Alejandro Jaimes

Miriam Redi, Nikhil Rasiwasia, Gaurav Aggarwal et al.

Digital portrait photographs are everywhere, and while the number of face pictures keeps growing, not much work has been done to on automatic portrait beauty assessment. In this paper, we design a specific framework to automatically evaluate the beauty of digital portraits. To this end, we procure a large dataset of face images annotated not only with aesthetic scores but also with information about the traits of the subject portrayed. We design a set of visual features based on portrait photography literature, and extensively analyze their relation with portrait beauty, exposing interesting findings about what makes a portrait beautiful. We find that the beauty of a portrait is linked to its artistic value, and independent from age, race and gender of the subject. We also show that a classifier trained with our features to separate beautiful portraits from non-beautiful portraits outperforms generic aesthetic classifiers.

Miriam Redi, Neil O Hare, Rossano Schifanella et al.

The notion of creativity, as opposed to related concepts such as beauty or interestingness, has not been studied from the perspective of automatic analysis of multimedia content. Meanwhile, short online videos shared on social media platforms, or micro-videos, have arisen as a new medium for creative expression. In this paper we study creative micro-videos in an effort to understand the features that make a video creative, and to address the problem of automatic detection of creative content. Defining creative videos as those that are novel and have aesthetic value, we conduct a crowdsourcing experiment to create a dataset of over 3,800 micro-videos labelled as creative and non-creative. We propose a set of computational features that we map to the components of our definition of creativity, and conduct an analysis to determine which of these features correlate most with creative video. Finally, we evaluate a supervised approach to automatically detect creative video, with promising results, showing that it is necessary to model both aesthetic value and novelty to achieve optimal classification accuracy.