Xiaohe Wu

Junyi Li, Xiaohe Wu, Zhenxing Niu et al.

While significant progress has been made in deep video denoising, it remains very challenging for exploiting historical and future frames. Bidirectional recurrent networks (BiRNN) have exhibited appealing performance in several video restoration tasks. However, BiRNN is intrinsically offline because it uses backward recurrent modules to propagate from the last to current frames, which causes high latency and large memory consumption. To address the offline issue of BiRNN, we present a novel recurrent network consisting of forward and look-ahead recurrent modules for unidirectional video denoising. Particularly, look-ahead module is an elaborate forward module for leveraging information from near-future frames. When denoising the current frame, the hidden features by forward and look-ahead recurrent modules are combined, thereby making it feasible to exploit both historical and near-future frames. Due to the scene motion between non-neighboring frames, border pixels missing may occur when warping look-ahead feature from near-future frame to current frame, which can be largely alleviated by incorporating forward warping and proposed border enlargement. Experiments show that our method achieves state-of-the-art performance with constant latency and memory consumption. Code is avaliable at https://github.com/nagejacob/FloRNN.

Haolin Wang, Jiawei Zhang, Ming Liu et al.

Image retouching, aiming to regenerate the visually pleasing renditions of given images, is a subjective task where the users are with different aesthetic sensations. Most existing methods deploy a deterministic model to learn the retouching style from a specific expert, making it less flexible to meet diverse subjective preferences. Besides, the intrinsic diversity of an expert due to the targeted processing on different images is also deficiently described. To circumvent such issues, we propose to learn diverse image retouching with normalizing flow-based architectures. Unlike current flow-based methods which directly generate the output image, we argue that learning in a style domain could (i) disentangle the retouching styles from the image content, (ii) lead to a stable style presentation form, and (iii) avoid the spatial disharmony effects. For obtaining meaningful image tone style representations, a joint-training pipeline is delicately designed, which is composed of a style encoder, a conditional RetouchNet, and the image tone style normalizing flow (TSFlow) module. In particular, the style encoder predicts the target style representation of an input image, which serves as the conditional information in the RetouchNet for retouching, while the TSFlow maps the style representation vector into a Gaussian distribution in the forward pass. After training, the TSFlow can generate diverse image tone style vectors by sampling from the Gaussian distribution. Extensive experiments on MIT-Adobe FiveK and PPR10K datasets show that our proposed method performs favorably against state-of-the-art methods and is effective in generating diverse results to satisfy different human aesthetic preferences. Source code and pre-trained models are publicly available at https://github.com/SSRHeart/TSFlow.

Ruohao Wang, Xiaohui Liu, Zhilu Zhang et al.

Video super-resolution (VSR) aiming to reconstruct a high-resolution (HR) video from its low-resolution (LR) counterpart has made tremendous progress in recent years. However, it remains challenging to deploy existing VSR methods to real-world data with complex degradations. On the one hand, there are few well-aligned real-world VSR datasets, especially with large super-resolution scale factors, which limits the development of real-world VSR tasks. On the other hand, alignment algorithms in existing VSR methods perform poorly for real-world videos, leading to unsatisfactory results. As an attempt to address the aforementioned issues, we build a real-world 4 VSR dataset, namely MVSR4$\times$, where low- and high-resolution videos are captured with different focal length lenses of a smartphone, respectively. Moreover, we propose an effective alignment method for real-world VSR, namely EAVSR. EAVSR takes the proposed multi-layer adaptive spatial transform network (MultiAdaSTN) to refine the offsets provided by the pre-trained optical flow estimation network. Experimental results on RealVSR and MVSR4$\times$ datasets show the effectiveness and practicality of our method, and we achieve state-of-the-art performance in real-world VSR task. The dataset and code will be publicly available.

Ming Liu, Yuxiang Wei, Xiaohe Wu et al.

Generative adversarial networks (GANs) have drawn enormous attention due to the simple yet effective training mechanism and superior image generation quality. With the ability to generate photo-realistic high-resolution (e.g., $1024\times1024$) images, recent GAN models have greatly narrowed the gaps between the generated images and the real ones. Therefore, many recent works show emerging interest to take advantage of pre-trained GAN models by exploiting the well-disentangled latent space and the learned GAN priors. In this paper, we briefly review recent progress on leveraging pre-trained large-scale GAN models from three aspects, i.e., 1) the training of large-scale generative adversarial networks, 2) exploring and understanding the pre-trained GAN models, and 3) leveraging these models for subsequent tasks like image restoration and editing. More information about relevant methods and repositories can be found at https://github.com/csmliu/pretrained-GANs.

Chonghuinan Wang, Zihan Chen, Yuxiang Wei et al.

Instruction-based multimodal image manipulation has recently made rapid progress. However, existing evaluation methods lack a systematic and human-aligned framework for assessing model performance on complex and creative editing tasks. To address this gap, we propose CREval, a fully automated question-answer (QA)-based evaluation pipeline that overcomes the incompleteness and poor interpretability of opaque Multimodal Large Language Models (MLLMs) scoring. Simultaneously, we introduce CREval-Bench, a comprehensive benchmark specifically designed for creative image manipulation under complex instructions. CREval-Bench covers three categories and nine creative dimensions, comprising over 800 editing samples and 13K evaluation queries. Leveraging this pipeline and benchmark, we systematically evaluate a diverse set of state-of-the-art open and closed-source models. The results reveal that while closed-source models generally outperform open-source ones on complex and creative tasks, all models still struggle to complete such edits effectively. In addition, user studies demonstrate strong consistency between CREval's automated metrics and human judgments. Therefore, CREval provides a reliable foundation for evaluating image editing models on complex and creative image manipulation tasks, and highlights key challenges and opportunities for future research.

Jiaxiu Jiang, Yabo Zhang, Kailai Feng et al.

Customized text-to-image generation, which synthesizes images based on user-specified concepts, has made significant progress in handling individual concepts. However, when extended to multiple concepts, existing methods often struggle with properly integrating different models and avoiding the unintended blending of characteristics from distinct concepts. In this paper, we propose MC$^2$, a novel approach for multi-concept customization that enhances flexibility and fidelity through inference-time optimization. MC$^2$ enables the integration of multiple single-concept models with heterogeneous architectures. By adaptively refining attention weights between visual and textual tokens, our method ensures that image regions accurately correspond to their associated concepts while minimizing interference between concepts. Extensive experiments demonstrate that MC$^2$ outperforms training-based methods in terms of prompt-reference alignment. Furthermore, MC$^2$ can be seamlessly applied to text-to-image generation, providing robust compositional capabilities. To facilitate the evaluation of multi-concept customization, we also introduce a new benchmark, MC++. The code will be publicly available at https://github.com/JIANGJiaXiu/MC-2.

Lingshun Kong, Jiawei Zhang, Zhengpeng Duan et al.

All-in-one image restoration is challenging because different degradation types, such as haze, blur, noise, and low-light, impose diverse requirements on restoration strategies, making it difficult for a single model to handle them effectively. In this paper, we propose a unified image restoration framework that integrates a dual-level Mixture-of-Experts (MoE) architecture with a pretrained diffusion model. The framework operates at two levels: the Inter-MoE layer adaptively combines expert groups to handle major degradation types, while the Intra-MoE layer further selects specialized sub-experts to address fine-grained variations within each type. This design enables the model to achieve coarse-grained adaptation across diverse degradation categories while performing fine-grained modulation for specific intra-class variations, ensuring both high specialization in handling complex, real-world corruptions. Extensive experiments demonstrate that the proposed method performs favorably against the state-of-the-art approaches on multiple image restoration task.

Yuxiang Wei, Zhilong Ji, Xiaohe Wu et al.

Despite the progress in semantic image synthesis, it remains a challenging problem to generate photo-realistic parts from input semantic map. Integrating part segmentation map can undoubtedly benefit image synthesis, but is bothersome and inconvenient to be provided by users. To improve part synthesis, this paper presents to infer Parts from Object ShapE (iPOSE) and leverage it for improving semantic image synthesis. However, albeit several part segmentation datasets are available, part annotations are still not provided for many object categories in semantic image synthesis. To circumvent it, we resort to few-shot regime to learn a PartNet for predicting the object part map with the guidance of pre-defined support part maps. PartNet can be readily generalized to handle a new object category when a small number (e.g., 3) of support part maps for this category are provided. Furthermore, part semantic modulation is presented to incorporate both inferred part map and semantic map for image synthesis. Experiments show that our iPOSE not only generates objects with rich part details, but also enables to control the image synthesis flexibly. And our iPOSE performs favorably against the state-of-the-art methods in terms of quantitative and qualitative evaluation. Our code will be publicly available at https://github.com/csyxwei/iPOSE.

Jize Zhang, Haolin Wang, Xiaohe Wu et al.

Existing unpaired low-light image enhancement approaches prefer to employ the two-way GAN framework, in which two CNN generators are deployed for enhancement and degradation separately. However, such data-driven models ignore the inherent characteristics of transformation between the low and normal light images, leading to unstable training and artifacts. Here, we propose to leverage the invertible network to enhance low-light image in forward process and degrade the normal-light one inversely with unpaired learning. The generated and real images are then fed into discriminators for adversarial learning. In addition to the adversarial loss, we design various loss functions to ensure the stability of training and preserve more image details. Particularly, a reversibility loss is introduced to alleviate the over-exposure problem. Moreover, we present a progressive self-guided enhancement process for low-light images and achieve favorable performance against the SOTAs.