the world, reproducing color from monochromatic radiance fields becomes crucial. To achieve this goal, instead of manipulating the monochromatic radiance fields directly, we consider it as a representation-prediction task in the Lab color space. By first constructing the luminance and density representation using monochromatic images, our prediction stage can recreate color representation on the basis of an image colorization module. We then reproduce a colorful implicit model through the representation of luminance, density, and color. Extensive experiments have been conducted to validate the effectiveness of our approaches. Our project page: https://liquidammonia.github.io/color-nerf.

Yifei Xia, Shuchen Weng, Siqi Yang et al.

Panoramic video generation enables immersive 360° content creation, valuable in applications that demand scene-consistent world exploration. However, existing panoramic video generation models struggle to leverage pre-trained generative priors from conventional text-to-video models for high-quality and diverse panoramic videos generation, due to limited dataset scale and the gap in spatial feature representations. In this paper, we introduce PanoWan to effectively lift pre-trained text-to-video models to the panoramic domain, equipped with minimal modules. PanoWan employs latitude-aware sampling to avoid latitudinal distortion, while its rotated semantic denoising and padded pixel-wise decoding ensure seamless transitions at longitude boundaries. To provide sufficient panoramic videos for learning these lifted representations, we contribute PanoVid, a high-quality panoramic video dataset with captions and diverse scenarios. Consequently, PanoWan achieves state-of-the-art performance in panoramic video generation and demonstrates robustness for zero-shot downstream tasks. Our project page is available at https://panowan.variantconst.com.

Shuchen Weng, Haojie Zheng, Zheng Chang et al.

Audio is inherently temporal and closely synchronized with the visual world, making it a naturally aligned and expressive control signal for controllable video generation (e.g., movies). Beyond control, directly translating audio into video is essential for understanding and visualizing rich audio narratives (e.g., Podcasts or historical recordings). However, existing approaches fall short in generating high-quality videos with precise audio-visual synchronization, especially across diverse and complex audio types. In this work, we introduce MTV, a versatile framework for audio-sync video generation. MTV explicitly separates audios into speech, effects, and music tracks, enabling disentangled control over lip motion, event timing, and visual mood, respectively -- resulting in fine-grained and semantically aligned video generation. To support the framework, we additionally present DEMIX, a dataset comprising high-quality cinematic videos and demixed audio tracks. DEMIX is structured into five overlapped subsets, enabling scalable multi-stage training for diverse generation scenarios. Extensive experiments demonstrate that MTV achieves state-of-the-art performance across six standard metrics spanning video quality, text-video consistency, and audio-video alignment. Project page: https://hjzheng.net/projects/MTV/.

Ziqi Cai, Taoyu Yang, Zheng Chang et al.

Diffusion models have achieved remarkable progress in video generation, but their controllability remains a major limitation. Key scene factors such as layout, lighting, and camera trajectory are often entangled or only weakly modeled, restricting their applicability in domains like filmmaking and virtual production where explicit scene control is essential. We present LiVER, a diffusion-based framework for scene-controllable video generation. To achieve this, we introduce a novel framework that conditions video synthesis on explicit 3D scene properties, supported by a new large-scale dataset with dense annotations of object layout, lighting, and camera parameters. Our method disentangles these properties by rendering control signals from a unified 3D representation. We propose a lightweight conditioning module and a progressive training strategy to integrate these signals into a foundational video diffusion model, ensuring stable convergence and high fidelity. Our framework enables a wide range of applications, including image-to-video and video-to-video synthesis where the underlying 3D scene is fully editable. To further enhance usability, we develop a scene agent that automatically translates high-level user instructions into the required 3D control signals. Experiments show that LiVER achieves state-of-the-art photorealism and temporal consistency while enabling precise, disentangled control over scene factors, setting a new standard for controllable video generation.

Haojie Zheng, Shuchen Weng, Jingqi Liu et al.

Recent advancements in video generation highlight that realistic audio-visual synchronization is crucial for engaging content creation. However, existing video editing methods largely overlook audio-visual synchronization and lack the fine-grained spatial and temporal controllability required for precise instance-level edits. In this paper, we propose AVI-Edit, a framework for audio-sync video instance editing. We propose a granularity-aware mask refiner that iteratively refines coarse user-provided masks into precise instance-level regions. We further design a self-feedback audio agent to curate high-quality audio guidance, providing fine-grained temporal control. To facilitate this task, we additionally construct a large-scale dataset with instance-centric correspondence and comprehensive annotations. Extensive experiments demonstrate that AVI-Edit outperforms state-of-the-art methods in visual quality, condition following, and audio-visual synchronization. Project page: https://hjzheng.net/projects/AVI-Edit/.

Peixuan Zhang, Zijian Jia, Kaiqi Liu et al.

While recent advancements in generative models have achieved remarkable visual fidelity in video synthesis, creating coherent multi-shot narratives remains a significant challenge. To address this, keyframe-based approaches have emerged as a promising alternative to computationally intensive end-to-end methods, offering the advantages of fine-grained control and greater efficiency. However, these methods often fail to maintain cross-shot consistency and capture cinematic language. In this paper, we introduce STAGE, a SToryboard-Anchored GEneration workflow to reformulate the keyframe-based multi-shot video generation task. Instead of using sparse keyframes, we propose STEP2 to predict a structural storyboard composed of start-end frame pairs for each shot. We introduce the multi-shot memory pack to ensure long-range entity consistency, the dual-encoding strategy for intra-shot coherence, and the two-stage training scheme to learn cinematic inter-shot transition. We also contribute the large-scale ConStoryBoard dataset, including high-quality movie clips with fine-grained annotations for story progression, cinematic attributes, and human preferences. Extensive experiments demonstrate that STAGE achieves superior performance in structured narrative control and cross-shot coherence.

Chengxuan Zhu, Shuchen Weng, Jiacong Fang et al.

Photographic style, as a composition of certain photographic concepts, is the charm behind renowned photographers. But learning and transferring photographic style need a profound understanding of how the photo is edited from the unknown original appearance. Previous works either fail to learn meaningful photographic concepts from reference images, or cannot preserve the content of the content image. To tackle these issues, we proposed a Personalized Image Filter (PIF). Based on a pretrained text-to-image diffusion model, the generative prior enables PIF to learn the average appearance of photographic concepts, as well as how to adjust them according to text prompts. PIF then learns the photographic style of reference images with the textual inversion technique, by optimizing the prompts for the photographic concepts. PIF shows outstanding performance in extracting and transferring various kinds of photographic style. Project page: https://pif.pages.dev/

Peixuan Zhang, Shuchen Weng, Chengxuan Zhu et al.

In daily life, images as common affective stimuli have widespread applications. Despite significant progress in text-driven image editing, there is limited work focusing on understanding users' emotional requests. In this paper, we introduce AIEdiT for Affective Image Editing using Text descriptions, which evokes specific emotions by adaptively shaping multiple emotional factors across the entire images. To represent universal emotional priors, we build the continuous emotional spectrum and extract nuanced emotional requests. To manipulate emotional factors, we design the emotional mapper to translate visually-abstract emotional requests to visually-concrete semantic representations. To ensure that editing results evoke specific emotions, we introduce an MLLM to supervise the model training. During inference, we strategically distort visual elements and subsequently shape corresponding emotional factors to edit images according to users' instructions. Additionally, we introduce a large-scale dataset that includes the emotion-aligned text and image pair set for training and evaluation. Extensive experiments demonstrate that AIEdiT achieves superior performance, effectively reflecting users' emotional requests.

Shuchen Weng, Haojie Zheng, Peixuan Zhang et al.

We introduce VIRES, a video instance repainting method with sketch and text guidance, enabling video instance repainting, replacement, generation, and removal. Existing approaches struggle with temporal consistency and accurate alignment with the provided sketch sequence. VIRES leverages the generative priors of text-to-video models to maintain temporal consistency and produce visually pleasing results. We propose the Sequential ControlNet with the standardized self-scaling, which effectively extracts structure layouts and adaptively captures high-contrast sketch details. We further augment the diffusion transformer backbone with the sketch attention to interpret and inject fine-grained sketch semantics. A sketch-aware encoder ensures that repainted results are aligned with the provided sketch sequence. Additionally, we contribute the VireSet, a dataset with detailed annotations tailored for training and evaluating video instance editing methods. Experimental results demonstrate the effectiveness of VIRES, which outperforms state-of-the-art methods in visual quality, temporal consistency, condition alignment, and human ratings. Project page: https://hjzheng.net/projects/VIRES/

Shuchen Weng, Wenbo Li, Yi Zhang et al.

The structured time series (STS) classification problem requires the modeling of interweaved spatiotemporal dependency. most previous STS classification methods model the spatial and temporal dependencies independently. Due to the complexity of the STS data, we argue that a desirable STS classification method should be a holistic framework that can be made as adaptive and flexible as possible. This motivates us to design a deep neural network with such merits. Inspired by the dual-stream hypothesis in neural science, we propose a novel dual-stream framework for modeling the interweaved spatiotemporal dependency, and develop a convolutional neural network within this framework that aims to achieve high adaptability and flexibility in STS configurations from various diagonals, i.e., sequential order, dependency range and features. The proposed architecture is highly modularized and scalable, making it easy to be adapted to specific tasks. The effectiveness of our model is demonstrated through experiments on synthetic data as well as benchmark datasets for skeleton based activity recognition.