Liqiang Zhang

Yusong Wu, Shengchen Li, Chengzhu Yu et al.

Peking Opera has been the most dominant form of Chinese performing art since around 200 years ago. A Peking Opera singer usually exhibits a very strong personal style via introducing improvisation and expressiveness on stage which leads the actual rhythm and pitch contour to deviate significantly from the original music score. This inconsistency poses a great challenge in Peking Opera singing voice synthesis from a music score. In this work, we propose to deal with this issue and synthesize expressive Peking Opera singing from the music score based on the Duration Informed Attention Network (DurIAN) framework. To tackle the rhythm mismatch, Lagrange multiplier is used to find the optimal output phoneme duration sequence with the constraint of the given note duration from music score. As for the pitch contour mismatch, instead of directly inferring from music score, we adopt a pseudo music score generated from the real singing and feed it as input during training. The experiments demonstrate that with the proposed system we can synthesize Peking Opera singing voice with high-quality timbre, pitch and expressiveness.

Yusong Wu, Shengchen Li, Chengzhu Yu et al.

This paper presents a method that generates expressive singing voice of Peking opera. The synthesis of expressive opera singing usually requires pitch contours to be extracted as the training data, which relies on techniques and is not able to be manually labeled. With the Duration Informed Attention Network (DurIAN), this paper makes use of musical note instead of pitch contours for expressive opera singing synthesis. The proposed method enables human annotation being combined with automatic extracted features to be used as training data thus the proposed method gives extra flexibility in data collection for Peking opera singing synthesis. Comparing with the expressive singing voice of Peking opera synthesised by pitch contour based system, the proposed musical note based system produces comparable singing voice in Peking opera with expressiveness in various aspects.