Pau Torras

Pau Torras, Jiří Mayer, Carles Badal et al.

A large amount of musical heritage has been digitised by memory institutions: libraries, museums, and archives. Nevertheless, the field of Optical Music Recognition (OMR) has struggled with making this music machine-readable, despite advances in deep learning, mostly because no datasets for training systems in realistic conditions were available. The MusiCorpus dataset aims to remedy this situation by providing 1,309 pages of historical sheet music, primarily handwritten, with MusicXML transcriptions and symbol annotations. It is the largest dataset of handwritten music to date and the first dataset containing a realistic and representative sample of musical document collections from memory institutions, suitable for training and evaluating both end-to-end and object detection-based OMR systems and comparing their performance.

Pau Torras, Sanket Biswas, Alicia Fornés

Modern-day Optical Music Recognition (OMR) is a fairly fragmented field. Most OMR approaches use datasets that are independent and incompatible between each other, making it difficult to both combine them and compare recognition systems built upon them. In this paper we identify the need of a common music representation language and propose the Music Tree Notation (MTN) format, with the idea to construct a common endpoint for OMR research that allows coordination, reuse of technology and fair evaluation of community efforts. This format represents music as a set of primitives that group together into higher-abstraction nodes, a compromise between the expression of fully graph-based and sequential notation formats. We have also developed a specific set of OMR metrics and a typeset score dataset as a proof of concept of this idea.

Gerard Asbert, Pau Torras, Lei Kang et al.

The field of Optical Music Recognition (OMR) is currently hindered by the scarcity of real annotated data, particularly when dealing with handwritten historical musical scores. In similar fields, such as Handwritten Text Recognition, it was proven that synthetic examples produced with image generation techniques could help to train better-performing recognition architectures. This study explores the generation of realistic, handwritten-looking scores by implementing a music symbol-level Generative Adversarial Network (GAN) and assembling its output into a full score using the Smashcima engraving software. We have systematically evaluated the visual fidelity of these generated samples, concluding that the generated symbols exhibit a high degree of realism, marking significant progress in synthetic score generation.

Martín Méndez, Pau Torras, Adrià Molina et al.

Historical ciphered manuscripts are documents that were typically used in sensitive communications within military and diplomatic contexts or among members of secret societies. These secret messages were concealed by inventing a method of writing employing symbols from diverse sources such as digits, alchemy signs and Latin or Greek characters. When studying a new, unseen cipher, the automatic search and grouping of ciphers with a similar alphabet can aid the scholar in its transcription and cryptanalysis because it indicates a probability that the underlying cipher is similar. In this study, we address this need by proposing the CSI metric, a novel way of comparing pairs of ciphered documents. We assess their effectiveness in an unsupervised clustering scenario utilising visual features, including SIFT, pre-trained learnt embeddings, and OCR descriptors.