Tzu-Wen Hsu

Yun-Shao Tsai, Yi-Cheng Lin, Huang-Cheng Chou et al.

Objective metrics for emotional expressiveness are vital for speech generation, particularly in expressive synthesis and voice conversion requiring emotional prosody transfer. To quantify this, the field widely relies on emotion similarity between reference and generated samples. This approach computes cosine similarity of embeddings from encoders like emotion2vec, assuming they capture affective cues despite linguistic and speaker variations. We challenge this assumption through controlled adversarial tasks and human alignment tests. Despite high classification accuracy, these latent spaces are unsuitable for zero-shot similarity evaluation. Representational limitations cause linguistic and speaker interference to overshadow emotional features, degrading discriminative ability. Consequently, the metric misaligns with human perception. This acoustic vulnerability reveals it rewards acoustic mimicry over genuine emotional synthesis.

Tzu-wen Hsu, Ke-Han Lu, Cheng-Han Chiang et al.

Large Audio-Language Models (LALMs) can take audio and text as the inputs and answer questions about the audio. While prior LALMs have shown strong performance on standard benchmarks, there has been alarming evidence that LALMs can hallucinate what is presented in the audio. To mitigate the hallucination of LALMs, we introduce Audio-Aware Decoding (AAD), a lightweight inference-time strategy that uses contrastive decoding to compare the token prediction logits with and without the audio context. By contrastive decoding, AAD promotes the tokens whose probability increases when the audio is present. We conduct our experiment on object hallucination datasets with three LALMs and show that AAD improves the F1 score by 0.046 to 0.428. We also show that AAD can improve the accuracy on general audio QA datasets like Clotho-AQA by 5.4% to 10.3%. We conduct thorough ablation studies to understand the effectiveness of each component in AAD.

Chih-Kai Yang, Yen-Ting Piao, Tzu-Wen Hsu et al.

Knowledge editing offers an efficient way to update model knowledge without full retraining, but prior work has concentrated almost exclusively on textual or visual modalities. We introduce SAKE, the first benchmark specifically designed for editing auditory attribute knowledge in Large Audio-Language Models (LALMs). Unlike factual updates, SAKE targets several abstract auditory attributes, capturing knowledge types that go beyond conventional textual and visual domains. We benchmark seven editing methods on two LALMs along four dimensions: reliability, generality, audio/text locality, and portability. Results highlight challenges such as preserving intra-attribute knowledge unrelated to the edit, generalizing edits to multimodal reasoning, and maintaining edits under sequential updates. SAKE provides a principled framework to study how knowledge editing extends to the auditory modalities, opening new directions for maintaining and adapting LALMs in more diverse real-world scenarios.