Yongsheng Yu

Junchen Zhu, Huan Yang, Wenjing Wang et al. · microsoft-research

Videos for mobile devices become the most popular access to share and acquire information recently. For the convenience of users' creation, in this paper, we present a system, namely MobileVidFactory, to automatically generate vertical mobile videos where users only need to give simple texts mainly. Our system consists of two parts: basic and customized generation. In the basic generation, we take advantage of the pretrained image diffusion model, and adapt it to a high-quality open-domain vertical video generator for mobile devices. As for the audio, by retrieving from our big database, our system matches a suitable background sound for the video. Additionally to produce customized content, our system allows users to add specified screen texts to the video for enriching visual expression, and specify texts for automatic reading with optional voices as they like.

Bohai Gu, Yongsheng Yu, Heng Fan et al.

Video inpainting has been challenged by complex scenarios like large movements and low-light conditions. Current methods, including emerging diffusion models, face limitations in quality and efficiency. This paper introduces the Flow-Guided Diffusion model for Video Inpainting (FGDVI), a novel approach that significantly enhances temporal consistency and inpainting quality via reusing an off-the-shelf image generation diffusion model. We employ optical flow for precise one-step latent propagation and introduces a model-agnostic flow-guided latent interpolation technique. This technique expedites denoising, seamlessly integrating with any Video Diffusion Model (VDM) without additional training. Our FGDVI demonstrates a remarkable 10% improvement in flow warping error E_warp over existing state-of-the-art methods. Our comprehensive experiments validate superior performance of FGDVI, offering a promising direction for advanced video inpainting. The code and detailed results will be publicly available in https://github.com/NevSNev/FGDVI.

Yongsheng Yu, Heng Fan, Libo Zhang

Recent video inpainting methods have made remarkable progress by utilizing explicit guidance, such as optical flow, to propagate cross-frame pixels. However, there are cases where cross-frame recurrence of the masked video is not available, resulting in a deficiency. In such situation, instead of borrowing pixels from other frames, the focus of the model shifts towards addressing the inverse problem. In this paper, we introduce a dual-modality-compatible inpainting framework called Deficiency-aware Masked Transformer (DMT), which offers three key advantages. Firstly, we pretrain a image inpainting model DMT_img serve as a prior for distilling the video model DMT_vid, thereby benefiting the hallucination of deficiency cases. Secondly, the self-attention module selectively incorporates spatiotemporal tokens to accelerate inference and remove noise signals. Thirdly, a simple yet effective Receptive Field Contextualizer is integrated into DMT, further improving performance. Extensive experiments conducted on YouTube-VOS and DAVIS datasets demonstrate that DMT_vid significantly outperforms previous solutions. The code and video demonstrations can be found at github.com/yeates/DMT.

Yongsheng Yu, Dawei Du, Libo Zhang et al.

Image inpainting is an ill-posed problem to recover missing or damaged image content based on incomplete images with masks. Previous works usually predict the auxiliary structures (e.g., edges, segmentation and contours) to help fill visually realistic patches in a multi-stage fashion. However, imprecise auxiliary priors may yield biased inpainted results. Besides, it is time-consuming for some methods to be implemented by multiple stages of complex neural networks. To solve this issue, we develop an end-to-end multi-modality guided transformer network, including one inpainting branch and two auxiliary branches for semantic segmentation and edge textures. Within each transformer block, the proposed multi-scale spatial-aware attention module can learn the multi-modal structural features efficiently via auxiliary denormalization. Different from previous methods relying on direct guidance from biased priors, our method enriches semantically consistent context in an image based on discriminative interplay information from multiple modalities. Comprehensive experiments on several challenging image inpainting datasets show that our method achieves state-of-the-art performance to deal with various regular/irregular masks efficiently.

Yongsheng Yu, Libo Zhang, Heng Fan et al.

Image inpainting seeks a semantically consistent way to recover the corrupted image in the light of its unmasked content. Previous approaches usually reuse the well-trained GAN as effective prior to generate realistic patches for missing holes with GAN inversion. Nevertheless, the ignorance of a hard constraint in these algorithms may yield the gap between GAN inversion and image inpainting. Addressing this problem, in this paper, we devise a novel GAN inversion model for image inpainting, dubbed InvertFill, mainly consisting of an encoder with a pre-modulation module and a GAN generator with F&W+ latent space. Within the encoder, the pre-modulation network leverages multi-scale structures to encode more discriminative semantics into style vectors. In order to bridge the gap between GAN inversion and image inpainting, F&W+ latent space is proposed to eliminate glaring color discrepancy and semantic inconsistency. To reconstruct faithful and photorealistic images, a simple yet effective Soft-update Mean Latent module is designed to capture more diverse in-domain patterns that synthesize high-fidelity textures for large corruptions. Comprehensive experiments on four challenging datasets, including Places2, CelebA-HQ, MetFaces, and Scenery, demonstrate that our InvertFill outperforms the advanced approaches qualitatively and quantitatively and supports the completion of out-of-domain images well.

Hanjia Lyu, Jinfa Huang, Daoan Zhang et al.

Recent research has offered insights into the extraordinary capabilities of Large Multimodal Models (LMMs) in various general vision and language tasks. There is growing interest in how LMMs perform in more specialized domains. Social media content, inherently multimodal, blends text, images, videos, and sometimes audio. Understanding social multimedia content remains a challenging problem for contemporary machine learning frameworks. In this paper, we explore GPT-4V(ision)'s capabilities for social multimedia analysis. We select five representative tasks, including sentiment analysis, hate speech detection, fake news identification, demographic inference, and political ideology detection, to evaluate GPT-4V. Our investigation begins with a preliminary quantitative analysis for each task using existing benchmark datasets, followed by a careful review of the results and a selection of qualitative samples that illustrate GPT-4V's potential in understanding multimodal social media content. GPT-4V demonstrates remarkable efficacy in these tasks, showcasing strengths such as joint understanding of image-text pairs, contextual and cultural awareness, and extensive commonsense knowledge. Despite the overall impressive capacity of GPT-4V in the social media domain, there remain notable challenges. GPT-4V struggles with tasks involving multilingual social multimedia comprehension and has difficulties in generalizing to the latest trends in social media. Additionally, it exhibits a tendency to generate erroneous information in the context of evolving celebrity and politician knowledge, reflecting the known hallucination problem. The insights gleaned from our findings underscore a promising future for LMMs in enhancing our comprehension of social media content and its users through the analysis of multimodal information.

Libo Zhang, Yongsheng Yu, Jiali Yao et al.

Generative Adversarial Network (GAN) inversion have demonstrated excellent performance in image inpainting that aims to restore lost or damaged image texture using its unmasked content. Previous GAN inversion-based methods usually utilize well-trained GAN models as effective priors to generate the realistic regions for missing holes. Despite excellence, they ignore a hard constraint that the unmasked regions in the input and the output should be the same, resulting in a gap between GAN inversion and image inpainting and thus degrading the performance. Besides, existing GAN inversion approaches often consider a single modality of the input image, neglecting other auxiliary cues in images for improvements. Addressing these problems, we propose a novel GAN inversion approach, dubbed MMInvertFill, for image inpainting. MMInvertFill contains primarily a multimodal guided encoder with a pre-modulation and a GAN generator with F&W+ latent space. Specifically, the multimodal encoder aims to enhance the multi-scale structures with additional semantic segmentation edge texture modalities through a gated mask-aware attention module. Afterwards, a pre-modulation is presented to encode these structures into style vectors. To mitigate issues of conspicuous color discrepancy and semantic inconsistency, we introduce the F&W+ latent space to bridge the gap between GAN inversion and image inpainting. Furthermore, in order to reconstruct faithful and photorealistic images, we devise a simple yet effective Soft-update Mean Latent module to capture more diversified in-domain patterns for generating high-fidelity textures for massive corruptions. In our extensive experiments on six challenging datasets, we show that our MMInvertFill qualitatively and quantitatively outperforms other state-of-the-arts and it supports the completion of out-of-domain images effectively.

Yongsheng Yu, Hao Wang, Tiejian Luo et al.

Vanilla image completion approaches exhibit sensitivity to large missing regions, attributed to the limited availability of reference information for plausible generation. To mitigate this, existing methods incorporate the extra cue as a guidance for image completion. Despite improvements, these approaches are often restricted to employing a single modality (e.g., segmentation or sketch maps), which lacks scalability in leveraging multi-modality for more plausible completion. In this paper, we propose a novel, simple yet effective method for Multi-modal Guided Image Completion, dubbed MaGIC, which not only supports a wide range of single modality as the guidance (e.g., text, canny edge, sketch, segmentation, depth, and pose), but also adapts to arbitrarily customized combination of these modalities (i.e., arbitrary multi-modality) for image completion. For building MaGIC, we first introduce a modality-specific conditional U-Net (MCU-Net) that injects single-modal signal into a U-Net denoiser for single-modal guided image completion. Then, we devise a consistent modality blending (CMB) method to leverage modality signals encoded in multiple learned MCU-Nets through gradient guidance in latent space. Our CMB is training-free, thereby avoids the cumbersome joint re-training of different modalities, which is the secret of MaGIC to achieve exceptional flexibility in accommodating new modalities for completion. Experiments show the superiority of MaGIC over state-of-the-art methods and its generalization to various completion tasks. Our project with code and models is available at yeates.github.io/MaGIC-Page/.