Ramya Srinivasan

h-index2
2papers
17citations

2 Papers

1.2CYMay 20, 2025
Kaleidoscope Gallery: Exploring Ethics and Generative AI Through Art

Alayt Issak, Uttkarsh Narayan, Ramya Srinivasan et al.

Ethical theories and Generative AI (GenAI) models are dynamic concepts subject to continuous evolution. This paper investigates the visualization of ethics through a subset of GenAI models. We expand on the emerging field of Visual Ethics, using art as a form of critical inquiry and the metaphor of a kaleidoscope to invoke moral imagination. Through formative interviews with 10 ethics experts, we first establish a foundation of ethical theories. Our analysis reveals five families of ethical theories, which we then transform into images using the text-to-image (T2I) GenAI model. The resulting imagery, curated as Kaleidoscope Gallery and evaluated by the same experts, revealed eight themes that highlight how morality, society, and learned associations are central to ethical theories. We discuss implications for critically examining T2I models and present cautions and considerations. This work contributes to examining ethical theories as foundational knowledge that interrogates GenAI models as socio-technical systems.

15.8AIOct 26, 2020
Biases in Generative Art -- A Causal Look from the Lens of Art History

Ramya Srinivasan, Kanji Uchino

With rapid progress in artificial intelligence (AI), popularity of generative art has grown substantially. From creating paintings to generating novel art styles, AI based generative art has showcased a variety of applications. However, there has been little focus concerning the ethical impacts of AI based generative art. In this work, we investigate biases in the generative art AI pipeline right from those that can originate due to improper problem formulation to those related to algorithm design. Viewing from the lens of art history, we discuss the socio-cultural impacts of these biases. Leveraging causal models, we highlight how current methods fall short in modeling the process of art creation and thus contribute to various types of biases. We illustrate the same through case studies, in particular those related to style transfer. To the best of our knowledge, this is the first extensive analysis that investigates biases in the generative art AI pipeline from the perspective of art history. We hope our work sparks interdisciplinary discussions related to accountability of generative art.