Yuan Wan

Junchao Lin, Yuan Wan, Jingwen Xu et al.

Graph Neural Networks (GNNs) have attracted increasing attention in recent years and have achieved excellent performance in semi-supervised node classification tasks. The success of most GNNs relies on one fundamental assumption, i.e., the original graph structure data is available. However, recent studies have shown that GNNs are vulnerable to the complex underlying structure of the graph, making it necessary to learn comprehensive and robust graph structures for downstream tasks, rather than relying only on the raw graph structure. In light of this, we seek to learn optimal graph structures for downstream tasks and propose a novel framework for semi-supervised classification. Specifically, based on the structural context information of graph and node representations, we encode the complex interactions in semantics and generate semantic graphs to preserve the global structure. Moreover, we develop a novel multi-measure attention layer to optimize the similarity rather than prescribing it a priori, so that the similarity can be adaptively evaluated by integrating measures. These graphs are fused and optimized together with GNN towards semi-supervised classification objective. Extensive experiments and ablation studies on six real-world datasets clearly demonstrate the effectiveness of our proposed model and the contribution of each component.

Xia Liang, Xingjian Du, Jiaju Lin et al.

Large Language Models (LLM) have shown encouraging progress in multimodal understanding and generation tasks. However, how to design a human-aligned and interpretable melody composition system is still under-explored. To solve this problem, we propose ByteComposer, an agent framework emulating a human's creative pipeline in four separate steps : "Conception Analysis - Draft Composition - Self-Evaluation and Modification - Aesthetic Selection". This framework seamlessly blends the interactive and knowledge-understanding features of LLMs with existing symbolic music generation models, thereby achieving a melody composition agent comparable to human creators. We conduct extensive experiments on GPT4 and several open-source large language models, which substantiate our framework's effectiveness. Furthermore, professional music composers were engaged in multi-dimensional evaluations, the final results demonstrated that across various facets of music composition, ByteComposer agent attains the level of a novice melody composer.

Yuncong Liu, Yuan Wan, Zhou Jiang et al.

Key Opinion Leader (KOL) discourse on social media is widely consumed as investment guidance, yet turning it into executable trading strategies without injecting assumptions about unspecified execution decisions remains an open problem. We observe that the gaps in KOL statements are not random deficiencies but a structured separation: KOLs express directional intent (what to buy or sell and why) while leaving execution decisions (when, how much, how long) systematically unspecified. Building on this observation, we propose an intent-preserving policy completion framework that treats KOL discourse as a partial trading policy and uses offline reinforcement learning to complete the missing execution decisions around the KOL-expressed intent. Experiments on multimodal KOL discourse from YouTube and X (2022-2025) show that KICL achieves the best return and Sharpe ratio on both platforms while maintaining zero unsupported entries and zero directional reversals, and ablations confirm that the full framework yields an 18.9% return improvement over the KOL-aligned baseline.

Qiuqiang Kong, Bochen Li, Xuchen Song et al.

Automatic music transcription (AMT) is the task of transcribing audio recordings into symbolic representations. Recently, neural network-based methods have been applied to AMT, and have achieved state-of-the-art results. However, many previous systems only detect the onset and offset of notes frame-wise, so the transcription resolution is limited to the frame hop size. There is a lack of research on using different strategies to encode onset and offset targets for training. In addition, previous AMT systems are sensitive to the misaligned onset and offset labels of audio recordings. Furthermore, there are limited researches on sustain pedal transcription on large-scale datasets. In this article, we propose a high-resolution AMT system trained by regressing precise onset and offset times of piano notes. At inference, we propose an algorithm to analytically calculate the precise onset and offset times of piano notes and pedal events. We show that our AMT system is robust to the misaligned onset and offset labels compared to previous systems. Our proposed system achieves an onset F1 of 96.72% on the MAESTRO dataset, outperforming previous onsets and frames system of 94.80%. Our system achieves a pedal onset F1 score of 91.86\%, which is the first benchmark result on the MAESTRO dataset. We have released the source code and checkpoints of our work at https://github.com/bytedance/piano_transcription.

Zuyao You, Zhesong Yu, Mingyu Liu et al.

In this paper, we propose GaMMA, a state-of-the-art (SoTA) large multimodal model (LMM) designed to achieve comprehensive musical content understanding. GaMMA inherits the streamlined encoder-decoder design of LLaVA, enabling effective cross-modal learning between music and language. By incorporating audio encoders in a mixture-of-experts manner, GaMMA effectively unifies both time-series and non-time-series music understanding tasks within one set of parameters. Our approach combines carefully curated datasets at scale with a progressive training pipeline, effectively pushing the boundaries of music understanding via pretraining, supervised fine-tuning (SFT), and reinforcement learning (RL). To comprehensively assess both temporal and non-temporal capability of music LMMs, we introduce MusicBench, the largest music-oriented benchmark, comprising 3,739 human-curated multiple-choice questions covering diverse aspects of musical understanding. Extensive experiments demonstrate that GaMMA establishes new SoTA in the music domain, achieving 79.1% accuracy on MuchoMusic, 79.3% on MusicBench-Temporal, and 81.3% on MusicBench-Global, consistently outperforming previous methods.

Chao Wang, Zhonghao Li, Benlai Tang et al.

Recently, phonetic posteriorgrams (PPGs) based methods have been quite popular in non-parallel singing voice conversion systems. However, due to the lack of acoustic information in PPGs, style and naturalness of the converted singing voices are still limited. To solve these problems, in this paper, we utilize an acoustic reference encoder to implicitly model singing characteristics. We experiment with different auxiliary features, including mel spectrograms, HuBERT, and the middle hidden feature (PPG-Mid) of pretrained automatic speech recognition (ASR) model, as the input of the reference encoder, and finally find the HuBERT feature is the best choice. In addition, we use contrastive predictive coding (CPC) module to further smooth the voices by predicting future observations in latent space. Experiments show that, compared with the baseline models, our proposed model can significantly improve the naturalness of converted singing voices and the similarity with the target singer. Moreover, our proposed model can also make the speakers with just speech data sing.

Zhonghao Li, Benlai Tang, Xiang Yin et al.

Singing voice conversion (SVC) aims to convert the voice of one singer to that of other singers while keeping the singing content and melody. On top of recent voice conversion works, we propose a novel model to steadily convert songs while keeping their naturalness and intonation. We build an end-to-end architecture, taking phonetic posteriorgrams (PPGs) as inputs and generating mel spectrograms. Specifically, we implement two separate encoders: one encodes PPGs as content, and the other compresses mel spectrograms to supply acoustic and musical information. To improve the performance on timbre and melody, an adversarial singer confusion module and a mel-regressive representation learning module are designed for the model. Objective and subjective experiments are conducted on our private Chinese singing corpus. Comparing with the baselines, our methods can significantly improve the conversion performance in terms of naturalness, melody, and voice similarity. Moreover, our PPG-based method is proved to be robust for noisy sources.

Yu Gu, Xiang Yin, Yonghui Rao et al.

This paper presents ByteSing, a Chinese singing voice synthesis (SVS) system based on duration allocated Tacotron-like acoustic models and WaveRNN neural vocoders. Different from the conventional SVS models, the proposed ByteSing employs Tacotron-like encoder-decoder structures as the acoustic models, in which the CBHG models and recurrent neural networks (RNNs) are explored as encoders and decoders respectively. Meanwhile an auxiliary phoneme duration prediction model is utilized to expand the input sequence, which can enhance the model controllable capacity, model stability and tempo prediction accuracy. WaveRNN neural vocoders are also adopted as neural vocoders to further improve the voice quality of synthesized songs. Both objective and subjective experimental results prove that the SVS method proposed in this paper can produce quite natural, expressive and high-fidelity songs by improving the pitch and spectrogram prediction accuracy and the models using attention mechanism can achieve best performance.