Xuanchen Wang

Xuanchen Wang, Heng Wang, Dongnan Liu et al.

Generating dance from music is crucial for advancing automated choreography. Current methods typically produce skeleton keypoint sequences instead of dance videos and lack the capability to make specific individuals dance, which reduces their real-world applicability. These methods also require precise keypoint annotations, complicating data collection and limiting the use of self-collected video datasets. To overcome these challenges, we introduce a novel task: generating dance videos directly from images of individuals guided by music. This task enables the dance generation of specific individuals without requiring keypoint annotations, making it more versatile and applicable to various situations. Our solution, the Dance Any Beat Diffusion model (DabFusion), utilizes a reference image and a music piece to generate dance videos featuring various dance types and choreographies. The music is analyzed by our specially designed music encoder, which identifies essential features including dance style, movement, and rhythm. DabFusion excels in generating dance videos not only for individuals in the training dataset but also for any previously unseen person. This versatility stems from its approach of generating latent optical flow, which contains all necessary motion information to animate any person in the image. We evaluate DabFusion's performance using the AIST++ dataset, focusing on video quality, audio-video synchronization, and motion-music alignment. We propose a 2D Motion-Music Alignment Score (2D-MM Align), which builds on the Beat Alignment Score to more effectively evaluate motion-music alignment for this new task. Experiments show that our DabFusion establishes a solid baseline for this innovative task. Video results can be found on our project page: https://DabFusion.github.io.

Xuanchen Wang, Heng Wang, Weidong Cai

Modern artistic productions increasingly demand automated choreography generation that adapts to diverse musical styles and individual dancer characteristics. Existing approaches often fail to produce high-quality dance videos that harmonize with both musical rhythm and user-defined choreography styles, limiting their applicability in real-world creative contexts. To address this gap, we introduce ChoreoMuse, a diffusion-based framework that uses SMPL format parameters and their variation version as intermediaries between music and video generation, thereby overcoming the usual constraints imposed by video resolution. Critically, ChoreoMuse supports style-controllable, high-fidelity dance video generation across diverse musical genres and individual dancer characteristics, including the flexibility to handle any reference individual at any resolution. Our method employs a novel music encoder MotionTune to capture motion cues from audio, ensuring that the generated choreography closely follows the beat and expressive qualities of the input music. To quantitatively evaluate how well the generated dances match both musical and choreographic styles, we introduce two new metrics that measure alignment with the intended stylistic cues. Extensive experiments confirm that ChoreoMuse achieves state-of-the-art performance across multiple dimensions, including video quality, beat alignment, dance diversity, and style adherence, demonstrating its potential as a robust solution for a wide range of creative applications. Video results can be found on our project page: https://choreomuse.github.io.

Xuanchen Wang, Heng Wang, Weidong Cai

Music is both an auditory and an embodied phenomenon, closely linked to human motion and naturally expressed through dance. However, most existing audio representations neglect this embodied dimension, limiting their ability to capture rhythmic and structural cues that drive movement. We propose MotionBeat, a framework for motion-aligned music representation learning. MotionBeat is trained with two newly proposed objectives: the Embodied Contrastive Loss (ECL), an enhanced InfoNCE formulation with tempo-aware and beat-jitter negatives to achieve fine-grained rhythmic discrimination, and the Structural Rhythm Alignment Loss (SRAL), which ensures rhythm consistency by aligning music accents with corresponding motion events. Architecturally, MotionBeat introduces bar-equivariant phase rotations to capture cyclic rhythmic patterns and contact-guided attention to emphasize motion events synchronized with musical accents. Experiments show that MotionBeat outperforms state-of-the-art audio encoders in music-to-dance generation and transfers effectively to beat tracking, music tagging, genre and instrument classification, emotion recognition, and audio-visual retrieval. Our project demo page: https://motionbeat2025.github.io/.