Mou Wang

Jisheng Bai, Mou Wang, Haohe Liu et al.

Acoustic scene classification (ASC) is a crucial research problem in computational auditory scene analysis, and it aims to recognize the unique acoustic characteristics of an environment. One of the challenges of the ASC task is the domain shift between training and testing data. Since 2018, ASC challenges have focused on the generalization of ASC models across different recording devices. Although this task, in recent years, has achieved substantial progress in device generalization, the challenge of domain shift between different geographical regions, involving discrepancies such as time, space, culture, and language, remains insufficiently explored at present. In addition, considering the abundance of unlabeled acoustic scene data in the real world, it is important to study the possible ways to utilize these unlabelled data. Therefore, we introduce the task Semi-supervised Acoustic Scene Classification under Domain Shift in the ICME 2024 Grand Challenge. We encourage participants to innovate with semi-supervised learning techniques, aiming to develop more robust ASC models under domain shift.

Dongzhe Zhang, Jianfeng Chen, Jisheng Bai et al.

Deep learning-based sound event localization and classification is an emerging research area within wireless acoustic sensor networks. However, current methods for sound event localization and classification typically rely on a single microphone array, making them susceptible to signal attenuation and environmental noise, which limits their monitoring range. Moreover, methods using multiple microphone arrays often focus solely on source localization, neglecting the aspect of sound event classification. In this paper, we propose a deep learning-based method that employs multiple features and attention mechanisms to estimate the location and class of sound source. We introduce a Soundmap feature to capture spatial information across multiple frequency bands. We also use the Gammatone filter to generate acoustic features more suitable for outdoor environments. Furthermore, we integrate attention mechanisms to learn channel-wise relationships and temporal dependencies within the acoustic features. To evaluate our proposed method, we conduct experiments using simulated datasets with different levels of noise and size of monitoring areas, as well as different arrays and source positions. The experimental results demonstrate the superiority of our proposed method over state-of-the-art methods in both sound event classification and sound source localization tasks. And we provide further analysis to explain the reasons for the observed errors.

Wenbo Zhu, Mou Wang, Xiao-Lei Zhang et al.

The design of acoustic features is important for speech separation. It can be roughly categorized into three classes: handcrafted, parameterized, and learnable features. Among them, learnable features, which are trained with separation networks jointly in an end-to-end fashion, become a new trend of modern speech separation research, e.g. convolutional time domain audio separation network (Conv-Tasnet), while handcrafted and parameterized features are also shown competitive in very recent studies. However, a systematic comparison across the three kinds of acoustic features has not been conducted yet. In this paper, we compare them in the framework of Conv-Tasnet by setting its encoder and decoder with different acoustic features. We also generalize the handcrafted multi-phase gammatone filterbank (MPGTF) to a new parameterized multi-phase gammatone filterbank (ParaMPGTF). Experimental results on the WSJ0-2mix corpus show that (i) if the decoder is learnable, then setting the encoder to STFT, MPGTF, ParaMPGTF, and learnable features lead to similar performance; and (ii) when the pseudo-inverse transforms of STFT, MPGTF, and ParaMPGTF are used as the decoders, the proposed ParaMPGTF performs better than the other two handcrafted features.