Xiaohuan Zhou

Jinze Bai, Rui Men, Hao Yang et al. · pku

Generalist models, which are capable of performing diverse multi-modal tasks in a task-agnostic way within a single model, have been explored recently. Being, hopefully, an alternative to approaching general-purpose AI, existing generalist models are still at an early stage, where modality and task coverage is limited. To empower multi-modal task-scaling and speed up this line of research, we release a generalist model learning system, OFASys, built on top of a declarative task interface named multi-modal instruction. At the core of OFASys is the idea of decoupling multi-modal task representations from the underlying model implementations. In OFASys, a task involving multiple modalities can be defined declaratively even with just a single line of code. The system automatically generates task plans from such instructions for training and inference. It also facilitates multi-task training for diverse multi-modal workloads. As a starting point, we provide presets of 7 different modalities and 23 highly-diverse example tasks in OFASys, with which we also develop a first-in-kind, single model, OFA+, that can handle text, image, speech, video, and motion data. The single OFA+ model achieves 95% performance in average with only 16% parameters of 15 task-finetuned models, showcasing the performance reliability of multi-modal task-scaling provided by OFASys. Available at https://github.com/OFA-Sys/OFASys

Yunfei Chu, Jin Xu, Xiaohuan Zhou et al.

Recently, instruction-following audio-language models have received broad attention for audio interaction with humans. However, the absence of pre-trained audio models capable of handling diverse audio types and tasks has hindered progress in this field. Consequently, most existing works have only been able to support a limited range of interaction capabilities. In this paper, we develop the Qwen-Audio model and address this limitation by scaling up audio-language pre-training to cover over 30 tasks and various audio types, such as human speech, natural sounds, music, and songs, to facilitate universal audio understanding abilities. However, directly co-training all tasks and datasets can lead to interference issues, as the textual labels associated with different datasets exhibit considerable variations due to differences in task focus, language, granularity of annotation, and text structure. To overcome the one-to-many interference, we carefully design a multi-task training framework by conditioning on a sequence of hierarchical tags to the decoder for encouraging knowledge sharing and avoiding interference through shared and specified tags respectively. Remarkably, Qwen-Audio achieves impressive performance across diverse benchmark tasks without requiring any task-specific fine-tuning, surpassing its counterparts. Building upon the capabilities of Qwen-Audio, we further develop Qwen-Audio-Chat, which allows for input from various audios and text inputs, enabling multi-turn dialogues and supporting various audio-central scenarios.

Zhihao Du, Jiaming Wang, Qian Chen et al.

Generative Pre-trained Transformer (GPT) models have achieved remarkable performance on various natural language processing tasks, and have shown great potential as backbones for audio-and-text large language models (LLMs). Previous mainstream audio-and-text LLMs use discrete audio tokens to represent both input and output audio; however, they suffer from performance degradation on tasks such as automatic speech recognition, speech-to-text translation, and speech enhancement over models using continuous speech features. In this paper, we propose LauraGPT, a novel unified audio-and-text GPT-based LLM for audio recognition, understanding, and generation. LauraGPT is a versatile LLM that can process both audio and text inputs and generate outputs in either modalities. We propose a novel data representation that combines continuous and discrete features for audio: LauraGPT encodes input audio into continuous representations using an audio encoder and generates output audio from discrete codec codes. We propose a one-step codec vocoder to overcome the prediction challenge caused by the multimodal distribution of codec tokens. We fine-tune LauraGPT using supervised multi-task learning. Extensive experiments show that LauraGPT consistently achieves comparable to superior performance compared to strong baselines on a wide range of audio tasks related to content, semantics, paralinguistics, and audio-signal analysis, such as automatic speech recognition, speech-to-text translation, text-to-speech synthesis, speech enhancement, automated audio captioning, speech emotion recognition, and spoken language understanding.

Xiaohuan Zhou, Jiaming Wang, Zeyu Cui et al.

In this paper, we propose a novel multi-modal multi-task encoder-decoder pre-training framework (MMSpeech) for Mandarin automatic speech recognition (ASR), which employs both unlabeled speech and text data. The main difficulty in speech-text joint pre-training comes from the significant difference between speech and text modalities, especially for Mandarin speech and text. Unlike English and other languages with an alphabetic writing system, Mandarin uses an ideographic writing system where character and sound are not tightly mapped to one another. Therefore, we propose to introduce the phoneme modality into pre-training, which can help capture modality-invariant information between Mandarin speech and text. Specifically, we employ a multi-task learning framework including five self-supervised and supervised tasks with speech and text data. For end-to-end pre-training, we introduce self-supervised speech-to-pseudo-codes (S2C) and phoneme-to-text (P2T) tasks utilizing unlabeled speech and text data, where speech-pseudo-codes pairs and phoneme-text pairs are a supplement to the supervised speech-text pairs. To train the encoder to learn better speech representation, we introduce self-supervised masked speech prediction (MSP) and supervised phoneme prediction (PP) tasks to learn to map speech into phonemes. Besides, we directly add the downstream supervised speech-to-text (S2T) task into the pre-training process, which can further improve the pre-training performance and achieve better recognition results even without fine-tuning. Experiments on AISHELL-1 show that our proposed method achieves state-of-the-art performance, with a more than 40% relative improvement compared with other pre-training methods.

Jianhong Tu, Zeyu Cui, Xiaohuan Zhou et al.

The goal of expressive Text-to-speech (TTS) is to synthesize natural speech with desired content, prosody, emotion, or timbre, in high expressiveness. Most of previous studies attempt to generate speech from given labels of styles and emotions, which over-simplifies the problem by classifying styles and emotions into a fixed number of pre-defined categories. In this paper, we introduce a new task setting, Contextual TTS (CTTS). The main idea of CTTS is that how a person speaks depends on the particular context she is in, where the context can typically be represented as text. Thus, in the CTTS task, we propose to utilize such context to guide the speech synthesis process instead of relying on explicit labels of styles and emotions. To achieve this task, we construct a synthetic dataset and develop an effective framework. Experiments show that our framework can generate high-quality expressive speech based on the given context both in synthetic datasets and real-world scenarios.

Qian Yang, Jin Xu, Wenrui Liu et al.

Recently, instruction-following audio-language models have received broad attention for human-audio interaction. However, the absence of benchmarks capable of evaluating audio-centric interaction capabilities has impeded advancements in this field. Previous models primarily focus on assessing different fundamental tasks, such as Automatic Speech Recognition (ASR), and lack an assessment of the open-ended generative capabilities centered around audio. Thus, it is challenging to track the progression in the Large Audio-Language Models (LALMs) domain and to provide guidance for future improvement. In this paper, we introduce AIR-Bench (\textbf{A}udio \textbf{I}nst\textbf{R}uction \textbf{Bench}mark), the first benchmark designed to evaluate the ability of LALMs to understand various types of audio signals (including human speech, natural sounds, and music), and furthermore, to interact with humans in the textual format. AIR-Bench encompasses two dimensions: \textit{foundation} and \textit{chat} benchmarks. The former consists of 19 tasks with approximately 19k single-choice questions, intending to inspect the basic single-task ability of LALMs. The latter one contains 2k instances of open-ended question-and-answer data, directly assessing the comprehension of the model on complex audio and its capacity to follow instructions. Both benchmarks require the model to generate hypotheses directly. We design a unified framework that leverages advanced language models, such as GPT-4, to evaluate the scores of generated hypotheses given the meta-information of the audio. Experimental results demonstrate a high level of consistency between GPT-4-based evaluation and human evaluation. By revealing the limitations of existing LALMs through evaluation results, AIR-Bench can provide insights into the direction of future research.

Peng Wang, Shijie Wang, Junyang Lin et al.

In this work, we explore a scalable way for building a general representation model toward unlimited modalities. We release ONE-PEACE, a highly extensible model with 4B parameters that can seamlessly align and integrate representations across vision, audio, and language modalities. The architecture of ONE-PEACE comprises modality adapters, shared self-attention layers, and modality FFNs. This design allows for the easy extension of new modalities by adding adapters and FFNs, while also enabling multi-modal fusion through self-attention layers. To pretrain ONE-PEACE, we develop two modality-agnostic pretraining tasks, cross-modal aligning contrast and intra-modal denoising contrast, which align the semantic space of different modalities and capture fine-grained details within modalities concurrently. With the scaling-friendly architecture and pretraining tasks, ONE-PEACE has the potential to expand to unlimited modalities. Without using any vision or language pretrained model for initialization, ONE-PEACE achieves leading results on a wide range of uni-modal and multi-modal tasks, including image classification (ImageNet), semantic segmentation (ADE20K), audio-text retrieval (AudioCaps, Clotho), audio classification (ESC-50, FSD50K, VGGSound), audio question answering (AVQA), image-text retrieval (MSCOCO, Flickr30K), and visual grounding (RefCOCO/+/g). Code is available at https://github.com/OFA-Sys/ONE-PEACE.

Ruibin Yuan, Hanfeng Lin, Shuyue Guo et al.

We tackle the task of long-form music generation--particularly the challenging \textbf{lyrics-to-song} problem--by introducing YuE, a family of open foundation models based on the LLaMA2 architecture. Specifically, YuE scales to trillions of tokens and generates up to five minutes of music while maintaining lyrical alignment, coherent musical structure, and engaging vocal melodies with appropriate accompaniment. It achieves this through (1) track-decoupled next-token prediction to overcome dense mixture signals, (2) structural progressive conditioning for long-context lyrical alignment, and (3) a multitask, multiphase pre-training recipe to converge and generalize. In addition, we redesign the in-context learning technique for music generation, enabling versatile style transfer (e.g., converting Japanese city pop into an English rap while preserving the original accompaniment) and bidirectional generation. Through extensive evaluation, we demonstrate that YuE matches or even surpasses some of the proprietary systems in musicality and vocal agility. In addition, fine-tuning YuE enables additional controls and enhanced support for tail languages. Furthermore, beyond generation, we show that YuE's learned representations can perform well on music understanding tasks, where the results of YuE match or exceed state-of-the-art methods on the MARBLE benchmark. Keywords: lyrics2song, song generation, long-form, foundation model, music generation

Pengwei Wang, Xin Ye, Xiaohuan Zhou et al.

In contrast to conventional pipeline Spoken Language Understanding (SLU) which consists of automatic speech recognition (ASR) and natural language understanding (NLU), end-to-end SLU infers the semantic meaning directly from speech and overcomes the error propagation caused by ASR. End-to-end slot filling (SF) from speech is an essential component of end-to-end SLU, and is usually regarded as a sequence-to-sequence generation problem, heavily relied on the performance of language model of ASR. However, it is hard to generate a correct slot when the slot is out-of-vovabulary (OOV) in training data, especially when a slot is an anti-linguistic entity without grammatical rule. Inspired by object detection in computer vision that is to detect the object from an image, we consider SF as the task of slot detection from speech. In this paper, we formulate the SF task as a matching task and propose an end-to-end knowledge-based SF model, named Speech-to-Slot (Speech2Slot), to leverage knowledge to detect the boundary of a slot from the speech. We also release a large-scale dataset of Chinese speech for slot filling, containing more than 830,000 samples. The experiments show that our approach is markedly superior to the conventional pipeline SLU approach, and outperforms the state-of-the-art end-to-end SF approach with 12.51% accuracy improvement.