Faizan Farooq Khan

Eslam Mohamed Bakr, Pengzhan Sun, Xiaoqian Shen et al.

In recent years, Text-to-Image (T2I) models have been extensively studied, especially with the emergence of diffusion models that achieve state-of-the-art results on T2I synthesis tasks. However, existing benchmarks heavily rely on subjective human evaluation, limiting their ability to holistically assess the model's capabilities. Furthermore, there is a significant gap between efforts in developing new T2I architectures and those in evaluation. To address this, we introduce HRS-Bench, a concrete evaluation benchmark for T2I models that is Holistic, Reliable, and Scalable. Unlike existing bench-marks that focus on limited aspects, HRS-Bench measures 13 skills that can be categorized into five major categories: accuracy, robustness, generalization, fairness, and bias. In addition, HRS-Bench covers 50 scenarios, including fashion, animals, transportation, food, and clothes. We evaluate nine recent large-scale T2I models using metrics that cover a wide range of skills. A human evaluation aligned with 95% of our evaluations on average was conducted to probe the effectiveness of HRS-Bench. Our experiments demonstrate that existing models often struggle to generate images with the desired count of objects, visual text, or grounded emotions. We hope that our benchmark help ease future text-to-image generation research. The code and data are available at https://eslambakr.github.io/hrsbench.github.io

Youssef Mohamed, Faizan Farooq Khan, Kilichbek Haydarov et al.

Datasets that capture the connection between vision, language, and affection are limited, causing a lack of understanding of the emotional aspect of human intelligence. As a step in this direction, the ArtEmis dataset was recently introduced as a large-scale dataset of emotional reactions to images along with language explanations of these chosen emotions. We observed a significant emotional bias towards instance-rich emotions, making trained neural speakers less accurate in describing under-represented emotions. We show that collecting new data, in the same way, is not effective in mitigating this emotional bias. To remedy this problem, we propose a contrastive data collection approach to balance ArtEmis with a new complementary dataset such that a pair of similar images have contrasting emotions (one positive and one negative). We collected 260,533 instances using the proposed method, we combine them with ArtEmis, creating a second iteration of the dataset. The new combined dataset, dubbed ArtEmis v2.0, has a balanced distribution of emotions with explanations revealing more fine details in the associated painting. Our experiments show that neural speakers trained on the new dataset improve CIDEr and METEOR evaluation metrics by 20% and 7%, respectively, compared to the biased dataset. Finally, we also show that the performance per emotion of neural speakers is improved across all the emotion categories, significantly on under-represented emotions. The collected dataset and code are available at https://artemisdataset-v2.org.

Chenhui Gou, Abdulwahab Felemban, Faizan Farooq Khan et al.

Large Language Model-based Vision-Language Models (LLM-based VLMs) have demonstrated impressive results in various vision-language understanding tasks. However, how well these VLMs can see image detail beyond the semantic level remains unclear. In our study, we introduce a pixel value prediction task (PVP) to explore "How Well Can Vision Language Models See Image Details?" and to assist VLMs in perceiving more details. Typically, these models comprise a frozen CLIP visual encoder, a large language model, and a connecting module. After fine-tuning VLMs on the PVP task, we find: 1) existing VLMs struggle to predict precise pixel values by only fine-tuning the connection module and LLM; and 2) prediction precision is significantly improved when the vision encoder is also adapted. Additionally, our research reveals that incorporating pixel value prediction as one of the VLM pre-training tasks and vision encoder adaptation markedly boosts VLM performance on downstream image-language understanding tasks requiring detailed image perception, such as referring image segmentation (with an average +10.19 cIoU improvement) and video game decision making (with average score improvements of +80.34 and +70.54 on two games, respectively).

Faizan Farooq Khan, K J Joseph, Koustava Goswami et al.

Design generation, in its essence, is a step-by-step process where designers progressively refine and enhance their work through careful modifications. Despite this fundamental characteristic, existing approaches mainly treat design synthesis as a single-step generation problem, significantly underestimating the inherent complexity of the creative process. To bridge this gap, we propose a novel problem setting called Step-by-Step Layered Design Generation, which tasks a machine learning model with generating a design that adheres to a sequence of instructions from a designer. Leveraging recent advancements in multi-modal LLMs, we propose SLEDGE: Step-by-step LayEred Design GEnerator to model each update to a design as an atomic, layered change over its previous state, while being grounded in the instruction. To complement our new problem setting, we introduce a new evaluation suite, including a dataset and a benchmark. Our exhaustive experimental analysis and comparison with state-of-the-art approaches tailored to our new setup demonstrate the efficacy of our approach. We hope our work will attract attention to this pragmatic and under-explored research area.

Faizan Farooq Khan, Diana Kim, Divyansh Jha et al.

Discovering the creative potentials of a random signal to various artistic expressions in aesthetic and conceptual richness is a ground for the recent success of generative machine learning as a way of art creation. To understand the new artistic medium better, we conduct a comprehensive analysis to position AI-generated art within the context of human art heritage. Our comparative analysis is based on an extensive dataset, dubbed ``ArtConstellation,'' consisting of annotations about art principles, likability, and emotions for 6,000 WikiArt and 3,200 AI-generated artworks. After training various state-of-the-art generative models, art samples are produced and compared with WikiArt data on the last hidden layer of a deep-CNN trained for style classification. We actively examined the various art principles to interpret the neural representations and used them to drive the comparative knowledge about human and AI-generated art. A key finding in the semantic analysis is that AI-generated artworks are visually related to the principle concepts for modern period art made in 1800-2000. In addition, through Out-Of-Distribution (OOD) and In-Distribution (ID) detection in CLIP space, we find that AI-generated artworks are ID to human art when they depict landscapes and geometric abstract figures, while detected as OOD when the machine art consists of deformed and twisted figures. We observe that machine-generated art is uniquely characterized by incomplete and reduced figuration. Lastly, we conducted a human survey about emotional experience. Color composition and familiar subjects are the key factors of likability and emotions in art appreciation. We propose our whole methodologies and collected dataset as our analytical framework to contrast human and AI-generated art, which we refer to as ``ArtNeuralConstellation''. Code is available at: https://github.com/faixan-khan/ArtNeuralConstellation

Faizan Farooq Khan, Yousef Radwan, Eslam Abdelrahman et al.

Multimodal large language models (MLLMs) have demonstrated impressive cross-domain capabilities, yet their proficiency in specialized scientific fields like marine biology remains underexplored. In this work, we systematically evaluate state-of-the-art MLLMs and reveal significant limitations in their ability to perform fine-grained recognition of fish species, with the best open-source models achieving less than 10\% accuracy. This task is critical for monitoring marine ecosystems under anthropogenic pressure. To address this gap and investigate whether these failures stem from a lack of domain knowledge, we introduce FishNet++, a large-scale, multimodal benchmark. FishNet++ significantly extends existing resources with 35,133 textual descriptions for multimodal learning, 706,426 key-point annotations for morphological studies, and 119,399 bounding boxes for detection. By providing this comprehensive suite of annotations, our work facilitates the development and evaluation of specialized vision-language models capable of advancing aquatic science.

Faizan Farooq Khan, Vladan Stojnić, Zakaria Laskar et al.

This work explores text-to-image retrieval for queries that specify or describe a semantic category. While vision-and-language models (VLMs) like CLIP offer a straightforward open-vocabulary solution, they map text and images to distant regions in the representation space, limiting retrieval performance. To bridge this modality gap, we propose a two-step approach. First, we transform the text query into a visual query using a generative diffusion model. Then, we estimate image-to-image similarity with a vision model. Additionally, we introduce an aggregation network that combines multiple generated images into a single vector representation and fuses similarity scores across both query modalities. Our approach leverages advancements in vision encoders, VLMs, and text-to-image generation models. Extensive evaluations show that it consistently outperforms retrieval methods relying solely on text queries. Source code is available at: https://github.com/faixan-khan/cletir

Faizan Farooq Khan, Jun Chen, Youssef Mohamed et al.

Open-vocabulary species recognition is a major challenge in computer vision, particularly in ornithology, where new taxa are continually discovered. While benchmarks like CUB-200-2011 and Birdsnap have advanced fine-grained recognition under closed vocabularies, they fall short of real-world conditions. We show that current systems suffer a performance drop of over 30\% in realistic open-vocabulary settings with thousands of candidate species, largely due to an increased number of visually similar and semantically ambiguous distractors. To address this, we propose Visual Re-ranking Retrieval-Augmented Generation (VR-RAG), a novel framework that links structured encyclopedic knowledge with recognition. We distill Wikipedia articles for 11,202 bird species into concise, discriminative summaries and retrieve candidates from these summaries. Unlike prior text-only approaches, VR-RAG incorporates visual information during retrieval, ensuring final predictions are both textually relevant and visually consistent with the query image. Extensive experiments across five bird classification benchmarks and two additional domains show that VR-RAG improves the average performance of the state-of-the-art Qwen2.5-VL model by 18.0%.

Yahia Battach, Abdulwahab Felemban, Faizan Farooq Khan et al.

Coral reefs are rapidly declining due to anthropogenic pressures such as climate change, underscoring the urgent need for scalable, automated monitoring. We introduce ReefNet, a large public coral reef image dataset with point-label annotations mapped to the World Register of Marine Species (WoRMS). ReefNet aggregates imagery from 76 curated CoralNet sources and an additional site from Al Wajh in the Red Sea, totaling approximately 925000 genus-level hard coral annotations with expert-verified labels. Unlike prior datasets, which are often limited by size, geography, or coarse labels and are not ML-ready, ReefNet offers fine-grained, taxonomically mapped labels at a global scale to WoRMS. We propose two evaluation settings: (i) a within-source benchmark that partitions each source's images for localized evaluation, and (ii) a cross-source benchmark that withholds entire sources to test domain generalization. We analyze both supervised and zero-shot classification performance on ReefNet and find that while supervised within-source performance is promising, supervised performance drops sharply across domains, and performance is low across the board for zero-shot models, especially for rare and visually similar genera. This provides a challenging benchmark intended to catalyze advances in domain generalization and fine-grained coral classification. We will release our dataset, benchmarking code, and pretrained models to advance robust, domain-adaptive, global coral reef monitoring and conservation.

Anchit Gupta, Faizan Farooq Khan, Rudrabha Mukhopadhyay et al.

This paper proposes a video editor based on OpenShot with several state-of-the-art facial video editing algorithms as added functionalities. Our editor provides an easy-to-use interface to apply modern lip-syncing algorithms interactively. Apart from lip-syncing, the editor also uses audio and facial re-enactment to generate expressive talking faces. The manual control improves the overall experience of video editing without missing out on the benefits of modern synthetic video generation algorithms. This control enables us to lip-sync complex dubbed movie scenes, interviews, television shows, and other visual content. Furthermore, our editor provides features that automatically translate lectures from spoken content, lip-sync of the professor, and background content like slides. While doing so, we also tackle the critical aspect of synchronizing background content with the translated speech. We qualitatively evaluate the usefulness of the proposed editor by conducting human evaluations. Our evaluations show a clear improvement in the efficiency of using human editors and an improved video generation quality. We attach demo videos with the supplementary material clearly explaining the tool and also showcasing multiple results.

Faizan Farooq Khan, Syed Zulqarnain Gilani

The tremendous development in deep learning has led facial expression recognition (FER) to receive much attention in the past few years. Although 3D FER has an inherent edge over its 2D counterpart, work on 2D images has dominated the field. The main reason for the slow development of 3D FER is the unavailability of large training and large test datasets. Recognition accuracies have already saturated on existing 3D emotion recognition datasets due to their small gallery sizes. Unlike 2D photographs, 3D facial scans are not easy to collect, causing a bottleneck in the development of deep 3D FER networks and datasets. In this work, we propose a method for generating a large dataset of 3D faces with labeled emotions. We also develop a deep convolutional neural network(CNN) for 3D FER trained on 624,000 3D facial scans. The test data comprises 208,000 3D facial scans.