Yusuke Yasuda

Lester Phillip Violeta, Xueyao Zhang, Jiatong Shi et al.

We present a thorough analysis of the findings of the latest iteration of the Singing Voice Conversion Challenge, a scientific event aiming to compare and understand different voice conversion systems in a controlled environment. Compared to previous iterations which solely focused on converting the singer identity, this year we also focused on converting the singing style of the singer. To create a controlled environment and thorough evaluations, we developed a new challenge database, introduced two tasks, open-sourced baselines, and conducted large-scale crowd-sourced listening tests and objective evaluations. The challenge was run for two months and in total we evaluated 33 different systems. The results of the large-scale crowd-sourced listening test showed that top systems had comparable singer identity scores to ground truth samples. However, modeling the singing style and consequently achieving high naturalness still remains a challenge in this task, primarily due to the difficulty in modeling dynamic information in breathy, glissando, and vibrato singing styles. Further analyses of the challenge also discuss the limitations of both the traditional similarity test and the dynamic preference test in evaluating singing style similarity. Moreover, calculating Spearman's rank correlation coefficient shows that dependent objective metrics such as chroma-alignment and non-match metrics such as speaker embeddings are the most correlated to subjective scores, but are still not at a level where it could be considered as a true replacement for subjective scores.

Yusuke Yasuda, Tomoki Toda

End-to-end text-to-speech synthesis (TTS) can generate highly natural synthetic speech from raw text. However, rendering the correct pitch accents is still a challenging problem for end-to-end TTS. To tackle the challenge of rendering correct pitch accent in Japanese end-to-end TTS, we adopt PnG~BERT, a self-supervised pretrained model in the character and phoneme domain for TTS. We investigate the effects of features captured by PnG~BERT on Japanese TTS by modifying the fine-tuning condition to determine the conditions helpful inferring pitch accents. We manipulate content of PnG~BERT features from being text-oriented to speech-oriented by changing the number of fine-tuned layers during TTS. In addition, we teach PnG~BERT pitch accent information by fine-tuning with tone prediction as an additional downstream task. Our experimental results show that the features of PnG~BERT captured by pretraining contain information helpful inferring pitch accent, and PnG~BERT outperforms baseline Tacotron on accent correctness in a listening test.

Yusuke Yasuda, Tomoki Toda

Text-to-speech synthesis (TTS) is a task to convert texts into speech. Two of the factors that have been driving TTS are the advancements of probabilistic models and latent representation learning. We propose a TTS method based on latent variable conversion using a diffusion probabilistic model and the variational autoencoder (VAE). In our TTS method, we use a waveform model based on VAE, a diffusion model that predicts the distribution of latent variables in the waveform model from texts, and an alignment model that learns alignments between the text and speech latent sequences. Our method integrates diffusion with VAE by modeling both mean and variance parameters with diffusion, where the target distribution is determined by approximation from VAE. This latent variable conversion framework potentially enables us to flexibly incorporate various latent feature extractors. Our experiments show that our method is robust to linguistic labels with poor orthography and alignment errors.

Sahibzada Adil Shahzad, Ammarah Hashmi, Junichi Yamagishi et al.

Multimodal deepfakes can exhibit subtle visual artifacts and cross-modal inconsistencies, which remain challenging to detect, especially when detectors are trained primarily on curated synthetic forgeries. Such synthetic dependence can introduce dataset and generator bias, limiting scalability and robustness to unseen manipulations. We propose SAVe, a self-supervised audio-visual deepfake detection framework that learns entirely on authentic videos. SAVe generates on-the-fly, identity-preserving, region-aware self-blended pseudo-manipulations to emulate tampering artifacts, enabling the model to learn complementary visual cues across multiple facial granularities. To capture cross-modal evidence, SAVe also models lip-speech synchronization via an audio-visual alignment component that detects temporal misalignment patterns characteristic of audio-visual forgeries. Experiments on FakeAVCeleb and AV-LipSync-TIMIT demonstrate competitive in-domain performance and strong cross-dataset generalization, highlighting self-supervised learning as a scalable paradigm for multimodal deepfake detection.

Tomoki Hayashi, Ryuichi Yamamoto, Takenori Yoshimura et al.

This paper describes ESPnet2-TTS, an end-to-end text-to-speech (E2E-TTS) toolkit. ESPnet2-TTS extends our earlier version, ESPnet-TTS, by adding many new features, including: on-the-fly flexible pre-processing, joint training with neural vocoders, and state-of-the-art TTS models with extensions like full-band E2E text-to-waveform modeling, which simplify the training pipeline and further enhance TTS performance. The unified design of our recipes enables users to quickly reproduce state-of-the-art E2E-TTS results. We also provide many pre-trained models in a unified Python interface for inference, offering a quick means for users to generate baseline samples and build demos. Experimental evaluations with English and Japanese corpora demonstrate that our provided models synthesize utterances comparable to ground-truth ones, achieving state-of-the-art TTS performance. The toolkit is available online at https://github.com/espnet/espnet.

Yusuke Yasuda, Tomoki Toda

A preference-based subjective evaluation is a key method for evaluating generative media reliably. However, its huge combinations of pairs prohibit it from being applied to large-scale evaluation using crowdsourcing. To address this issue, we propose an automatic optimization method for preference-based subjective evaluation in terms of pair combination selections and allocation of evaluation volumes with online learning in a crowdsourcing environment. We use a preference-based online learning method based on a sorting algorithm to identify the total order of evaluation targets with minimum sample volumes. Our online learning algorithm supports parallel and asynchronous execution under fixed-budget conditions required for crowdsourcing. Our experiment on preference-based subjective evaluation of synthetic speech shows that our method successfully optimizes the test by reducing pair combinations from 351 to 83 and allocating optimal evaluation volumes for each pair ranging from 30 to 663 without compromising evaluation accuracies and wasting budget allocations.

Erica Cooper, Xin Wang, Yi Zhao et al.

We explore pretraining strategies including choice of base corpus with the aim of choosing the best strategy for zero-shot multi-speaker end-to-end synthesis. We also examine choice of neural vocoder for waveform synthesis, as well as acoustic configurations used for mel spectrograms and final audio output. We find that fine-tuning a multi-speaker model from found audiobook data that has passed a simple quality threshold can improve naturalness and similarity to unseen target speakers of synthetic speech. Additionally, we find that listeners can discern between a 16kHz and 24kHz sampling rate, and that WaveRNN produces output waveforms of a comparable quality to WaveNet, with a faster inference time.

Shuhei Kato, Yusuke Yasuda, Xin Wang et al.

We have been working on speech synthesis for rakugo (a traditional Japanese form of verbal entertainment similar to one-person stand-up comedy) toward speech synthesis that authentically entertains audiences. In this paper, we propose a novel evaluation methodology using synthesized rakugo speech and real rakugo speech uttered by professional performers of three different ranks. The naturalness of the synthesized speech was comparable to that of the human speech, but the synthesized speech entertained listeners less than the performers of any rank. However, we obtained some interesting insights into challenges to be solved in order to achieve a truly entertaining rakugo synthesizer. For example, naturalness was not the most important factor, even though it has generally been emphasized as the most important point to be evaluated in the conventional speech synthesis field. More important factors were the understandability of the content and distinguishability of the characters in the rakugo story, both of which the synthesized rakugo speech was relatively inferior at as compared with the professional performers. We also found that fundamental frequency fo modeling should be further improved to better entertain audiences. These results show important steps to reaching authentically entertaining speech synthesis.

Yusuke Yasuda, Xin Wang, Junichi Yamagishi

Explicit duration modeling is a key to achieving robust and efficient alignment in text-to-speech synthesis (TTS). We propose a new TTS framework using explicit duration modeling that incorporates duration as a discrete latent variable to TTS and enables joint optimization of whole modules from scratch. We formulate our method based on conditional VQ-VAE to handle discrete duration in a variational autoencoder and provide a theoretical explanation to justify our method. In our framework, a connectionist temporal classification (CTC) -based force aligner acts as the approximate posterior, and text-to-duration works as the prior in the variational autoencoder. We evaluated our proposed method with a listening test and compared it with other TTS methods based on soft-attention or explicit duration modeling. The results showed that our systems rated between soft-attention-based methods (Transformer-TTS, Tacotron2) and explicit duration modeling-based methods (Fastspeech).

Yusuke Yasuda, Xin Wang, Junichi Yamagishi

Neural sequence-to-sequence text-to-speech synthesis (TTS) can produce high-quality speech directly from text or simple linguistic features such as phonemes. Unlike traditional pipeline TTS, the neural sequence-to-sequence TTS does not require manually annotated and complicated linguistic features such as part-of-speech tags and syntactic structures for system training. However, it must be carefully designed and well optimized so that it can implicitly extract useful linguistic features from the input features. In this paper we investigate under what conditions the neural sequence-to-sequence TTS can work well in Japanese and English along with comparisons with deep neural network (DNN) based pipeline TTS systems. Unlike past comparative studies, the pipeline systems also use autoregressive probabilistic modeling and a neural vocoder. We investigated systems from three aspects: a) model architecture, b) model parameter size, and c) language. For the model architecture aspect, we adopt modified Tacotron systems that we previously proposed and their variants using an encoder from Tacotron or Tacotron2. For the model parameter size aspect, we investigate two model parameter sizes. For the language aspect, we conduct listening tests in both Japanese and English to see if our findings can be generalized across languages. Our experiments suggest that a) a neural sequence-to-sequence TTS system should have a sufficient number of model parameters to produce high quality speech, b) it should also use a powerful encoder when it takes characters as inputs, and c) the encoder still has a room for improvement and needs to have an improved architecture to learn supra-segmental features more appropriately.

Yusuke Yasuda, Xin Wang, Junichi Yamagishi

Sequence-to-sequence text-to-speech (TTS) is dominated by soft-attention-based methods. Recently, hard-attention-based methods have been proposed to prevent fatal alignment errors, but their sampling method of discrete alignment is poorly investigated. This research investigates various combinations of sampling methods and probability distributions for alignment transition modeling in a hard-alignment-based sequence-to-sequence TTS method called SSNT-TTS. We clarify the common sampling methods of discrete variables including greedy search, beam search, and random sampling from a Bernoulli distribution in a more general way. Furthermore, we introduce the binary Concrete distribution to model discrete variables more properly. The results of a listening test shows that deterministic search is more preferable than stochastic search, and the binary Concrete distribution is robust with stochastic search for natural alignment transition.

Yusuke Yasuda, Xin Wang, Junichi Yamagishi

End-to-end text-to-speech (TTS) synthesis is a method that directly converts input text to output acoustic features using a single network. A recent advance of end-to-end TTS is due to a key technique called attention mechanisms, and all successful methods proposed so far have been based on soft attention mechanisms. However, although network structures are becoming increasingly complex, end-to-end TTS systems with soft attention mechanisms may still fail to learn and to predict accurate alignment between the input and output. This may be because the soft attention mechanisms are too flexible. Therefore, we propose an approach that has more explicit but natural constraints suitable for speech signals to make alignment learning and prediction of end-to-end TTS systems more robust. The proposed system, with the constrained alignment scheme borrowed from segment-to-segment neural transduction (SSNT), directly calculates the joint probability of acoustic features and alignment given an input text. The alignment is designed to be hard and monotonically increase by considering the speech nature, and it is treated as a latent variable and marginalized during training. During prediction, both the alignment and acoustic features can be generated from the probabilistic distributions. The advantages of our approach are that we can simplify many modules for the soft attention and that we can train the end-to-end TTS model using a single likelihood function. As far as we know, our approach is the first end-to-end TTS without a soft attention mechanism.

Yusuke Yasuda, Xin Wang, Shinji Takaki et al.

End-to-end speech synthesis is a promising approach that directly converts raw text to speech. Although it was shown that Tacotron2 outperforms classical pipeline systems with regards to naturalness in English, its applicability to other languages is still unknown. Japanese could be one of the most difficult languages for which to achieve end-to-end speech synthesis, largely due to its character diversity and pitch accents. Therefore, state-of-the-art systems are still based on a traditional pipeline framework that requires a separate text analyzer and duration model. Towards end-to-end Japanese speech synthesis, we extend Tacotron to systems with self-attention to capture long-term dependencies related to pitch accents and compare their audio quality with classical pipeline systems under various conditions to show their pros and cons. In a large-scale listening test, we investigated the impacts of the presence of accentual-type labels, the use of force or predicted alignments, and acoustic features used as local condition parameters of the Wavenet vocoder. Our results reveal that although the proposed systems still do not match the quality of a top-line pipeline system for Japanese, we show important stepping stones towards end-to-end Japanese speech synthesis.