Trevine Oorloff

Trevine Oorloff, Yaser Yacoob

While the recent advances in research on video reenactment have yielded promising results, the approaches fall short in capturing the fine, detailed, and expressive facial features (e.g., lip-pressing, mouth puckering, mouth gaping, and wrinkles) which are crucial in generating realistic animated face videos. To this end, we propose an end-to-end expressive face video encoding approach that facilitates data-efficient high-quality video re-synthesis by optimizing low-dimensional edits of a single Identity-latent. The approach builds on StyleGAN2 image inversion and multi-stage non-linear latent-space editing to generate videos that are nearly comparable to input videos. While existing StyleGAN latent-based editing techniques focus on simply generating plausible edits of static images, we automate the latent-space editing to capture the fine expressive facial deformations in a sequence of frames using an encoding that resides in the Style-latent-space (StyleSpace) of StyleGAN2. The encoding thus obtained could be super-imposed on a single Identity-latent to facilitate re-enactment of face videos at $1024^2$. The proposed framework economically captures face identity, head-pose, and complex expressive facial motions at fine levels, and thereby bypasses training, person modeling, dependence on landmarks/ keypoints, and low-resolution synthesis which tend to hamper most re-enactment approaches. The approach is designed with maximum data efficiency, where a single $W+$ latent and 35 parameters per frame enable high-fidelity video rendering. This pipeline can also be used for puppeteering (i.e., motion transfer).

Trevine Oorloff, Yaser Yacoob

While recent research has progressively overcome the low-resolution constraint of one-shot face video re-enactment with the help of StyleGAN's high-fidelity portrait generation, these approaches rely on at least one of the following: explicit 2D/3D priors, optical flow based warping as motion descriptors, off-the-shelf encoders, etc., which constrain their performance (e.g., inconsistent predictions, inability to capture fine facial details and accessories, poor generalization, artifacts). We propose an end-to-end framework for simultaneously supporting face attribute edits, facial motions and deformations, and facial identity control for video generation. It employs a hybrid latent-space that encodes a given frame into a pair of latents: Identity latent, $\mathcal{W}_{ID}$, and Facial deformation latent, $\mathcal{S}_F$, that respectively reside in the $W+$ and $SS$ spaces of StyleGAN2. Thereby, incorporating the impressive editability-distortion trade-off of $W+$ and the high disentanglement properties of $SS$. These hybrid latents employ the StyleGAN2 generator to achieve high-fidelity face video re-enactment at $1024^2$. Furthermore, the model supports the generation of realistic re-enactment videos with other latent-based semantic edits (e.g., beard, age, make-up, etc.). Qualitative and quantitative analyses performed against state-of-the-art methods demonstrate the superiority of the proposed approach.

Trevine Oorloff, Yaser Yacoob, Abhinav Shrivastava

Diffusion models, while increasingly adept at generating realistic images, are notably hindered by hallucinations -- unrealistic or incorrect features inconsistent with the trained data distribution. In this work, we propose Adaptive Attention Modulation (AAM), a novel approach to mitigate hallucinations by analyzing and modulating the self-attention mechanism in diffusion models. We hypothesize that self-attention during early denoising steps may inadvertently amplify or suppress features, contributing to hallucinations. To counter this, AAM introduces a temperature scaling mechanism within the softmax operation of the self-attention layers, dynamically modulating the attention distribution during inference. Additionally, AAM employs a masked perturbation technique to disrupt early-stage noise that may otherwise propagate into later stages as hallucinations. Extensive experiments demonstrate that AAM effectively reduces hallucinatory artifacts, enhancing both the fidelity and reliability of generated images. For instance, the proposed approach improves the FID score by 20.8% and reduces the percentage of hallucinated images by 12.9% (in absolute terms) on the Hands dataset.

Trevine Oorloff, Surya Koppisetti, Nicolò Bonettini et al.

With the rapid growth in deepfake video content, we require improved and generalizable methods to detect them. Most existing detection methods either use uni-modal cues or rely on supervised training to capture the dissonance between the audio and visual modalities. While the former disregards the audio-visual correspondences entirely, the latter predominantly focuses on discerning audio-visual cues within the training corpus, thereby potentially overlooking correspondences that can help detect unseen deepfakes. We present Audio-Visual Feature Fusion (AVFF), a two-stage cross-modal learning method that explicitly captures the correspondence between the audio and visual modalities for improved deepfake detection. The first stage pursues representation learning via self-supervision on real videos to capture the intrinsic audio-visual correspondences. To extract rich cross-modal representations, we use contrastive learning and autoencoding objectives, and introduce a novel audio-visual complementary masking and feature fusion strategy. The learned representations are tuned in the second stage, where deepfake classification is pursued via supervised learning on both real and fake videos. Extensive experiments and analysis suggest that our novel representation learning paradigm is highly discriminative in nature. We report 98.6% accuracy and 99.1% AUC on the FakeAVCeleb dataset, outperforming the current audio-visual state-of-the-art by 14.9% and 9.9%, respectively.