Joaquín Mora

Nadine Kroher, José-Miguel Díaz-Báñez, Joaquin Mora et al.

Flamenco is a music tradition from Southern Spain which attracts a growing community of enthusiasts around the world. Its unique melodic and rhythmic elements, the typically spontaneous and improvised interpretation and its diversity regarding styles make this still largely undocumented art form a particularly interesting material for musicological studies. In prior works it has already been demonstrated that research on computational analysis of flamenco music, despite it being a relatively new field, can provide powerful tools for the discovery and diffusion of this genre. In this paper we present corpusCOFLA, a data framework for the development of such computational tools. The proposed collection of audio recordings and meta-data serves as a pool for creating annotated subsets which can be used in development and evaluation of algorithms for specific music information retrieval tasks. First, we describe the design criteria for the corpus creation and then provide various examples of subsets drawn from the corpus. We showcase possible research applications in the context of computational study of flamenco music and give perspectives regarding further development of the corpus.

Francisco Gómez, Joaquín Mora, Emilia Gómez et al.

This work focuses on the topic of melodic characterization and similarity in a specific musical repertoire: a cappella flamenco singing, more specifically in debla and martinete styles. We propose the combination of manual and automatic description. First, we use a state-of-the-art automatic transcription method to account for general melodic similarity from music recordings. Second, we define a specific set of representative mid-level melodic features, which are manually labeled by flamenco experts. Both approaches are then contrasted and combined into a global similarity measure. This similarity measure is assessed by inspecting the clusters obtained through phylogenetic algorithms algorithms and by relating similarity to categorization in terms of style. Finally, we discuss the advantage of combining automatic and expert annotations as well as the need to include repertoire-specific descriptions for meaningful melodic characterization in traditional music collections.