Yue Gao

Wentao Li, Danpei Zhao, Bo Yuan et al.

Fine-grained object detection (FGOD) extends object detection with the capability of fine-grained recognition. In recent two-stage FGOD methods, the region proposal serves as a crucial link between detection and fine-grained recognition. However, current methods overlook that some proposal-related procedures inherited from general detection are not equally suitable for FGOD, limiting the multi-task learning from generation, representation, to utilization. In this paper, we present PETDet (Proposal Enhancement for Two-stage fine-grained object detection) to better handle the sub-tasks in two-stage FGOD methods. Firstly, an anchor-free Quality Oriented Proposal Network (QOPN) is proposed with dynamic label assignment and attention-based decomposition to generate high-quality oriented proposals. Additionally, we present a Bilinear Channel Fusion Network (BCFN) to extract independent and discriminative features of the proposals. Furthermore, we design a novel Adaptive Recognition Loss (ARL) which offers guidance for the R-CNN head to focus on high-quality proposals. Extensive experiments validate the effectiveness of PETDet. Quantitative analysis reveals that PETDet with ResNet50 reaches state-of-the-art performance on various FGOD datasets, including FAIR1M-v1.0 (42.96 AP), FAIR1M-v2.0 (48.81 AP), MAR20 (85.91 AP) and ShipRSImageNet (74.90 AP). The proposed method also achieves superior compatibility between accuracy and inference speed. Our code and models will be released at https://github.com/canoe-Z/PETDet.

Fangyun Wei, Yue Gao, Zhirong Wu et al.

Image-level contrastive representation learning has proven to be highly effective as a generic model for transfer learning. Such generality for transfer learning, however, sacrifices specificity if we are interested in a certain downstream task. We argue that this could be sub-optimal and thus advocate a design principle which encourages alignment between the self-supervised pretext task and the downstream task. In this paper, we follow this principle with a pretraining method specifically designed for the task of object detection. We attain alignment in the following three aspects: 1) object-level representations are introduced via selective search bounding boxes as object proposals; 2) the pretraining network architecture incorporates the same dedicated modules used in the detection pipeline (e.g. FPN); 3) the pretraining is equipped with object detection properties such as object-level translation invariance and scale invariance. Our method, called Selective Object COntrastive learning (SoCo), achieves state-of-the-art results for transfer performance on COCO detection using a Mask R-CNN framework. Code is available at https://github.com/hologerry/SoCo.

Yutong Feng, Jianwen Jiang, Ziyuan Huang et al.

This paper presents our solution to the AVA-Kinetics Crossover Challenge of ActivityNet workshop at CVPR 2021. Our solution utilizes multiple types of relation modeling methods for spatio-temporal action detection and adopts a training strategy to integrate multiple relation modeling in end-to-end training over the two large-scale video datasets. Learning with memory bank and finetuning for long-tailed distribution are also investigated to further improve the performance. In this paper, we detail the implementations of our solution and provide experiments results and corresponding discussions. We finally achieve 40.67 mAP on the test set of AVA-Kinetics.

Yue Gao, Fangyun Wei, Jianmin Bao et al.

Cycle consistency is widely used for face editing. However, we observe that the generator tends to find a tricky way to hide information from the original image to satisfy the constraint of cycle consistency, making it impossible to maintain the rich details (e.g., wrinkles and moles) of non-editing areas. In this work, we propose a simple yet effective method named HifaFace to address the above-mentioned problem from two perspectives. First, we relieve the pressure of the generator to synthesize rich details by directly feeding the high-frequency information of the input image into the end of the generator. Second, we adopt an additional discriminator to encourage the generator to synthesize rich details. Specifically, we apply wavelet transformation to transform the image into multi-frequency domains, among which the high-frequency parts can be used to recover the rich details. We also notice that a fine-grained and wider-range control for the attribute is of great importance for face editing. To achieve this goal, we propose a novel attribute regression loss. Powered by the proposed framework, we achieve high-fidelity and arbitrary face editing, outperforming other state-of-the-art approaches.

Jiayi Ji, Yunpeng Luo, Xiaoshuai Sun et al.

Transformer-based architectures have shown great success in image captioning, where object regions are encoded and then attended into the vectorial representations to guide the caption decoding. However, such vectorial representations only contain region-level information without considering the global information reflecting the entire image, which fails to expand the capability of complex multi-modal reasoning in image captioning. In this paper, we introduce a Global Enhanced Transformer (termed GET) to enable the extraction of a more comprehensive global representation, and then adaptively guide the decoder to generate high-quality captions. In GET, a Global Enhanced Encoder is designed for the embedding of the global feature, and a Global Adaptive Decoder are designed for the guidance of the caption generation. The former models intra- and inter-layer global representation by taking advantage of the proposed Global Enhanced Attention and a layer-wise fusion module. The latter contains a Global Adaptive Controller that can adaptively fuse the global information into the decoder to guide the caption generation. Extensive experiments on MS COCO dataset demonstrate the superiority of our GET over many state-of-the-arts.

He Wang, Yezhen Cong, Or Litany et al.

3D object detection is an important yet demanding task that heavily relies on difficult to obtain 3D annotations. To reduce the required amount of supervision, we propose 3DIoUMatch, a novel semi-supervised method for 3D object detection applicable to both indoor and outdoor scenes. We leverage a teacher-student mutual learning framework to propagate information from the labeled to the unlabeled train set in the form of pseudo-labels. However, due to the high task complexity, we observe that the pseudo-labels suffer from significant noise and are thus not directly usable. To that end, we introduce a confidence-based filtering mechanism, inspired by FixMatch. We set confidence thresholds based upon the predicted objectness and class probability to filter low-quality pseudo-labels. While effective, we observe that these two measures do not sufficiently capture localization quality. We therefore propose to use the estimated 3D IoU as a localization metric and set category-aware self-adjusted thresholds to filter poorly localized proposals. We adopt VoteNet as our backbone detector on indoor datasets while we use PV-RCNN on the autonomous driving dataset, KITTI. Our method consistently improves state-of-the-art methods on both ScanNet and SUN-RGBD benchmarks by significant margins under all label ratios (including fully labeled setting). For example, when training using only 10\% labeled data on ScanNet, 3DIoUMatch achieves 7.7% absolute improvement on mAP@0.25 and 8.5% absolute improvement on mAP@0.5 upon the prior art. On KITTI, we are the first to demonstrate semi-supervised 3D object detection and our method surpasses a fully supervised baseline from 1.8% to 7.6% under different label ratios and categories.

Yizhi Wang, Yue Gao, Zhouhui Lian

Font design is now still considered as an exclusive privilege of professional designers, whose creativity is not possessed by existing software systems. Nevertheless, we also notice that most commercial font products are in fact manually designed by following specific requirements on some attributes of glyphs, such as italic, serif, cursive, width, angularity, etc. Inspired by this fact, we propose a novel model, Attribute2Font, to automatically create fonts by synthesizing visually-pleasing glyph images according to user-specified attributes and their corresponding values. To the best of our knowledge, our model is the first one in the literature which is capable of generating glyph images in new font styles, instead of retrieving existing fonts, according to given values of specified font attributes. Specifically, Attribute2Font is trained to perform font style transfer between any two fonts conditioned on their attribute values. After training, our model can generate glyph images in accordance with an arbitrary set of font attribute values. Furthermore, a novel unit named Attribute Attention Module is designed to make those generated glyph images better embody the prominent font attributes. Considering that the annotations of font attribute values are extremely expensive to obtain, a semi-supervised learning scheme is also introduced to exploit a large number of unlabeled fonts. Experimental results demonstrate that our model achieves impressive performance on many tasks, such as creating glyph images in new font styles, editing existing fonts, interpolation among different fonts, etc.

Yue Gao, Yuan Guo, Zhouhui Lian et al.

Automatic generation of artistic glyph images is a challenging task that attracts many research interests. Previous methods either are specifically designed for shape synthesis or focus on texture transfer. In this paper, we propose a novel model, AGIS-Net, to transfer both shape and texture styles in one-stage with only a few stylized samples. To achieve this goal, we first disentangle the representations for content and style by using two encoders, ensuring the multi-content and multi-style generation. Then we utilize two collaboratively working decoders to generate the glyph shape image and its texture image simultaneously. In addition, we introduce a local texture refinement loss to further improve the quality of the synthesized textures. In this manner, our one-stage model is much more efficient and effective than other multi-stage stacked methods. We also propose a large-scale dataset with Chinese glyph images in various shape and texture styles, rendered from 35 professional-designed artistic fonts with 7,326 characters and 2,460 synthetic artistic fonts with 639 characters, to validate the effectiveness and extendability of our method. Extensive experiments on both English and Chinese artistic glyph image datasets demonstrate the superiority of our model in generating high-quality stylized glyph images against other state-of-the-art methods.