Pengfei Cai

Pengfei Cai, Yan Song, Kang Li et al.

Sound event detection (SED) methods that leverage a large pre-trained Transformer encoder network have shown promising performance in recent DCASE challenges. However, they still rely on an RNN-based context network to model temporal dependencies, largely due to the scarcity of labeled data. In this work, we propose a pure Transformer-based SED model with masked-reconstruction based pre-training, termed MAT-SED. Specifically, a Transformer with relative positional encoding is first designed as the context network, pre-trained by the masked-reconstruction task on all available target data in a self-supervised way. Both the encoder and the context network are jointly fine-tuned in a semi-supervised manner. Furthermore, a global-local feature fusion strategy is proposed to enhance the localization capability. Evaluation of MAT-SED on DCASE2023 task4 surpasses state-of-the-art performance, achieving 0.587/0.896 PSDS1/PSDS2 respectively.

Pengfei Cai, Yan Song, Nan Jiang et al.

A significant challenge in sound event detection (SED) is the effective utilization of unlabeled data, given the limited availability of labeled data due to high annotation costs. Semi-supervised algorithms rely on labeled data to learn from unlabeled data, and the performance is constrained by the quality and size of the former. In this paper, we introduce the Prototype based Masked Audio Model~(PMAM) algorithm for self-supervised representation learning in SED, to better exploit unlabeled data. Specifically, semantically rich frame-level pseudo labels are constructed from a Gaussian mixture model (GMM) based prototypical distribution modeling. These pseudo labels supervise the learning of a Transformer-based masked audio model, in which binary cross-entropy loss is employed instead of the widely used InfoNCE loss, to provide independent loss contributions from different prototypes, which is important in real scenarios in which multiple labels may apply to unsupervised data frames. A final stage of fine-tuning with just a small amount of labeled data yields a very high performing SED model. On like-for-like tests using the DESED task, our method achieves a PSDS1 score of 62.5\%, surpassing current state-of-the-art models and demonstrating the superiority of the proposed technique.

Jun Wang, Xijuan Zeng, Chunyu Qiang et al.

We propose Kling-Foley, a large-scale multimodal Video-to-Audio generation model that synthesizes high-quality audio synchronized with video content. In Kling-Foley, we introduce multimodal diffusion transformers to model the interactions between video, audio, and text modalities, and combine it with a visual semantic representation module and an audio-visual synchronization module to enhance alignment capabilities. Specifically, these modules align video conditions with latent audio elements at the frame level, thereby improving semantic alignment and audio-visual synchronization. Together with text conditions, this integrated approach enables precise generation of video-matching sound effects. In addition, we propose a universal latent audio codec that can achieve high-quality modeling in various scenarios such as sound effects, speech, singing, and music. We employ a stereo rendering method that imbues synthesized audio with a spatial presence. At the same time, in order to make up for the incomplete types and annotations of the open-source benchmark, we also open-source an industrial-level benchmark Kling-Audio-Eval. Our experiments show that Kling-Foley trained with the flow matching objective achieves new audio-visual SOTA performance among public models in terms of distribution matching, semantic alignment, temporal alignment and audio quality.

Pengfei Cai, Yan Song, Qing Gu et al.

Most existing sound event detection~(SED) algorithms operate under a closed-set assumption, restricting their detection capabilities to predefined classes. While recent efforts have explored language-driven zero-shot SED by exploiting audio-language models, their performance is still far from satisfactory due to the lack of fine-grained alignment and cross-modal feature fusion. In this work, we propose the Detect Any Sound Model (DASM), a query-based framework for open-vocabulary SED guided by multi-modal queries. DASM formulates SED as a frame-level retrieval task, where audio features are matched against query vectors derived from text or audio prompts. To support this formulation, DASM introduces a dual-stream decoder that explicitly decouples event recognition and temporal localization: a cross-modality event decoder performs query-feature fusion and determines the presence of sound events at the clip-level, while a context network models temporal dependencies for frame-level localization. Additionally, an inference-time attention masking strategy is proposed to leverage semantic relations between base and novel classes, substantially enhancing generalization to novel classes. Experiments on the AudioSet Strong dataset demonstrate that DASM effectively balances localization accuracy with generalization to novel classes, outperforming CLAP-based methods in open-vocabulary setting (+ 7.8 PSDS) and the baseline in the closed-set setting (+ 6.9 PSDS). Furthermore, in cross-dataset zero-shot evaluation on DESED, DASM achieves a PSDS1 score of 42.2, even exceeding the supervised CRNN baseline. The project page is available at https://cai525.github.io/Transformer4SED/demo_page/DASM/.