Yizhi Zhou

Yizhi Zhou, Jia-Qi Yang, De-Chuan Zhan et al.

Music Recommendation Systems (MRSs) are a cornerstone of modern streaming platforms. Existing recommendation models, spanning both recall and ranking stages, predominantly rely on collaborative filtering, which fails to exploit the intrinsic characteristics of audio and consequently leads to suboptimal performance, particularly in cold-start scenarios. However, existing music recommendation datasets often lack rich multimodal information, such as raw audio signals and descriptive textual metadata. Moreover, current recommender system evaluation frameworks remain inadequate, as they neither fully leverage multimodal information nor support a diverse range of algorithms, especially multimodal methods. To address these limitations, we propose TASTE, a comprehensive dataset and benchmarking framework designed to highlight the role of multimodal information in music recommendation. Our dataset integrates both audio and textual modalities. By leveraging recent large-scale self-supervised music encoders, we demonstrate the substantial value of the extracted audio representations across recommendation tasks, including candidate recall and CTR. In addition, we introduce the \textbf{MuQ-token} method, which enables more efficient integration of multi-layer audio features. This method consistently outperforms other feature integration techniques across various settings. Overall, our results not only validate the effectiveness of content-driven approaches but also provide a highly effective and reusable multimodal foundation for future research. Code is available at https://github.com/zreach/TASTE

Haina Zhu, Yizhi Zhou, Hangting Chen et al.

Recent years have witnessed the success of foundation models pre-trained with self-supervised learning (SSL) in various music informatics understanding tasks, including music tagging, instrument classification, key detection, and more. In this paper, we propose a self-supervised music representation learning model for music understanding. Distinguished from previous studies adopting random projection or existing neural codec, the proposed model, named MuQ, is trained to predict tokens generated by Mel Residual Vector Quantization (Mel-RVQ). Our Mel-RVQ utilizes residual linear projection structure for Mel spectrum quantization to enhance the stability and efficiency of target extraction and lead to better performance. Experiments in a large variety of downstream tasks demonstrate that MuQ outperforms previous self-supervised music representation models with only 0.9K hours of open-source pre-training data. Scaling up the data to over 160K hours and adopting iterative training consistently improve the model performance. To further validate the strength of our model, we present MuQ-MuLan, a joint music-text embedding model based on contrastive learning, which achieves state-of-the-art performance in the zero-shot music tagging task on the MagnaTagATune dataset. Code and checkpoints are open source in https://github.com/tencent-ailab/MuQ.

Yizhi Zhou, Haina Zhu, Hangting Chen

Recently, pre-trained models for music information retrieval based on self-supervised learning (SSL) are becoming popular, showing success in various downstream tasks. However, there is limited research on the specific meanings of the encoded information and their applicability. Exploring these aspects can help us better understand their capabilities and limitations, leading to more effective use in downstream tasks. In this study, we analyze the advanced music representation model MusicFM and the newly emerged SSL model MuQ. We focus on three main aspects: (i) validating the advantages of SSL models across multiple downstream tasks, (ii) exploring the specialization of layer-wise information for different tasks, and (iii) comparing performance differences when selecting specific layers. Through this analysis, we reveal insights into the structure and potential applications of SSL models in music information retrieval.