Alice Baird

Dimitrios Kollias, Panagiotis Tzirakis, Alice Baird et al.

The fifth Affective Behavior Analysis in-the-wild (ABAW) Competition is part of the respective ABAW Workshop which will be held in conjunction with IEEE Computer Vision and Pattern Recognition Conference (CVPR), 2023. The 5th ABAW Competition is a continuation of the Competitions held at ECCV 2022, IEEE CVPR 2022, ICCV 2021, IEEE FG 2020 and CVPR 2017 Conferences, and is dedicated at automatically analyzing affect. For this year's Competition, we feature two corpora: i) an extended version of the Aff-Wild2 database and ii) the Hume-Reaction dataset. The former database is an audiovisual one of around 600 videos of around 3M frames and is annotated with respect to:a) two continuous affect dimensions -valence (how positive/negative a person is) and arousal (how active/passive a person is)-; b) basic expressions (e.g. happiness, sadness, neutral state); and c) atomic facial muscle actions (i.e., action units). The latter dataset is an audiovisual one in which reactions of individuals to emotional stimuli have been annotated with respect to seven emotional expression intensities. Thus the 5th ABAW Competition encompasses four Challenges: i) uni-task Valence-Arousal Estimation, ii) uni-task Expression Classification, iii) uni-task Action Unit Detection, and iv) Emotional Reaction Intensity Estimation. In this paper, we present these Challenges, along with their corpora, we outline the evaluation metrics, we present the baseline systems and illustrate their obtained performance.

Lukas Christ, Shahin Amiriparian, Alice Baird et al.

The Multimodal Sentiment Analysis Challenge (MuSe) 2022 is dedicated to multimodal sentiment and emotion recognition. For this year's challenge, we feature three datasets: (i) the Passau Spontaneous Football Coach Humor (Passau-SFCH) dataset that contains audio-visual recordings of German football coaches, labelled for the presence of humour; (ii) the Hume-Reaction dataset in which reactions of individuals to emotional stimuli have been annotated with respect to seven emotional expression intensities, and (iii) the Ulm-Trier Social Stress Test (Ulm-TSST) dataset comprising of audio-visual data labelled with continuous emotion values (arousal and valence) of people in stressful dispositions. Using the introduced datasets, MuSe 2022 2022 addresses three contemporary affective computing problems: in the Humor Detection Sub-Challenge (MuSe-Humor), spontaneous humour has to be recognised; in the Emotional Reactions Sub-Challenge (MuSe-Reaction), seven fine-grained `in-the-wild' emotions have to be predicted; and in the Emotional Stress Sub-Challenge (MuSe-Stress), a continuous prediction of stressed emotion values is featured. The challenge is designed to attract different research communities, encouraging a fusion of their disciplines. Mainly, MuSe 2022 targets the communities of audio-visual emotion recognition, health informatics, and symbolic sentiment analysis. This baseline paper describes the datasets as well as the feature sets extracted from them. A recurrent neural network with LSTM cells is used to set competitive baseline results on the test partitions for each sub-challenge. We report an Area Under the Curve (AUC) of .8480 for MuSe-Humor; .2801 mean (from 7-classes) Pearson's Correlations Coefficient for MuSe-Reaction, as well as .4931 Concordance Correlation Coefficient (CCC) and .4761 for valence and arousal in MuSe-Stress, respectively.

Alice Baird, Panagiotis Tzirakis, Gauthier Gidel et al.

The ICML Expressive Vocalization (ExVo) Competition is focused on understanding and generating vocal bursts: laughs, gasps, cries, and other non-verbal vocalizations that are central to emotional expression and communication. ExVo 2022, includes three competition tracks using a large-scale dataset of 59,201 vocalizations from 1,702 speakers. The first, ExVo-MultiTask, requires participants to train a multi-task model to recognize expressed emotions and demographic traits from vocal bursts. The second, ExVo-Generate, requires participants to train a generative model that produces vocal bursts conveying ten different emotions. The third, ExVo-FewShot, requires participants to leverage few-shot learning incorporating speaker identity to train a model for the recognition of 10 emotions conveyed by vocal bursts. This paper describes the three tracks and provides performance measures for baseline models using state-of-the-art machine learning strategies. The baseline for each track is as follows, for ExVo-MultiTask, a combined score, computing the harmonic mean of Concordance Correlation Coefficient (CCC), Unweighted Average Recall (UAR), and inverted Mean Absolute Error (MAE) ($S_{MTL}$) is at best, 0.335 $S_{MTL}$; for ExVo-Generate, we report Fréchet inception distance (FID) scores ranging from 4.81 to 8.27 (depending on the emotion) between the training set and generated samples. We then combine the inverted FID with perceptual ratings of the generated samples ($S_{Gen}$) and obtain 0.174 $S_{Gen}$; and for ExVo-FewShot, a mean CCC of 0.444 is obtained.

Björn W. Schuller, Anton Batliner, Shahin Amiriparian et al.

The ACM Multimedia 2023 Computational Paralinguistics Challenge addresses two different problems for the first time in a research competition under well-defined conditions: In the Emotion Share Sub-Challenge, a regression on speech has to be made; and in the Requests Sub-Challenges, requests and complaints need to be detected. We describe the Sub-Challenges, baseline feature extraction, and classifiers based on the usual ComPaRE features, the auDeep toolkit, and deep feature extraction from pre-trained CNNs using the DeepSpectRum toolkit; in addition, wav2vec2 models are used.

Alice Baird, Panagiotis Tzirakis, Jeffrey A. Brooks et al.

The ACII Affective Vocal Bursts Workshop & Competition is focused on understanding multiple affective dimensions of vocal bursts: laughs, gasps, cries, screams, and many other non-linguistic vocalizations central to the expression of emotion and to human communication more generally. This year's competition comprises four tracks using a large-scale and in-the-wild dataset of 59,299 vocalizations from 1,702 speakers. The first, the A-VB-High task, requires competition participants to perform a multi-label regression on a novel model for emotion, utilizing ten classes of richly annotated emotional expression intensities, including; Awe, Fear, and Surprise. The second, the A-VB-Two task, utilizes the more conventional 2-dimensional model for emotion, arousal, and valence. The third, the A-VB-Culture task, requires participants to explore the cultural aspects of the dataset, training native-country dependent models. Finally, for the fourth task, A-VB-Type, participants should recognize the type of vocal burst (e.g., laughter, cry, grunt) as an 8-class classification. This paper describes the four tracks and baseline systems, which use state-of-the-art machine learning methods. The baseline performance for each track is obtained by utilizing an end-to-end deep learning model and is as follows: for A-VB-High, a mean (over the 10-dimensions) Concordance Correlation Coefficient (CCC) of 0.5687 CCC is obtained; for A-VB-Two, a mean (over the 2-dimensions) CCC of 0.5084 is obtained; for A-VB-Culture, a mean CCC from the four cultures of 0.4401 is obtained; and for A-VB-Type, the baseline Unweighted Average Recall (UAR) from the 8-classes is 0.4172 UAR.

Andreas Triantafyllopoulos, Sandra Zänkert, Alice Baird et al.

Stress is a major threat to well-being that manifests in a variety of physiological and mental symptoms. Utilising speech samples collected while the subject is undergoing an induced stress episode has recently shown promising results for the automatic characterisation of individual stress responses. In this work, we introduce new findings that shed light onto whether speech signals are suited to model physiological biomarkers, as obtained via cortisol measurements, or self-assessed appraisal and affect measurements. Our results show that different indicators impact acoustic features in a diverse way, but that their complimentary information can nevertheless be effectively harnessed by a multi-tasking architecture to improve prediction performance for all of them.

Alice Baird, Rachel Manzelli, Panagiotis Tzirakis et al.

The NeurIPS 2023 Machine Learning for Audio Workshop brings together machine learning (ML) experts from various audio domains. There are several valuable audio-driven ML tasks, from speech emotion recognition to audio event detection, but the community is sparse compared to other ML areas, e.g., computer vision or natural language processing. A major limitation with audio is the available data; with audio being a time-dependent modality, high-quality data collection is time-consuming and costly, making it challenging for academic groups to apply their often state-of-the-art strategies to a larger, more generalizable dataset. In this short white paper, to encourage researchers with limited access to large-datasets, the organizers first outline several open-source datasets that are available to the community, and for the duration of the workshop are making several propriety datasets available. Namely, three vocal datasets, Hume-Prosody, Hume-VocalBurst, an acted emotional speech dataset Modulate-Sonata, and an in-game streamer dataset Modulate-Stream. We outline the current baselines on these datasets but encourage researchers from across audio to utilize them outside of the initial baseline tasks.

Lukas Stappen, Lea Schumann, Benjamin Sertolli et al.

We introduce the MuSe-Toolbox - a Python-based open-source toolkit for creating a variety of continuous and discrete emotion gold standards. In a single framework, we unify a wide range of fusion methods and propose the novel Rater Aligned Annotation Weighting (RAAW), which aligns the annotations in a translation-invariant way before weighting and fusing them based on the inter-rater agreements between the annotations. Furthermore, discrete categories tend to be easier for humans to interpret than continuous signals. With this in mind, the MuSe-Toolbox provides the functionality to run exhaustive searches for meaningful class clusters in the continuous gold standards. To our knowledge, this is the first toolkit that provides a wide selection of state-of-the-art emotional gold standard methods and their transformation to discrete classes. Experimental results indicate that MuSe-Toolbox can provide promising and novel class formations which can be better predicted than hard-coded classes boundaries with minimal human intervention. The implementation (1) is out-of-the-box available with all dependencies using a Docker container (2).

Dimitrios Kollias, Panagiotis Tzirakis, Alan Cowen et al.

This paper describes the 6th Affective Behavior Analysis in-the-wild (ABAW) Competition, which is part of the respective Workshop held in conjunction with IEEE CVPR 2024. The 6th ABAW Competition addresses contemporary challenges in understanding human emotions and behaviors, crucial for the development of human-centered technologies. In more detail, the Competition focuses on affect related benchmarking tasks and comprises of five sub-challenges: i) Valence-Arousal Estimation (the target is to estimate two continuous affect dimensions, valence and arousal), ii) Expression Recognition (the target is to recognise between the mutually exclusive classes of the 7 basic expressions and 'other'), iii) Action Unit Detection (the target is to detect 12 action units), iv) Compound Expression Recognition (the target is to recognise between the 7 mutually exclusive compound expression classes), and v) Emotional Mimicry Intensity Estimation (the target is to estimate six continuous emotion dimensions). In the paper, we present these Challenges, describe their respective datasets and challenge protocols (we outline the evaluation metrics) and present the baseline systems as well as their obtained performance. More information for the Competition can be found in: https://affective-behavior-analysis-in-the-wild.github.io/6th.

Panagiotis Tzirakis, Alice Baird, Jeffrey Brooks et al.

The 2026 ACII Dyadic Conversations (ACII-DaiKon) Workshop & Challenge introduces a benchmark for modeling interpersonal affect and social dynamics in dyadic conversations. Although conversational affect modeling has advanced rapidly, most benchmarks remain speaker-centric and underrepresent coupled, time-evolving processes between partners, including directional influence, conversational timing coordination, and rapport development. To address this gap, ACII-DaiKon presents three coordinated sub-challenges built on a shared dataset: (1) directional interpersonal influence prediction, (2) turn-taking prediction (next-speaker and time-to-next-speech), and (3) rapport trajectory prediction across full interactions. The challenge is built on the Hume-DaiKon dataset, comprising 945 dyadic conversations (743.4 hours of audiovisual data) collected under naturalistic conditions across five languages. The benchmark supports multimodal modeling, temporal reasoning, and cross-context generalization through fixed train/validation/test splits, standardized metrics, and released baseline systems. Evaluation uses Concordance Correlation Coefficient (CCC), Pearson correlation, Macro-F1, and Mean Absolute Error (MAE) depending on the sub-challenge. Baseline experiments establish initial reference performance, with best test results of 0.40 CCC and 0.50 Pearson for influence prediction, 0.66 Macro-F1 and 1.50~s MAE for turn-taking, and 0.68 CCC and 0.70 Pearson for rapport trajectory modeling. These results indicate that while current methods capture coarse dyadic patterns, robust modeling of directional dependence and long-horizon interpersonal dynamics remains challenging. The workshop provides a shared platform for rigorous comparison and cross-disciplinary discussion on data validity, evaluation protocols, and culturally aware modeling for dyadic interaction.

Lukas Christ, Shahin Amiriparian, Alice Baird et al.

The MuSe 2023 is a set of shared tasks addressing three different contemporary multimodal affect and sentiment analysis problems: In the Mimicked Emotions Sub-Challenge (MuSe-Mimic), participants predict three continuous emotion targets. This sub-challenge utilises the Hume-Vidmimic dataset comprising of user-generated videos. For the Cross-Cultural Humour Detection Sub-Challenge (MuSe-Humour), an extension of the Passau Spontaneous Football Coach Humour (Passau-SFCH) dataset is provided. Participants predict the presence of spontaneous humour in a cross-cultural setting. The Personalisation Sub-Challenge (MuSe-Personalisation) is based on the Ulm-Trier Social Stress Test (Ulm-TSST) dataset, featuring recordings of subjects in a stressed situation. Here, arousal and valence signals are to be predicted, whereas parts of the test labels are made available in order to facilitate personalisation. MuSe 2023 seeks to bring together a broad audience from different research communities such as audio-visual emotion recognition, natural language processing, signal processing, and health informatics. In this baseline paper, we introduce the datasets, sub-challenges, and provided feature sets. As a competitive baseline system, a Gated Recurrent Unit (GRU)-Recurrent Neural Network (RNN) is employed. On the respective sub-challenges' test datasets, it achieves a mean (across three continuous intensity targets) Pearson's Correlation Coefficient of .4727 for MuSe-Mimic, an Area Under the Curve (AUC) value of .8310 for MuSe-Humor and Concordance Correlation Coefficient (CCC) values of .7482 for arousal and .7827 for valence in the MuSe-Personalisation sub-challenge.

Alice Baird, Panagiotis Tzirakis, Gauthier Gidel et al.

This is the Proceedings of the ICML Expressive Vocalization (ExVo) Competition. The ExVo competition focuses on understanding and generating vocal bursts: laughs, gasps, cries, and other non-verbal vocalizations that are central to emotional expression and communication. ExVo 2022, included three competition tracks using a large-scale dataset of 59,201 vocalizations from 1,702 speakers. The first, ExVo-MultiTask, requires participants to train a multi-task model to recognize expressed emotions and demographic traits from vocal bursts. The second, ExVo-Generate, requires participants to train a generative model that produces vocal bursts conveying ten different emotions. The third, ExVo-FewShot, requires participants to leverage few-shot learning incorporating speaker identity to train a model for the recognition of 10 emotions conveyed by vocal bursts.

Harry Coppock, Alican Akman, Christian Bergler et al.

The COVID-19 pandemic has caused massive humanitarian and economic damage. Teams of scientists from a broad range of disciplines have searched for methods to help governments and communities combat the disease. One avenue from the machine learning field which has been explored is the prospect of a digital mass test which can detect COVID-19 from infected individuals' respiratory sounds. We present a summary of the results from the INTERSPEECH 2021 Computational Paralinguistics Challenges: COVID-19 Cough, (CCS) and COVID-19 Speech, (CSS).

Toby Godwin, Georgios Rizos, Alice Baird et al.

Despite advances in deep algorithmic music generation, evaluation of generated samples often relies on human evaluation, which is subjective and costly. We focus on designing a homogeneous, objective framework for evaluating samples of algorithmically generated music. Any engineered measures to evaluate generated music typically attempt to define the samples' musicality, but do not capture qualities of music such as theme or mood. We do not seek to assess the musical merit of generated music, but instead explore whether generated samples contain meaningful information pertaining to emotion or mood/theme. We achieve this by measuring the change in predictive performance of a music mood/theme classifier after augmenting its training data with generated samples. We analyse music samples generated by three models -- SampleRNN, Jukebox, and DDSP -- and employ a homogeneous framework across all methods to allow for objective comparison. This is the first attempt at augmenting a music genre classification dataset with conditionally generated music. We investigate the classification performance improvement using deep music generation and the ability of the generators to make emotional music by using an additional, emotion annotation of the dataset. Finally, we use a classifier trained on real data to evaluate the label validity of class-conditionally generated samples.

Alice Baird, Lukas Stappen, Lukas Christ et al.

Emotion is an inherently subjective psychophysiological human-state and to produce an agreed-upon representation (gold standard) for continuous emotion requires a time-consuming and costly training procedure of multiple human annotators. There is strong evidence in the literature that physiological signals are sufficient objective markers for states of emotion, particularly arousal. In this contribution, we utilise a dataset which includes continuous emotion and physiological signals - Heartbeats per Minute (BPM), Electrodermal Activity (EDA), and Respiration-rate - captured during a stress inducing scenario (Trier Social Stress Test). We utilise a Long Short-Term Memory, Recurrent Neural Network to explore the benefit of fusing these physiological signals with arousal as the target, learning from various audio, video, and textual based features. We utilise the state-of-the-art MuSe-Toolbox to consider both annotation delay and inter-rater agreement weighting when fusing the target signals. An improvement in Concordance Correlation Coefficient (CCC) is seen across features sets when fusing EDA with arousal, compared to the arousal only gold standard results. Additionally, BERT-based textual features' results improved for arousal plus all physiological signals, obtaining up to .3344 CCC compared to .2118 CCC for arousal only. Multimodal fusion also improves overall CCC with audio plus video features obtaining up to .6157 CCC to recognize arousal plus EDA and BPM.

Lukas Stappen, Alice Baird, Michelle Lienhart et al.

Portraying emotion and trustworthiness is known to increase the appeal of video content. However, the causal relationship between these signals and online user engagement is not well understood. This limited understanding is partly due to a scarcity in emotionally annotated data and the varied modalities which express user engagement online. In this contribution, we utilise a large dataset of YouTube review videos which includes ca. 600 hours of dimensional arousal, valence and trustworthiness annotations. We investigate features extracted from these signals against various user engagement indicators including views, like/dislike ratio, as well as the sentiment of comments. In doing so, we identify the positive and negative influences which single features have, as well as interpretable patterns in each dimension which relate to user engagement. Our results demonstrate that smaller boundary ranges and fluctuations for arousal lead to an increase in user engagement. Furthermore, the extracted time-series features reveal significant (p<0.05) correlations for each dimension, such as, count below signal mean (arousal), number of peaks (valence), and absolute energy (trustworthiness). From this, an effective combination of features is outlined for approaches aiming to automatically predict several user engagement indicators. In a user engagement prediction paradigm we compare all features against semi-automatic (cross-task), and automatic (task-specific) feature selection methods. These selected feature sets appear to outperform the usage of all features, e.g., using all features achieves 1.55 likes per day (Lp/d) mean absolute error from valence; this improves through semi-automatic and automatic selection to 1.33 and 1.23 Lp/d, respectively (data mean 9.72 Lp/d with a std. 28.75 Lp/d).

Lukas Stappen, Alice Baird, Lukas Christ et al.

Multimodal Sentiment Analysis (MuSe) 2021 is a challenge focusing on the tasks of sentiment and emotion, as well as physiological-emotion and emotion-based stress recognition through more comprehensively integrating the audio-visual, language, and biological signal modalities. The purpose of MuSe 2021 is to bring together communities from different disciplines; mainly, the audio-visual emotion recognition community (signal-based), the sentiment analysis community (symbol-based), and the health informatics community. We present four distinct sub-challenges: MuSe-Wilder and MuSe-Stress which focus on continuous emotion (valence and arousal) prediction; MuSe-Sent, in which participants recognise five classes each for valence and arousal; and MuSe-Physio, in which the novel aspect of `physiological-emotion' is to be predicted. For this years' challenge, we utilise the MuSe-CaR dataset focusing on user-generated reviews and introduce the Ulm-TSST dataset, which displays people in stressful depositions. This paper also provides detail on the state-of-the-art feature sets extracted from these datasets for utilisation by our baseline model, a Long Short-Term Memory-Recurrent Neural Network. For each sub-challenge, a competitive baseline for participants is set; namely, on test, we report a Concordance Correlation Coefficient (CCC) of .4616 CCC for MuSe-Wilder; .4717 CCC for MuSe-Stress, and .4606 CCC for MuSe-Physio. For MuSe-Sent an F1 score of 32.82 % is obtained.

Björn W. Schuller, Anton Batliner, Christian Bergler et al.

The INTERSPEECH 2021 Computational Paralinguistics Challenge addresses four different problems for the first time in a research competition under well-defined conditions: In the COVID-19 Cough and COVID-19 Speech Sub-Challenges, a binary classification on COVID-19 infection has to be made based on coughing sounds and speech; in the Escalation SubChallenge, a three-way assessment of the level of escalation in a dialogue is featured; and in the Primates Sub-Challenge, four species vs background need to be classified. We describe the Sub-Challenges, baseline feature extraction, and classifiers based on the 'usual' COMPARE and BoAW features as well as deep unsupervised representation learning using the AuDeep toolkit, and deep feature extraction from pre-trained CNNs using the Deep Spectrum toolkit; in addition, we add deep end-to-end sequential modelling, and partially linguistic analysis.

Lukas Stappen, Alice Baird, Lea Schumann et al.

Truly real-life data presents a strong, but exciting challenge for sentiment and emotion research. The high variety of possible `in-the-wild' properties makes large datasets such as these indispensable with respect to building robust machine learning models. A sufficient quantity of data covering a deep variety in the challenges of each modality to force the exploratory analysis of the interplay of all modalities has not yet been made available in this context. In this contribution, we present MuSe-CaR, a first of its kind multimodal dataset. The data is publicly available as it recently served as the testing bed for the 1st Multimodal Sentiment Analysis Challenge, and focused on the tasks of emotion, emotion-target engagement, and trustworthiness recognition by means of comprehensively integrating the audio-visual and language modalities. Furthermore, we give a thorough overview of the dataset in terms of collection and annotation, including annotation tiers not used in this year's MuSe 2020. In addition, for one of the sub-challenges - predicting the level of trustworthiness - no participant outperformed the baseline model, and so we propose a simple, but highly efficient Multi-Head-Attention network that exceeds using multimodal fusion the baseline by around 0.2 CCC (almost 50 % improvement).

Harry Coppock, Alexander Gaskell, Panagiotis Tzirakis et al.

Our main contributions are as follows: (I) We demonstrate the first attempt to diagnose COVID-19 using end-to-end deep learning from a crowd-sourced dataset of audio samples, achieving ROC-AUC of 0.846; (II) Our model, the COVID-19 Identification ResNet, (CIdeR), has potential for rapid scalability, minimal cost and improving performance as more data becomes available. This could enable regular COVID-19 testing at apopulation scale; (III) We introduce a novel modelling strategy using a custom deep neural network to diagnose COVID-19 from a joint breath and cough representation; (IV) We release our four stratified folds for cross parameter optimisation and validation on a standard public corpus and details on the models for reproducibility and future reference.

Lukas Stappen, Alice Baird, Georgios Rizos et al.

Multimodal Sentiment Analysis in Real-life Media (MuSe) 2020 is a Challenge-based Workshop focusing on the tasks of sentiment recognition, as well as emotion-target engagement and trustworthiness detection by means of more comprehensively integrating the audio-visual and language modalities. The purpose of MuSe 2020 is to bring together communities from different disciplines; mainly, the audio-visual emotion recognition community (signal-based), and the sentiment analysis community (symbol-based). We present three distinct sub-challenges: MuSe-Wild, which focuses on continuous emotion (arousal and valence) prediction; MuSe-Topic, in which participants recognise domain-specific topics as the target of 3-class (low, medium, high) emotions; and MuSe-Trust, in which the novel aspect of trustworthiness is to be predicted. In this paper, we provide detailed information on MuSe-CaR, the first of its kind in-the-wild database, which is utilised for the challenge, as well as the state-of-the-art features and modelling approaches applied. For each sub-challenge, a competitive baseline for participants is set; namely, on test we report for MuSe-Wild a combined (valence and arousal) CCC of .2568, for MuSe-Topic a score (computed as 0.34$\cdot$ UAR + 0.66$\cdot$F1) of 76.78 % on the 10-class topic and 40.64 % on the 3-class emotion prediction, and for MuSe-Trust a CCC of .4359.

Alice Baird, Bjoern Schuller

The field of sound healing includes ancient practices coming from a broad range of cultures. Across such practices there is a variety of acoustic instrumentation utilised. Practitioners suggest that sound has the ability to target both mental and even physical health issues, e.g., chronic-stress, or joint-pain. Instruments including the Tibetan singing bowl and vocal chanting, are still widely used today. With the noise-floor of modern urban soundscapes continually increasing and known to impact wellbeing, methods to improve this are needed. With that in mind, this study presents the Acoustic Sounds for Wellbeing (ASW) dataset. The ASW dataset is a dataset gathered from YouTube including 88\,+ hrs of audio from 5-classes of acoustic instrumentation (Gongs, Drumming, Singing Bowls, and Chanting). We additionally present initial baseline classification results on the dataset, finding that conventional Mel-Frequency Cepstra coefficient features achieve at best an unweighted average recalled of 57.4 % for a 5-class support vector machine classification paradigm.

Thomas Wiest, Nicholas Cummins, Alice Baird et al.

Generative Adversarial Networks (GANs) have become exceedingly popular in a wide range of data-driven research fields, due in part to their success in image generation. Their ability to generate new samples, often from only a small amount of input data, makes them an exciting research tool in areas with limited data resources. One less-explored application of GANs is the synthesis of speech and audio samples. Herein, we propose a set of extensions to the WaveGAN paradigm, a recently proposed approach for sound generation using GANs. The aim of these extensions - preprocessing, Audio-to-Audio generation, skip connections and progressive structures - is to improve the human likeness of synthetic speech samples. Scores from listening tests with 30 volunteers demonstrated a moderate improvement (Cohen's d coefficient of 0.65) in human likeness using the proposed extensions compared to the original WaveGAN approach.