Xin Jin

Xin Jin, Charalampos Katsis, Fan Sang et al.

Edge computing is a paradigm that shifts data processing services to the network edge, where data are generated. While such an architecture provides faster processing and response, among other benefits, it also raises critical security issues and challenges that must be addressed. This paper discusses the security threats and vulnerabilities emerging from the edge network architecture spanning from the hardware layer to the system layer. We further discuss privacy and regulatory compliance challenges in such networks. Finally, we argue the need for a holistic approach to analyze edge network security posture, which must consider knowledge from each layer.

Tianle Wang, Sirui Zhang, Xinyi Tong et al.

This paper presents an unsupervised machine learning algorithm that identifies recurring patterns -- referred to as ``music-words'' -- from symbolic music data. These patterns are fundamental to musical structure and reflect the cognitive processes involved in composition. However, extracting these patterns remains challenging because of the inherent semantic ambiguity in musical interpretation. We formulate the task of music-word discovery as a statistical optimization problem and propose a two-stage Expectation-Maximization (EM)-based learning framework: 1. Developing a music-word dictionary; 2. Reconstructing the music data. When evaluated against human expert annotations, the algorithm achieved an Intersection over Union (IoU) score of 0.61. Our findings indicate that minimizing code length effectively addresses semantic ambiguity, suggesting that human optimization of encoding systems shapes musical semantics. This approach enables computers to extract ``basic building blocks'' from music data, facilitating structural analysis and sparse encoding. The method has two primary applications. First, in AI music, it supports downstream tasks such as music generation, classification, style transfer, and improvisation. Second, in musicology, it provides a tool for analyzing compositional patterns and offers insights into the principle of minimal encoding across diverse musical styles and composers.