Michael S. Brown

Marcos V. Conde, Javier Vazquez-Corral, Michael S. Brown et al.

3D lookup tables (3D LUTs) are a key component for image enhancement. Modern image signal processors (ISPs) have dedicated support for these as part of the camera rendering pipeline. Cameras typically provide multiple options for picture styles, where each style is usually obtained by applying a unique handcrafted 3D LUT. Current approaches for learning and applying 3D LUTs are notably fast, yet not so memory-efficient, as storing multiple 3D LUTs is required. For this reason and other implementation limitations, their use on mobile devices is less popular. In this work, we propose a Neural Implicit LUT (NILUT), an implicitly defined continuous 3D color transformation parameterized by a neural network. We show that NILUTs are capable of accurately emulating real 3D LUTs. Moreover, a NILUT can be extended to incorporate multiple styles into a single network with the ability to blend styles implicitly. Our novel approach is memory-efficient, controllable and can complement previous methods, including learned ISPs. Code, models and dataset available at: https://github.com/mv-lab/nilut

Abhijith Punnappurath, Abdullah Abuolaim, Abdelrahman Abdelhamed et al.

Many flagship smartphone cameras now use a dedicated neural image signal processor (ISP) to render noisy raw sensor images to the final processed output. Training nightmode ISP networks relies on large-scale datasets of image pairs with: (1) a noisy raw image captured with a short exposure and a high ISO gain; and (2) a ground truth low-noise raw image captured with a long exposure and low ISO that has been rendered through the ISP. Capturing such image pairs is tedious and time-consuming, requiring careful setup to ensure alignment between the image pairs. In addition, ground truth images are often prone to motion blur due to the long exposure. To address this problem, we propose a method that synthesizes nighttime images from daytime images. Daytime images are easy to capture, exhibit low-noise (even on smartphone cameras) and rarely suffer from motion blur. We outline a processing framework to convert daytime raw images to have the appearance of realistic nighttime raw images with different levels of noise. Our procedure allows us to easily produce aligned noisy and clean nighttime image pairs. We show the effectiveness of our synthesis framework by training neural ISPs for nightmode rendering. Furthermore, we demonstrate that using our synthetic nighttime images together with small amounts of real data (e.g., 5% to 10%) yields performance almost on par with training exclusively on real nighttime images. Our dataset and code are available at https://github.com/SamsungLabs/day-to-night.

Ali Maleky, Shayan Kousha, Michael S. Brown et al.

Image noise modeling is a long-standing problem with many applications in computer vision. Early attempts that propose simple models, such as signal-independent additive white Gaussian noise or the heteroscedastic Gaussian noise model (a.k.a., camera noise level function) are not sufficient to learn the complex behavior of the camera sensor noise. Recently, more complex learning-based models have been proposed that yield better results in noise synthesis and downstream tasks, such as denoising. However, their dependence on supervised data (i.e., paired clean images) is a limiting factor given the challenges in producing ground-truth images. This paper proposes a framework for training a noise model and a denoiser simultaneously while relying only on pairs of noisy images rather than noisy/clean paired image data. We apply this framework to the training of the Noise Flow architecture. The noise synthesis and density estimation results show that our framework outperforms previous signal-processing-based noise models and is on par with its supervised counterpart. The trained denoiser is also shown to significantly improve upon both supervised and weakly supervised baseline denoising approaches. The results indicate that the joint training of a denoiser and a noise model yields significant improvements in the denoiser.

Hoang M. Le, Brian Price, Scott Cohen et al.

Cameras and image-editing software often process images in the wide-gamut ProPhoto color space, encompassing 90% of all visible colors. However, when images are encoded for sharing, this color-rich representation is transformed and clipped to fit within the small-gamut standard RGB (sRGB) color space, representing only 30% of visible colors. Recovering the lost color information is challenging due to the clipping procedure. Inspired by neural implicit representations for 2D images, we propose a method that optimizes a lightweight multi-layer-perceptron (MLP) model during the gamut reduction step to predict the clipped values. GamutMLP takes approximately 2 seconds to optimize and requires only 23 KB of storage. The small memory footprint allows our GamutMLP model to be saved as metadata in the sRGB image -- the model can be extracted when needed to restore wide-gamut color values. We demonstrate the effectiveness of our approach for color recovery and compare it with alternative strategies, including pre-trained DNN-based gamut expansion networks and other implicit neural representation methods. As part of this effort, we introduce a new color gamut dataset of 2200 wide-gamut/small-gamut images for training and testing. Our code and dataset can be found on the project website: https://gamut-mlp.github.io.

Shuwei Li, Jikai Wang, Michael S. Brown et al.

The assumption of a uniform light color distribution is no longer applicable in scenes that have multiple light colors. Most color constancy methods are designed to deal with a single light color, and thus are erroneous when applied to multiple light colors. The spatial variability in multiple light colors causes the color constancy problem to be more challenging and requires the extraction of local surface/light information. Motivated by this, we introduce a multi-task learning method to discount multiple light colors in a single input image. To have better cues of the local surface/light colors under multiple light color conditions, we design a novel multi-task learning framework. Our framework includes auxiliary tasks of achromatic-pixel detection and surface-color similarity prediction, providing better cues for local light and surface colors, respectively. Moreover, to ensure that our model maintains the constancy of surface colors regardless of the variations of light colors, a novel local surface color feature preservation scheme is developed. We demonstrate that our model achieves 47.1% improvement (from 4.69 mean angular error to 2.48) compared to a state-of-the-art multi-illuminant color constancy method on a multi-illuminant dataset (LSMI).

David Serrano-Lozano, Luis Herranz, Michael S. Brown et al.

A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements.

Mahmoud Afifi, Marcus A. Brubaker, Michael S. Brown

Auto white balance (AWB) is applied by camera hardware at capture time to remove the color cast caused by the scene illumination. The vast majority of white-balance algorithms assume a single light source illuminates the scene; however, real scenes often have mixed lighting conditions. This paper presents an effective AWB method to deal with such mixed-illuminant scenes. A unique departure from conventional AWB, our method does not require illuminant estimation, as is the case in traditional camera AWB modules. Instead, our method proposes to render the captured scene with a small set of predefined white-balance settings. Given this set of rendered images, our method learns to estimate weighting maps that are used to blend the rendered images to generate the final corrected image. Through extensive experiments, we show this proposed method produces promising results compared to other alternatives for single- and mixed-illuminant scene color correction. Our source code and trained models are available at https://github.com/mahmoudnafifi/mixedillWB.

Abdullah Abuolaim, Michael S. Brown

Defocus blur arises in images that are captured with a shallow depth of field due to the use of a wide aperture. Correcting defocus blur is challenging because the blur is spatially varying and difficult to estimate. We propose an effective defocus deblurring method that exploits data available on dual-pixel (DP) sensors found on most modern cameras. DP sensors are used to assist a camera's auto-focus by capturing two sub-aperture views of the scene in a single image shot. The two sub-aperture images are used to calculate the appropriate lens position to focus on a particular scene region and are discarded afterwards. We introduce a deep neural network (DNN) architecture that uses these discarded sub-aperture images to reduce defocus blur. A key contribution of our effort is a carefully captured dataset of 500 scenes (2000 images) where each scene has: (i) an image with defocus blur captured at a large aperture; (ii) the two associated DP sub-aperture views; and (iii) the corresponding all-in-focus image captured with a small aperture. Our proposed DNN produces results that are significantly better than conventional single image methods in terms of both quantitative and perceptual metrics -- all from data that is already available on the camera but ignored. The dataset, code, and trained models are available at https://github.com/Abdullah-Abuolaim/defocus-deblurring-dual-pixel.

David Serrano-Lozano, Aditya Arora, Luis Herranz et al.

White balance (WB) correction in scenes with multiple illuminants remains a persistent challenge in computer vision. Recent methods explored fusion-based approaches, where a neural network linearly blends multiple sRGB versions of an input image, each processed with predefined WB presets. However, we demonstrate that these methods are suboptimal for common multi-illuminant scenarios. Additionally, existing fusion-based methods rely on sRGB WB datasets lacking dedicated multi-illuminant images, limiting both training and evaluation. To address these challenges, we introduce two key contributions. First, we propose an efficient transformer-based model that effectively captures spatial dependencies across sRGB WB presets, substantially improving upon linear fusion techniques. Second, we introduce a large-scale multi-illuminant dataset comprising over 16,000 sRGB images rendered with five different WB settings, along with WB-corrected images. Our method achieves up to 100\% improvement over existing techniques on our new multi-illuminant image fusion dataset.

Seonghyeon Nam, Marcus A. Brubaker, Michael S. Brown

We propose a framework for aligning and fusing multiple images into a single view using neural image representations (NIRs), also known as implicit or coordinate-based neural representations. Our framework targets burst images that exhibit camera ego motion and potential changes in the scene. We describe different strategies for alignment depending on the nature of the scene motion -- namely, perspective planar (i.e., homography), optical flow with minimal scene change, and optical flow with notable occlusion and disocclusion. With the neural image representation, our framework effectively combines multiple inputs into a single canonical view without the need for selecting one of the images as a reference frame. We demonstrate how to use this multi-frame fusion framework for various layer separation tasks. The code and results are available at https://shnnam.github.io/research/nir.

Abhijith Punnappurath, Michael S. Brown

Imaging sensors digitize incoming scene light at a dynamic range of 10--12 bits (i.e., 1024--4096 tonal values). The sensor image is then processed onboard the camera and finally quantized to only 8 bits (i.e., 256 tonal values) to conform to prevailing encoding standards. There are a number of important applications, such as high-bit-depth displays and photo editing, where it is beneficial to recover the lost bit depth. Deep neural networks are effective at this bit-depth reconstruction task. Given the quantized low-bit-depth image as input, existing deep learning methods employ a single-shot approach that attempts to either (1) directly estimate the high-bit-depth image, or (2) directly estimate the residual between the high- and low-bit-depth images. In contrast, we propose a training and inference strategy that recovers the residual image bitplane-by-bitplane. Our bitplane-wise learning framework has the advantage of allowing for multiple levels of supervision during training and is able to obtain state-of-the-art results using a simple network architecture. We test our proposed method extensively on several image datasets and demonstrate an improvement from 0.5dB to 2.3dB PSNR over prior methods depending on the quantization level.

Mahmoud Afifi, Michael S. Brown

We introduce a deep learning approach to realistically edit an sRGB image's white balance. Cameras capture sensor images that are rendered by their integrated signal processor (ISP) to a standard RGB (sRGB) color space encoding. The ISP rendering begins with a white-balance procedure that is used to remove the color cast of the scene's illumination. The ISP then applies a series of nonlinear color manipulations to enhance the visual quality of the final sRGB image. Recent work by [3] showed that sRGB images that were rendered with the incorrect white balance cannot be easily corrected due to the ISP's nonlinear rendering. The work in [3] proposed a k-nearest neighbor (KNN) solution based on tens of thousands of image pairs. We propose to solve this problem with a deep neural network (DNN) architecture trained in an end-to-end manner to learn the correct white balance. Our DNN maps an input image to two additional white-balance settings corresponding to indoor and outdoor illuminations. Our solution not only is more accurate than the KNN approach in terms of correcting a wrong white-balance setting but also provides the user the freedom to edit the white balance in the sRGB image to other illumination settings.

Mahmoud Afifi, Michael S. Brown

While modern deep neural networks (DNNs) achieve state-of-the-art results for illuminant estimation, it is currently necessary to train a separate DNN for each type of camera sensor. This means when a camera manufacturer uses a new sensor, it is necessary to retrain an existing DNN model with training images captured by the new sensor. This paper addresses this problem by introducing a novel sensor-independent illuminant estimation framework. Our method learns a sensor-independent working space that can be used to canonicalize the RGB values of any arbitrary camera sensor. Our learned space retains the linear property of the original sensor raw-RGB space and allows unseen camera sensors to be used on a single DNN model trained on this working space. We demonstrate the effectiveness of this approach on several different camera sensors and show it provides performance on par with state-of-the-art methods that were trained per sensor.

Abdelrahman Abdelhamed, Marcus A. Brubaker, Michael S. Brown

Modeling and synthesizing image noise is an important aspect in many computer vision applications. The long-standing additive white Gaussian and heteroscedastic (signal-dependent) noise models widely used in the literature provide only a coarse approximation of real sensor noise. This paper introduces Noise Flow, a powerful and accurate noise model based on recent normalizing flow architectures. Noise Flow combines well-established basic parametric noise models (e.g., signal-dependent noise) with the flexibility and expressiveness of normalizing flow networks. The result is a single, comprehensive, compact noise model containing fewer than 2500 parameters yet able to represent multiple cameras and gain factors. Noise Flow dramatically outperforms existing noise models, with 0.42 nats/pixel improvement over the camera-calibrated noise level functions, which translates to 52% improvement in the likelihood of sampled noise. Noise Flow represents the first serious attempt to go beyond simple parametric models to one that leverages the power of deep learning and data-driven noise distributions.