Muhammad Huzaifah

Muhammad Huzaifah, Ivan Kukanov

Embeddings play an important role in end-to-end solutions for multi-modal language processing problems. Although there has been some effort to understand the properties of single-modality embedding spaces, particularly that of text, their cross-modal counterparts are less understood. In this work, we study some intrinsic properties of a joint speech-text embedding space, constructed by minimizing the distance between paired utterance and transcription inputs in a teacher-student model setup, that are informative for several prominent use cases. We found that incorporating automatic speech recognition through both pretraining and multitask scenarios aid semantic alignment significantly, resulting in more tightly coupled embeddings. To analyse cross-modal embeddings we utilise a quantitative retrieval accuracy metric for semantic alignment, zero-shot classification for generalisability, and probing of the encoders to observe the extent of knowledge transfer from one modality to another.

M. Huzaifah, L. Wyse

Audio textures are a subset of environmental sounds, often defined as having stable statistical characteristics within an adequately large window of time but may be unstructured locally. They include common everyday sounds such as from rain, wind, and engines. Given that these complex sounds contain patterns on multiple timescales, they are a challenge to model with traditional methods. We introduce a novel modelling approach for textures, combining recurrent neural networks trained at different levels of abstraction with a conditioning strategy that allows for user-directed synthesis. We demonstrate the model's performance on a variety of datasets, examine its performance on various metrics, and discuss some potential applications.

Lonce Wyse, Muhammad Huzaifah

A recurrent Neural Network (RNN) is trained to predict sound samples based on audio input augmented by control parameter information for pitch, volume, and instrument identification. During the generative phase following training, audio input is taken from the output of the previous time step, and the parameters are externally controlled allowing the network to be played as a musical instrument. Building on an architecture developed in previous work, we focus on the learning and synthesis of transients - the temporal response of the network during the short time (tens of milliseconds) following the onset and offset of a control signal. We find that the network learns the particular transient characteristics of two different synthetic instruments, and furthermore shows some ability to interpolate between the characteristics of the instruments used in training in response to novel parameter settings. We also study the behaviour of the units in hidden layers of the RNN using various visualisation techniques and find a variety of volume-specific response characteristics.

M. Huzaifah

Recent successful applications of convolutional neural networks (CNNs) to audio classification and speech recognition have motivated the search for better input representations for more efficient training. Visual displays of an audio signal, through various time-frequency representations such as spectrograms offer a rich representation of the temporal and spectral structure of the original signal. In this letter, we compare various popular signal processing methods to obtain this representation, such as short-time Fourier transform (STFT) with linear and Mel scales, constant-Q transform (CQT) and continuous Wavelet transform (CWT), and assess their impact on the classification performance of two environmental sound datasets using CNNs. This study supports the hypothesis that time-frequency representations are valuable in learning useful features for sound classification. Moreover, the actual transformation used is shown to impact the classification accuracy, with Mel-scaled STFT outperforming the other discussed methods slightly and baseline MFCC features to a large degree. Additionally, we observe that the optimal window size during transformation is dependent on the characteristics of the audio signal and architecturally, 2D convolution yielded better results in most cases compared to 1D.