Xingchao Yang

Kaede Shiohara, Xingchao Yang, Takafumi Taketomi

The great advancements of generative adversarial networks and face recognition models in computer vision have made it possible to swap identities on images from single sources. Although a lot of studies seems to have proposed almost satisfactory solutions, we notice previous methods still suffer from an identity-attribute entanglement that causes undesired attributes swapping because widely used identity encoders, eg, ArcFace, have some crucial attribute biases owing to their pretraining on face recognition tasks. To address this issue, we design BlendFace, a novel identity encoder for face-swapping. The key idea behind BlendFace is training face recognition models on blended images whose attributes are replaced with those of another mitigates inter-personal biases such as hairsyles. BlendFace feeds disentangled identity features into generators and guides generators properly as an identity loss function. Extensive experiments demonstrate that BlendFace improves the identity-attribute disentanglement in face-swapping models, maintaining a comparable quantitative performance to previous methods.

Xingchao Yang, Takafumi Taketomi, Yoshihiro Kanamori

Facial makeup enriches the beauty of not only real humans but also virtual characters; therefore, makeup for 3D facial models is highly in demand in productions. However, painting directly on 3D faces and capturing real-world makeup are costly, and extracting makeup from 2D images often struggles with shading effects and occlusions. This paper presents the first method for extracting makeup for 3D facial models from a single makeup portrait. Our method consists of the following three steps. First, we exploit the strong prior of 3D morphable models via regression-based inverse rendering to extract coarse materials such as geometry and diffuse/specular albedos that are represented in the UV space. Second, we refine the coarse materials, which may have missing pixels due to occlusions. We apply inpainting and optimization. Finally, we extract the bare skin, makeup, and an alpha matte from the diffuse albedo. Our method offers various applications for not only 3D facial models but also 2D portrait images. The extracted makeup is well-aligned in the UV space, from which we build a large-scale makeup dataset and a parametric makeup model for 3D faces. Our disentangled materials also yield robust makeup transfer and illumination-aware makeup interpolation/removal without a reference image.

Xingchao Yang, Takafumi Taketomi

We propose BareSkinNet, a novel method that simultaneously removes makeup and lighting influences from the face image. Our method leverages a 3D morphable model and does not require a reference clean face image or a specified light condition. By combining the process of 3D face reconstruction, we can easily obtain 3D geometry and coarse 3D textures. Using this information, we can infer normalized 3D face texture maps (diffuse, normal, roughness, and specular) by an image-translation network. Consequently, reconstructed 3D face textures without undesirable information will significantly benefit subsequent processes, such as re-lighting or re-makeup. In experiments, we show that BareSkinNet outperforms state-of-the-art makeup removal methods. In addition, our method is remarkably helpful in removing makeup to generate consistent high-fidelity texture maps, which makes it extendable to many realistic face generation applications. It can also automatically build graphic assets of face makeup images before and after with corresponding 3D data. This will assist artists in accelerating their work, such as 3D makeup avatar creation.

Xingchao Yang, Shiori Ueda, Yuantian Huang et al.

Paired bare-makeup facial images are essential for a wide range of beauty-related tasks, such as virtual try-on, facial privacy protection, and facial aesthetics analysis. However, collecting high-quality paired makeup datasets remains a significant challenge. Real-world data acquisition is constrained by the difficulty of collecting large-scale paired images, while existing synthetic approaches often suffer from limited realism or inconsistencies between bare and makeup images. Current synthetic methods typically fall into two categories: warping-based transformations, which often distort facial geometry and compromise the precision of makeup; and text-to-image generation, which tends to alter facial identity and expression, undermining consistency. In this work, we present FFHQ-Makeup, a high-quality synthetic makeup dataset that pairs each identity with multiple makeup styles while preserving facial consistency in both identity and expression. Built upon the diverse FFHQ dataset, our pipeline transfers real-world makeup styles from existing datasets onto 18K identities by introducing an improved makeup transfer method that disentangles identity and makeup. Each identity is paired with 5 different makeup styles, resulting in a total of 90K high-quality bare-makeup image pairs. To the best of our knowledge, this is the first work that focuses specifically on constructing a makeup dataset. We hope that FFHQ-Makeup fills the gap of lacking high-quality bare-makeup paired datasets and serves as a valuable resource for future research in beauty-related tasks.