Le Ma

Zihao Wang, Le Ma, Yongsheng Feng et al.

Singing voice conversion (SVC) aims to convert a singer's voice to another singer's from a reference audio while keeping the original semantics. However, existing SVC methods can hardly perform zero-shot due to incomplete feature disentanglement or dependence on the speaker look-up table. We propose the first open-source high-quality zero-shot SVC model SaMoye that can convert singing to human and non-human timbre. SaMoye disentangles the singing voice's features into content, timbre, and pitch features, where we combine multiple ASR models and compress the content features to reduce timbre leaks. Besides, we enhance the timbre features by unfreezing the speaker encoder and mixing the speaker embedding with top-3 similar speakers. We also establish an unparalleled large-scale dataset to guarantee zero-shot performance, which comprises more than 1,815 hours of pure singing voice and 6,367 speakers. We conduct objective and subjective experiments to find that SaMoye outperforms other models in zero-shot SVC tasks even under extreme conditions like converting singing to animals' timbre. The code and weight of SaMoye are available on https://github.com/CarlWangChina/SaMoye-SVC. The weights, code, dataset, and documents of SaMoye are publicly available on \url{https://github.com/CarlWangChina/SaMoye-SVC}.

Le Ma, Ziyu Meng, Tengyu Liu et al.

Humanoid robots are anticipated to acquire a wide range of locomotion capabilities while ensuring natural movement across varying speeds and terrains. Existing methods encounter a fundamental dilemma in learning humanoid locomotion: reinforcement learning with handcrafted rewards can achieve agile locomotion but produces unnatural gaits, while Generative Adversarial Imitation Learning (GAIL) with motion capture data yields natural movements but suffers from unstable training processes and restricted agility. Integrating these approaches proves challenging due to the inherent heterogeneity between expert policies and human motion datasets. To address this, we introduce StyleLoco, a novel two-stage framework that bridges this gap through a Generative Adversarial Distillation (GAD) process. Our framework begins by training a teacher policy using reinforcement learning to achieve agile and dynamic locomotion. It then employs a multi-discriminator architecture, where distinct discriminators concurrently extract skills from both the teacher policy and motion capture data. This approach effectively combines the agility of reinforcement learning with the natural fluidity of human-like movements while mitigating the instability issues commonly associated with adversarial training. Through extensive simulation and real-world experiments, we demonstrate that StyleLoco enables humanoid robots to perform diverse locomotion tasks with the precision of expertly trained policies and the natural aesthetics of human motion, successfully transferring styles across different movement types while maintaining stable locomotion across a broad spectrum of command inputs.

Jiaxing Yu, Xinda Wu, Yunfei Xu et al.

Lyric-to-melody generation aims to automatically create melodies based on given lyrics, requiring the capture of complex and subtle correlations between them. However, previous works usually suffer from two main challenges: 1) lyric-melody alignment modeling, which is often simplified to one-syllable/word-to-one-note alignment, while others have the problem of low alignment accuracy; 2) lyric-melody harmony modeling, which usually relies heavily on intermediates or strict rules, limiting model's capabilities and generative diversity. In this paper, we propose SongGLM, a lyric-to-melody generation system that leverages 2D alignment encoding and multi-task pre-training based on the General Language Model (GLM) to guarantee the alignment and harmony between lyrics and melodies. Specifically, 1) we introduce a unified symbolic song representation for lyrics and melodies with word-level and phrase-level (2D) alignment encoding to capture the lyric-melody alignment; 2) we design a multi-task pre-training framework with hierarchical blank infilling objectives (n-gram, phrase, and long span), and incorporate lyric-melody relationships into the extraction of harmonized n-grams to ensure the lyric-melody harmony. We also construct a large-scale lyric-melody paired dataset comprising over 200,000 English song pieces for pre-training and fine-tuning. The objective and subjective results indicate that SongGLM can generate melodies from lyrics with significant improvements in both alignment and harmony, outperforming all the previous baseline methods.

Zihao Wang, Le Ma, Chen Zhang et al.

Music as an emotional intervention medium has important applications in scenarios such as music therapy, games, and movies. However, music needs real-time arrangement according to changing emotions, bringing challenges to balance emotion real-time fit and soft emotion transition due to the fine-grained and mutable nature of the target emotion. Existing studies mainly focus on achieving emotion real-time fit, while the issue of smooth transition remains understudied, affecting the overall emotional coherence of the music. In this paper, we propose REMAST to address this trade-off. Specifically, we recognize the last timestep's music emotion and fuse it with the current timestep's input emotion. The fused emotion then guides REMAST to generate the music based on the input melody. To adjust music similarity and emotion real-time fit flexibly, we downsample the original melody and feed it into the generation model. Furthermore, we design four music theory features by domain knowledge to enhance emotion information and employ semi-supervised learning to mitigate the subjective bias introduced by manual dataset annotation. According to the evaluation results, REMAST surpasses the state-of-the-art methods in objective and subjective metrics. These results demonstrate that REMAST achieves real-time fit and smooth transition simultaneously, enhancing the coherence of the generated music.