Ergun Akleman

Gary Bruins, Ergun Akleman

In this work, our goal is to develop a theoretical framework that can eventually be used for analyzing the effectiveness of visual stories such as feature films to comic books. To develop this theoretical framework, we introduce a new story element called moments. Our conjecture is that any linear story such as the story of a feature film can be decomposed into a set of moments that follow each other. Moments are defined as the perception of the actions, interactions, and expressions of all characters or a single character during a given time period. We categorize the moments into two major types: story moments and discourse moments. Each type of moment can further be classified into three types, which we call universal storytelling moments. We believe these universal moments foster or deteriorate the emotional attachment of the audience to a particular character or the story. We present a methodology to catalog the occurrences of these universal moments as they are found in the story. The cataloged moments can be represented using curves or color strips. Therefore, we can visualize a character's journey through the story as either a 3D curve or a color strip. We also demonstrated that both story and discourse moments can be transformed into one lump-sum attraction parameter. The attraction parameter in time provides a function that can be plotted graphically onto a timeline illustrating changes in the emotional attachment of audience to a character or the story. By inspecting these functions the story analyst can analytically decipher the moments in the story where the attachment is being established, maintained, strengthened, or conversely where it is languishing.

Ergun Akleman, Bekir Tevfik Akgun, Adil Alpkocak

In this article, we present a framework for developing context-sensitive luminance correction formulas that can produce constant luminance perception for foreground objects. Our formulas make the foreground object slightly translucent to mix with the blurred version of the background. This mix can quickly produce any desired illusion of luminance in foreground objects based on the luminance of the background. The translucency formula has only one parameter; the relative size of the foreground object, which is a number between zero and one. We have identified the general structure of the translucency formulas as a power function of the relative size of the foreground object. We have implemented a web-based interactive program in Shadertoy. Using this program, we determined the coefficients of the polynomial exponents of the power function. To intuitively control the coefficients of the polynomial functions, we have used a Bézier form. Our final translucency formula uses a quadratic polynomial and requires only three coefficients. We also identified a simpler affine formula, which requires only two coefficients. We made our program publicly available in Shadertoy so that anyone can access and improve it. In this article, we also explain how to intuitively change the polynomial part of the formula. Using our explanation, users change the polynomial part of the formula to obtain their own perceptively constant luminance. This can be used as a crowd-sourcing experiment for further improvement of the formula.