Christopher Thomas

Zhecan Wang, Junzhang Liu, Chia-Wei Tang et al.

Existing vision-language understanding benchmarks largely consist of images of objects in their usual contexts. As a consequence, recent multimodal large language models can perform well with only a shallow visual understanding by relying on background language biases. Thus, strong performance on these benchmarks does not necessarily correlate with strong visual understanding. In this paper, we release JourneyBench, a comprehensive human-annotated benchmark of generated images designed to assess the model's fine-grained multimodal reasoning abilities across five tasks: complementary multimodal chain of thought, multi-image VQA, imaginary image captioning, VQA with hallucination triggers, and fine-grained retrieval with sample-specific distractors. Unlike existing benchmarks, JourneyBench explicitly requires fine-grained multimodal reasoning in unusual imaginary scenarios where language bias and holistic image gist are insufficient. We benchmark state-of-the-art models on JourneyBench and analyze performance along a number of fine-grained dimensions. Results across all five tasks show that JourneyBench is exceptionally challenging for even the best models, indicating that models' visual reasoning abilities are not as strong as they first appear. We discuss the implications of our findings and propose avenues for further research.

Md. Atabuzzaman, Andrew Zhang, Chris Thomas

Large Vision-Language Models (LVLMs) have demonstrated impressive performance on vision-language reasoning tasks. However, their potential for zero-shot fine-grained image classification, a challenging task requiring precise differentiation between visually similar categories, remains underexplored. We present a novel method that transforms zero-shot fine-grained image classification into a visual question-answering framework, leveraging LVLMs' comprehensive understanding capabilities rather than relying on direct class name generation. We enhance model performance through a novel attention intervention technique. We also address a key limitation in existing datasets by developing more comprehensive and precise class description benchmarks. We validate the effectiveness of our method through extensive experimentation across multiple fine-grained image classification benchmarks. Our proposed method consistently outperforms the current state-of-the-art (SOTA) approach, demonstrating both the effectiveness of our method and the broader potential of LVLMs for zero-shot fine-grained classification tasks. Code and Datasets: https://github.com/Atabuzzaman/Fine-grained-classification

Alvi Md Ishmam, Christopher Thomas

In recent years there has been enormous interest in vision-language models trained using self-supervised objectives. However, the use of large-scale datasets scraped from the web for training also makes these models vulnerable to potential security threats, such as backdooring and poisoning attacks. In this paper, we propose a method for mitigating such attacks on contrastively trained vision-language models. Our approach leverages external knowledge extracted from a language model to prevent models from learning correlations between image regions which lack strong alignment with external knowledge. We do this by imposing constraints to enforce that attention paid by the model to visual regions is proportional to the alignment of those regions with external knowledge. We conduct extensive experiments using a variety of recent backdooring and poisoning attacks on multiple datasets and architectures. Our results clearly demonstrate that our proposed approach is highly effective at defending against such attacks across multiple settings, while maintaining model utility and without requiring any changes at inference time

Andrew Zhang, Anushka Sivakumar, Chiawei Tang et al.

Discrete diffusion models are a new class of text generators that offer advantages such as bidirectional context use, parallelizable generation, and flexible prompting compared to autoregressive models. However, a critical limitation of discrete diffusion models is their inability to perform flexible-length or flexible-position text infilling without access to ground-truth positional data. We introduce \textbf{DDOT} (\textbf{D}iscrete \textbf{D}iffusion with \textbf{O}ptimal \textbf{T}ransport Position Coupling), the first discrete diffusion model to overcome this challenge. DDOT jointly denoises token values and token positions, employing a novel sample-level Optimal Transport (OT) coupling. This coupling preserves relative token ordering while dynamically adjusting the positions and length of infilled segments, a capability previously missing in text diffusion. Our method is orthogonal to existing discrete text diffusion methods and is compatible with various pretrained text denoisers. Extensive experiments on text infilling benchmarks such as One-Billion-Word and Yelp demonstrate that DDOT outperforms naive diffusion baselines. Furthermore, DDOT achieves performance on par with state-of-the-art non-autoregressive models and enables significant improvements in training efficiency and flexibility.

Hani Alomari, Anushka Sivakumar, Andrew Zhang et al.

Cross-modal image-text retrieval is challenging because of the diverse possible associations between content from different modalities. Traditional methods learn a single-vector embedding to represent semantics of each sample, but struggle to capture nuanced and diverse relationships that can exist across modalities. Set-based approaches, which represent each sample with multiple embeddings, offer a promising alternative, as they can capture richer and more diverse relationships. In this paper, we show that, despite their promise, these set-based representations continue to face issues including sparse supervision and set collapse, which limits their effectiveness. To address these challenges, we propose Maximal Pair Assignment Similarity to optimize one-to-one matching between embedding sets which preserve semantic diversity within the set. We also introduce two loss functions to further enhance the representations: Global Discriminative Loss to enhance distinction among embeddings, and Intra-Set Divergence Loss to prevent collapse within each set. Our method achieves state-of-the-art performance on MS-COCO and Flickr30k without relying on external data.

Brian Chen, Xudong Lin, Christopher Thomas et al.

Visual and textual modalities contribute complementary information about events described in multimedia documents. Videos contain rich dynamics and detailed unfoldings of events, while text describes more high-level and abstract concepts. However, existing event extraction methods either do not handle video or solely target video while ignoring other modalities. In contrast, we propose the first approach to jointly extract events from video and text articles. We introduce the new task of Video MultiMedia Event Extraction (Video M2E2) and propose two novel components to build the first system towards this task. First, we propose the first self-supervised multimodal event coreference model that can determine coreference between video events and text events without any manually annotated pairs. Second, we introduce the first multimodal transformer which extracts structured event information jointly from both videos and text documents. We also construct and will publicly release a new benchmark of video-article pairs, consisting of 860 video-article pairs with extensive annotations for evaluating methods on this task. Our experimental results demonstrate the effectiveness of our proposed method on our new benchmark dataset. We achieve 6.0% and 5.8% absolute F-score gain on multimodal event coreference resolution and multimedia event extraction.

Christopher Thomas, Yale Song, Adriana Kovashka

We study the problem of animating images by transferring spatio-temporal visual effects (such as melting) from a collection of videos. We tackle two primary challenges in visual effect transfer: 1) how to capture the effect we wish to distill; and 2) how to ensure that only the effect, rather than content or artistic style, is transferred from the source videos to the input image. To address the first challenge, we evaluate five loss functions; the most promising one encourages the generated animations to have similar optical flow and texture motions as the source videos. To address the second challenge, we only allow our model to move existing image pixels from the previous frame, rather than predicting unconstrained pixel values. This forces any visual effects to occur using the input image's pixels, preventing unwanted artistic style or content from the source video from appearing in the output. We evaluate our method in objective and subjective settings, and show interesting qualitative results which demonstrate objects undergoing atypical transformations, such as making a face melt or a deer bloom.

Christopher Thomas, Adriana Kovashka

The abundance of multimodal data (e.g. social media posts) has inspired interest in cross-modal retrieval methods. Popular approaches rely on a variety of metric learning losses, which prescribe what the proximity of image and text should be, in the learned space. However, most prior methods have focused on the case where image and text convey redundant information; in contrast, real-world image-text pairs convey complementary information with little overlap. Further, images in news articles and media portray topics in a visually diverse fashion; thus, we need to take special care to ensure a meaningful image representation. We propose novel within-modality losses which encourage semantic coherency in both the text and image subspaces, which does not necessarily align with visual coherency. Our method ensures that not only are paired images and texts close, but the expected image-image and text-text relationships are also observed. Our approach improves the results of cross-modal retrieval on four datasets compared to five baselines.

Christopher Thomas, Adriana Kovashka

The news media shape public opinion, and often, the visual bias they contain is evident for human observers. This bias can be inferred from how different media sources portray different subjects or topics. In this paper, we model visual political bias in contemporary media sources at scale, using webly supervised data. We collect a dataset of over one million unique images and associated news articles from left- and right-leaning news sources, and develop a method to predict the image's political leaning. This problem is particularly challenging because of the enormous intra-class visual and semantic diversity of our data. We propose a two-stage method to tackle this problem. In the first stage, the model is forced to learn relevant visual concepts that, when joined with document embeddings computed from articles paired with the images, enable the model to predict bias. In the second stage, we remove the requirement of the text domain and train a visual classifier from the features of the former model. We show this two-stage approach facilitates learning and outperforms several strong baselines. We also present extensive qualitative results demonstrating the nuances of the data.

Christopher Thomas, Adriana Kovashka

Computer vision systems currently lack the ability to reliably recognize artistically rendered objects, especially when such data is limited. In this paper, we propose a method for recognizing objects in artistic modalities (such as paintings, cartoons, or sketches), without requiring any labeled data from those modalities. Our method explicitly accounts for stylistic domain shifts between and within domains. To do so, we introduce a complementary training modality constructed to be similar in artistic style to the target domain, and enforce that the network learns features that are invariant between the two training modalities. We show how such artificial labeled source domains can be generated automatically through the use of style transfer techniques, using diverse target images to represent the style in the target domain. Unlike existing methods which require a large amount of unlabeled target data, our method can work with as few as ten unlabeled images. We evaluate it on a number of cross-domain object and scene classification tasks and on a new dataset we release. Our experiments show that our approach, though conceptually simple, significantly improves the accuracy that existing domain adaptation techniques obtain for artistic object recognition.

Christopher Thomas, Adriana Kovashka

In this paper, we examine the visual variability of objects across different ad categories, i.e. what causes an advertisement to be visually persuasive. We focus on modeling and generating faces which appear to come from different types of ads. For example, if faces in beauty ads tend to be women wearing lipstick, a generative model should portray this distinct visual appearance. Training generative models which capture such category-specific differences is challenging because of the highly diverse appearance of faces in ads and the relatively limited amount of available training data. To address these problems, we propose a conditional variational autoencoder which makes use of predicted semantic attributes and facial expressions as a supervisory signal when training. We show how our model can be used to produce visually distinct faces which appear to be from a fixed ad topic category. Our human studies and quantitative and qualitative experiments confirm that our method greatly outperforms a variety of baselines, including two variations of a state-of-the-art generative adversarial network, for transforming faces to be more ad-category appropriate. Finally, we show preliminary generation results for other types of objects, conditioned on an ad topic.

Zaeem Hussain, Mingda Zhang, Xiaozhong Zhang et al.

There is more to images than their objective physical content: for example, advertisements are created to persuade a viewer to take a certain action. We propose the novel problem of automatic advertisement understanding. To enable research on this problem, we create two datasets: an image dataset of 64,832 image ads, and a video dataset of 3,477 ads. Our data contains rich annotations encompassing the topic and sentiment of the ads, questions and answers describing what actions the viewer is prompted to take and the reasoning that the ad presents to persuade the viewer ("What should I do according to this ad, and why should I do it?"), and symbolic references ads make (e.g. a dove symbolizes peace). We also analyze the most common persuasive strategies ads use, and the capabilities that computer vision systems should have to understand these strategies. We present baseline classification results for several prediction tasks, including automatically answering questions about the messages of the ads.

Christopher Thomas

In this technical report, we present our publicly downloadable implementation of the SALICON saliency model. At the time of this writing, SALICON is one of the top performing saliency models on the MIT 300 fixation prediction dataset which evaluates how well an algorithm is able to predict where humans would look in a given image. Recently, numerous models have achieved state-of-the-art performance on this benchmark, but none of the top 5 performing models (including SALICON) are available for download. To address this issue, we have created a publicly downloadable implementation of the SALICON model. It is our hope that our model will engender further research in visual attention modeling by providing a baseline for comparison of other algorithms and a platform for extending this implementation. The model we provide supports both training and testing, enabling researchers to quickly fine-tune the model on their own dataset. We also provide a pre-trained model and code for those users who only need to generate saliency maps for images without training their own model.

Christopher Thomas, Adriana Kovashka

We introduce the novel problem of identifying the photographer behind a photograph. To explore the feasibility of current computer vision techniques to address this problem, we created a new dataset of over 180,000 images taken by 41 well-known photographers. Using this dataset, we examined the effectiveness of a variety of features (low and high-level, including CNN features) at identifying the photographer. We also trained a new deep convolutional neural network for this task. Our results show that high-level features greatly outperform low-level features. We provide qualitative results using these learned models that give insight into our method's ability to distinguish between photographers, and allow us to draw interesting conclusions about what specific photographers shoot. We also demonstrate two applications of our method.

Christopher Thomas, Brandon Jennings

Mobile devices with touch keyboards have become ubiquitous, but text entry on these devices remains slow and errorprone. Understanding touch patterns during text entry could be useful in designing robust error-correction algorithms for soft keyboards. In this paper, we present an analysis of text input behaviors on a soft QWERTY keyboard in three different text entry postures: index finger only, one thumb, and two thumb. Our work expands on the work of [1] by considering the entire surface area of digit contact with the smartphone keyboard, rather than interpreting each touch as a single point. To do this, we captured touch areas for every key in a lab study with 8 participants and calculated offsets, error rates, and size measurements. We then repeated the original experiment described in [1] and showed that significant differences exist when basing offset calculations on touch area compared to touch points for two postures.