Zhepei Wang

Zhepei Wang, Cem Subakan, Xilin Jiang et al. · uw

In this paper, we work on a sound recognition system that continually incorporates new sound classes. Our main goal is to develop a framework where the model can be updated without relying on labeled data. For this purpose, we propose adopting representation learning, where an encoder is trained using unlabeled data. This learning framework enables the study and implementation of a practically relevant use case where only a small amount of the labels is available in a continual learning context. We also make the empirical observation that a similarity-based representation learning method within this framework is robust to forgetting even if no explicit mechanism against forgetting is employed. We show that this approach obtains similar performance compared to several distillation-based continual learning methods when employed on self-supervised representation learning methods.

Francesco Paissan, Luca Della Libera, Zhepei Wang et al.

In this paper, we explore audio-editing with non-rigid text edits. We show that the proposed editing pipeline is able to create audio edits that remain faithful to the input audio. We explore text prompts that perform addition, style transfer, and in-painting. We quantitatively and qualitatively show that the edits are able to obtain results which outperform Audio-LDM, a recently released text-prompted audio generation model. Qualitative inspection of the results points out that the edits given by our approach remain more faithful to the input audio in terms of keeping the original onsets and offsets of the audio events.

Tiago Tavares, Fabio Ayres, Zhepei Wang et al.

Recent advances in audio-text cross-modal contrastive learning have shown its potential towards zero-shot learning. One possibility for this is by projecting item embeddings from pre-trained backbone neural networks into a cross-modal space in which item similarity can be calculated in either domain. This process relies on a strong unimodal pre-training of the backbone networks, and on a data-intensive training task for the projectors. These two processes can be biased by unintentional data leakage, which can arise from using supervised learning in pre-training or from inadvertently training the cross-modal projection using labels from the zero-shot learning evaluation. In this study, we show that a significant part of the measured zero-shot learning accuracy is due to strengths inherited from the audio and text backbones, that is, they are not learned in the cross-modal domain and are not transferred from one modality to another.

Zhepei Wang, Cem Subakan, Krishna Subramani et al.

Recent advances in using language models to obtain cross-modal audio-text representations have overcome the limitations of conventional training approaches that use predefined labels. This has allowed the community to make progress in tasks like zero-shot classification, which would otherwise not be possible. However, learning such representations requires a large amount of human-annotated audio-text pairs. In this paper, we study unsupervised approaches to improve the learning framework of such representations with unpaired text and audio. We explore domain-unspecific and domain-specific curation methods to create audio-text pairs that we use to further improve the model. We also show that when domain-specific curation is used in conjunction with a soft-labeled contrastive loss, we are able to obtain significant improvement in terms of zero-shot classification performance on downstream sound event classification or acoustic scene classification tasks.

Zhepei Wang, Jonah Casebeer, Adam Clemmitt et al.

In this work, we present HIDACT, a novel network architecture for adaptive computation for efficiently recognizing acoustic events. We evaluate the model on a sound event detection task where we train it to adaptively process frequency bands. The model learns to adapt to the input without requesting all frequency sub-bands provided. It can make confident predictions within fewer processing steps, hence reducing the amount of computation. Experimental results show that HIDACT has comparable performance to baseline models with more parameters and higher computational complexity. Furthermore, the model can adjust the amount of computation based on the data and computational budget.

Efthymios Tzinis, Jonah Casebeer, Zhepei Wang et al.

We propose FEDENHANCE, an unsupervised federated learning (FL) approach for speech enhancement and separation with non-IID distributed data across multiple clients. We simulate a real-world scenario where each client only has access to a few noisy recordings from a limited and disjoint number of speakers (hence non-IID). Each client trains their model in isolation using mixture invariant training while periodically providing updates to a central server. Our experiments show that our approach achieves competitive enhancement performance compared to IID training on a single device and that we can further facilitate the convergence speed and the overall performance using transfer learning on the server-side. Moreover, we show that we can effectively combine updates from clients trained locally with supervised and unsupervised losses. We also release a new dataset LibriFSD50K and its creation recipe in order to facilitate FL research for source separation problems.

Efthymios Tzinis, Zhepei Wang, Xilin Jiang et al.

Recent progress in audio source separation lead by deep learning has enabled many neural network models to provide robust solutions to this fundamental estimation problem. In this study, we provide a family of efficient neural network architectures for general purpose audio source separation while focusing on multiple computational aspects that hinder the application of neural networks in real-world scenarios. The backbone structure of this convolutional network is the SUccessive DOwnsampling and Resampling of Multi-Resolution Features (SuDoRM-RF) as well as their aggregation which is performed through simple one-dimensional convolutions. This mechanism enables our models to obtain high fidelity signal separation in a wide variety of settings where variable number of sources are present and with limited computational resources (e.g. floating point operations, memory footprint, number of parameters and latency). Our experiments show that SuDoRM-RF models perform comparably and even surpass several state-of-the-art benchmarks with significantly higher computational resource requirements. The causal variation of SuDoRM-RF is able to obtain competitive performance in real-time speech separation of around 10dB scale-invariant signal-to-distortion ratio improvement (SI-SDRi) while remaining up to 20 times faster than real-time on a laptop device.

Efthymios Tzinis, Shrikant Venkataramani, Zhepei Wang et al.

In this paper, we propose a two-step training procedure for source separation via a deep neural network. In the first step we learn a transform (and it's inverse) to a latent space where masking-based separation performance using oracles is optimal. For the second step, we train a separation module that operates on the previously learned space. In order to do so, we also make use of a scale-invariant signal to distortion ratio (SI-SDR) loss function that works in the latent space, and we prove that it lower-bounds the SI-SDR in the time domain. We run various sound separation experiments that show how this approach can obtain better performance as compared to systems that learn the transform and the separation module jointly. The proposed methodology is general enough to be applicable to a large class of neural network end-to-end separation systems.

Zhepei Wang, Cem Subakan, Efthymios Tzinis et al.

Continual learning consists in incrementally training a model on a sequence of datasets and testing on the union of all datasets. In this paper, we examine continual learning for the problem of sound classification, in which we wish to refine already trained models to learn new sound classes. In practice one does not want to maintain all past training data and retrain from scratch, but naively updating a model with new data(sets) results in a degradation of already learned tasks, which is referred to as "catastrophic forgetting." We develop a generative replay procedure for generating training audio spectrogram data, in place of keeping older training datasets. We show that by incrementally refining a classifier with generative replay a generator that is 4% of the size of all previous training data matches the performance of refining the classifier keeping 20% of all previous training data. We thus conclude that we can extend a trained sound classifier to learn new classes without having to keep previously used datasets.

Jonah Casebeer, Zhepei Wang, Paris Smaragdis

In this paper we introduce the idea of multi-view networks for sound classification with multiple sensors. We show how one can build a multi-channel sound recognition model trained on a fixed number of channels, and deploy it to scenarios with arbitrary (and potentially dynamically changing) number of input channels and not observe degradation in performance. We demonstrate that at inference time you can safely provide this model all available channels as it can ignore noisy information and leverage new information better than standard baseline approaches. The model is evaluated in both an anechoic environment and in rooms generated by a room acoustics simulator. We demonstrate that this model can generalize to unseen numbers of channels as well as unseen room geometries.