Zhou Wu

Caixiong Li, Xiongwei Zhao, Jinhang Zhang et al.

Open-vocabulary detection (OVD) is a challenging task to detect and classify objects from an unrestricted set of categories, including those unseen during training. Existing open-vocabulary detectors are limited by complex visual-textual misalignment and long-tailed category imbalances, leading to suboptimal performance in challenging scenarios. To address these limitations, we introduce MQADet, a universal paradigm for enhancing existing open-vocabulary detectors by leveraging the cross-modal reasoning capabilities of multimodal large language models (MLLMs). MQADet functions as a plug-and-play solution that integrates seamlessly with pre-trained object detectors without substantial additional training costs. Specifically, we design a novel three-stage Multimodal Question Answering (MQA) pipeline to guide the MLLMs to precisely localize complex textual and visual targets while effectively enhancing the focus of existing object detectors on relevant objects. To validate our approach, we present a new benchmark for evaluating our paradigm on four challenging open-vocabulary datasets, employing three state-of-the-art object detectors as baselines. Experimental results demonstrate that our proposed paradigm significantly improves the performance of existing detectors, particularly in unseen complex categories, across diverse and challenging scenarios. To facilitate future research, we will publicly release our code.

Xin Jin, Wu Zhou, Jingyu Wang et al.

Computational aesthetic evaluation has made remarkable contribution to visual art works, but its application to music is still rare. Currently, subjective evaluation is still the most effective form of evaluating artistic works. However, subjective evaluation of artistic works will consume a lot of human and material resources. The popular AI generated content (AIGC) tasks nowadays have flooded all industries, and music is no exception. While compared to music produced by humans, AI generated music still sounds mechanical, monotonous, and lacks aesthetic appeal. Due to the lack of music datasets with rating annotations, we have to choose traditional aesthetic equations to objectively measure the beauty of music. In order to improve the quality of AI music generation and further guide computer music production, synthesis, recommendation and other tasks, we use Birkhoff's aesthetic measure to design a aesthetic model, objectively measuring the aesthetic beauty of music, and form a recommendation list according to the aesthetic feeling of music. Experiments show that our objective aesthetic model and recommendation method are effective.

Zhou Wu, Junyi An, Baile Xu et al.

Recently, the superior performance of Transformers has made them a more robust and scalable solution for sequence modeling than traditional recurrent neural networks (RNNs). However, the effectiveness of Transformer in capturing long-term dependencies is primarily attributed to their comprehensive pair-modeling process rather than inherent inductive biases toward sequence semantics. In this study, we explore the capabilities of pure RNNs and reassess their long-term learning mechanisms. Inspired by the physics energy transition models that track energy changes over time, we propose a effective recurrent structure called the``Physics-inspired Energy Transition Neural Network" (PETNN). We demonstrate that PETNN's memory mechanism effectively stores information over long-term dependencies. Experimental results indicate that PETNN outperforms transformer-based methods across various sequence tasks. Furthermore, owing to its recurrent nature, PETNN exhibits significantly lower complexity. Our study presents an optimal foundational recurrent architecture and highlights the potential for developing effective recurrent neural networks in fields currently dominated by Transformer.