Frédéric Fortier-Chouinard

Mohammad Reza Karimi Dastjerdi, Dominique Tanguay-Gaudreau, Frédéric Fortier-Chouinard et al.

Most novel view synthesis methods-including Neural Radiance Fields (NeRF)-struggle to capture the true high dynamic range (HDR) radiance of scenes. This is primarily due to their dependence on low dynamic range (LDR) images from conventional cameras. Exposure bracketing techniques aim to address this challenge, but they introduce a considerable time burden during the acquisition process. In this work, we introduce PanDORA: PANoramic Dual-Observer Radiance Acquisition, a system designed for the casual, high quality HDR capture of indoor environments. Our approach uses two 360° cameras mounted on a portable monopod to simultaneously record two panoramic 360° videos: one with standard exposure and another at fast shutter speed. The resulting video data is processed by a proposed two-stage NeRF-based algorithm, including an algorithm for the fine alignment of the fast- and well-exposed frames, generating non-saturated HDR radiance maps. Compared to existing methods on a novel dataset of real indoor scenes captured with our apparatus and including HDR ground truth lighting, PanDORA achieves superior visual fidelity and provides a scalable solution for capturing real environments in HDR.

Frédéric Fortier-Chouinard, Yannick Hold-Geoffroy, Valentin Deschaintre et al.

Recent progress in text-to-video generation has achieved remarkable realism, yet fine-grained control over camera motion and orientation remains elusive. Existing approaches typically encode camera trajectories through relative or ambiguous representations, limiting explicit geometric control. We introduce GimbalDiffusion, a framework that enables camera control grounded in physical-world coordinates, using gravity as a global reference. Instead of describing motion relative to previous frames, our method defines camera trajectories in an absolute coordinate system, allowing precise and interpretable control over camera parameters without requiring an initial reference frame. We leverage panoramic 360-degree videos to construct a wide variety of camera trajectories, well beyond the predominantly straight, forward-facing trajectories seen in conventional video data. To further enhance camera guidance, we introduce null-pitch conditioning, an annotation strategy that reduces the model's reliance on text content when conflicting with camera specifications (e.g., generating grass while the camera points towards the sky). Finally, we establish a benchmark for camera-aware video generation by rebalancing SpatialVID-HQ for comprehensive evaluation under wide camera pitch variation. Together, these contributions advance the controllability and robustness of text-to-video models, enabling precise, gravity-aligned camera manipulation within generative frameworks.

Frédéric Fortier-Chouinard, Zitian Zhang, Louis-Etienne Messier et al.

Recent work has shown that diffusion models can serve as powerful neural rendering engines that can be leveraged for inserting virtual objects into images. However, unlike typical physics-based renderers, these neural rendering engines are limited by the lack of manual control over the lighting, which is often essential for improving or personalizing the desired image outcome. In this paper, we show that precise lighting control can be achieved for object relighting simply by providing a coarse shadow of the object. Indeed, we show that injecting only the desired shadow of the object into a pre-trained diffusion-based neural renderer enables it to accurately shade the object according to the desired light position, while properly harmonizing the object (and its shadow) within the target background image. Our method, SpotLight, leverages existing neural rendering approaches and achieves controllable relighting results with no additional training. We show that SpotLight achieves superior object compositing results, both quantitatively and perceptually, as confirmed by a user study, outperforming existing diffusion-based models specifically designed for relighting. We also demonstrate other applications, such as hand-scribbling shadows and full-image relighting, demonstrating its versatility.