Zhe Zhang

Zhe Zhang, Yi Yu, Atsuhiro Takasu

Lyrics-to-melody generation is an interesting and challenging topic in AI music research field. Due to the difficulty of learning the correlations between lyrics and melody, previous methods suffer from low generation quality and lack of controllability. Controllability of generative models enables human interaction with models to generate desired contents, which is especially important in music generation tasks towards human-centered AI that can facilitate musicians in creative activities. To address these issues, we propose a controllable lyrics-to-melody generation network, ConL2M, which is able to generate realistic melodies from lyrics in user-desired musical style. Our work contains three main novelties: 1) To model the dependencies of music attributes cross multiple sequences, inter-branch memory fusion (Memofu) is proposed to enable information flow between multi-branch stacked LSTM architecture; 2) Reference style embedding (RSE) is proposed to improve the quality of generation as well as control the musical style of generated melodies; 3) Sequence-level statistical loss (SeqLoss) is proposed to help the model learn sequence-level features of melodies given lyrics. Verified by evaluation metrics for music quality and controllability, initial study of controllable lyrics-to-melody generation shows better generation quality and the feasibility of interacting with users to generate the melodies in desired musical styles when given lyrics.

Gurunath Reddy M, Zhe Zhang, Yi Yu et al.

We propose a deep attention-based alignment network, which aims to automatically predict lyrics and melody with given incomplete lyrics as input in a way similar to the music creation of humans. Most importantly, a deep neural lyrics-to-melody net is trained in an encoder-decoder way to predict possible pairs of lyrics-melody when given incomplete lyrics (few keywords). The attention mechanism is exploited to align the predicted lyrics with the melody during the lyrics-to-melody generation. The qualitative and quantitative evaluation metrics reveal that the proposed method is indeed capable of generating proper lyrics and corresponding melody for composing new songs given a piece of incomplete seed lyrics.

Christian Limberg, Fares Schulz, Zhe Zhang et al.

This paper presents a novel approach to neural instrument sound synthesis using a two-stage semi-supervised learning framework capable of generating pitch-accurate, high-quality music samples from an expressive timbre latent space. Existing approaches that achieve sufficient quality for music production often rely on high-dimensional latent representations that are difficult to navigate and provide unintuitive user experiences. We address this limitation through a two-stage training paradigm: first, we train a pitch-timbre disentangled 2D representation of audio samples using a Variational Autoencoder; second, we use this representation as conditioning input for a Transformer-based generative model. The learned 2D latent space serves as an intuitive interface for navigating and exploring the sound landscape. We demonstrate that the proposed method effectively learns a disentangled timbre space, enabling expressive and controllable audio generation with reliable pitch conditioning. Experimental results show the model's ability to capture subtle variations in timbre while maintaining a high degree of pitch accuracy. The usability of our method is demonstrated in an interactive web application, highlighting its potential as a step towards future music production environments that are both intuitive and creatively empowering: https://pgesam.faresschulz.com

Xuecong Sun, Han Jia, Zhe Zhang et al.

Conventional approaches to sound localization and separation are based on microphone arrays in artificial systems. Inspired by the selective perception of human auditory system, we design a multi-source listening system which can separate simultaneous overlapping sounds and localize the sound sources in three-dimensional space, using only a single microphone with a metamaterial enclosure. The enclosure modifies the frequency response of the microphone in a direction-dependent way by giving each direction a signature. Thus, the information about the location and audio content of sound sources can be experimentally reconstructed from the modulated mixed signals using compressive sensing algorithm. Owing to the low computational complexity of the proposed reconstruction algorithm, the designed system can also be applied in source identification and tracking. The effectiveness of the system in multiple real scenarios has been proved through multiple random listening tests. The proposed metamaterial-based single-sensor listening system opens a new way of sound localization and separation, which can be applied to intelligent scene monitoring and robot audition.