Simone Bianco

Ren Yang, Radu Timofte, Xin Li et al.

This paper reviews the Challenge on Super-Resolution of Compressed Image and Video at AIM 2022. This challenge includes two tracks. Track 1 aims at the super-resolution of compressed image, and Track~2 targets the super-resolution of compressed video. In Track 1, we use the popular dataset DIV2K as the training, validation and test sets. In Track 2, we propose the LDV 3.0 dataset, which contains 365 videos, including the LDV 2.0 dataset (335 videos) and 30 additional videos. In this challenge, there are 12 teams and 2 teams that submitted the final results to Track 1 and Track 2, respectively. The proposed methods and solutions gauge the state-of-the-art of super-resolution on compressed image and video. The proposed LDV 3.0 dataset is available at https://github.com/RenYang-home/LDV_dataset. The homepage of this challenge is at https://github.com/RenYang-home/AIM22_CompressSR.

Simone Zini, Claudio Rota, Marco Buzzelli et al.

We introduce a camera pipeline for rendering visually pleasing photographs in low light conditions, as part of the NTIRE2022 Night Photography Rendering challenge. Given the nature of the task, where the objective is verbally defined by an expert photographer instead of relying on explicit ground truth images, we design an handcrafted solution, characterized by a shallow structure and by a low parameter count. Our pipeline exploits a local light enhancer as a form of high dynamic range correction, followed by a global adjustment of the image histogram to prevent washed-out results. We proportionally apply image denoising to darker regions, where it is more easily perceived, without losing details on brighter regions. The solution reached the fifth place in the competition, with a preference vote count comparable to those of other entries, based on deep convolutional neural networks. Code is available at www.github.com/AvailableAfterAcceptance.

Mirko Agarla, Simone Bianco, Luigi Celona et al.

Performance in Speech Emotion Recognition (SER) on a single language has increased greatly in the last few years thanks to the use of deep learning techniques. However, cross-lingual SER remains a challenge in real-world applications due to two main factors: the first is the big gap among the source and the target domain distributions; the second factor is the major availability of unlabeled utterances in contrast to the labeled ones for the new language. Taking into account previous aspects, we propose a Semi-Supervised Learning (SSL) method for cross-lingual emotion recognition when only few labeled examples in the target domain (i.e. the new language) are available. Our method is based on a Transformer and it adapts to the new domain by exploiting a pseudo-labeling strategy on the unlabeled utterances. In particular, the use of a hard and soft pseudo-labels approach is investigated. We thoroughly evaluate the performance of the proposed method in a speaker-independent setup on both the source and the new language and show its robustness across five languages belonging to different linguistic strains. The experimental findings indicate that the unweighted accuracy is increased by an average of 40% compared to state-of-the-art methods.

Luigi Celona, Simone Bianco, Marco Donzella et al.

State-of-The-Art (SoTA) image captioning models are often trained on the MicroSoft Common Objects in Context (MS-COCO) dataset, which contains human-annotated captions with an average length of approximately ten tokens. Although effective for general scene understanding, these short captions often fail to capture complex scenes and convey detailed information. Moreover, captioning models tend to exhibit bias towards the ``average'' caption, which captures only the more general aspects, thus overlooking finer details. In this paper, we present a novel approach to generate richer and more informative image captions by combining the captions generated from different SoTA captioning models. Our proposed method requires no additional model training: given an image, it leverages pre-trained models from the literature to generate the initial captions, and then ranks them using a newly introduced image-text-based metric, which we name BLIPScore. Subsequently, the top two captions are fused using a Large Language Model (LLM) to produce the final, more detailed description. Experimental results on the MS-COCO and Flickr30k test sets demonstrate the effectiveness of our approach in terms of caption-image alignment and hallucination reduction according to the ALOHa, CAPTURE, and Polos metrics. A subjective study lends additional support to these results, suggesting that the captions produced by our model are generally perceived as more consistent with human judgment. By combining the strengths of diverse SoTA models, our method enhances the quality and appeal of image captions, bridging the gap between automated systems and the rich and informative nature of human-generated descriptions. This advance enables the generation of more suitable captions for the training of both vision-language and captioning models.

Luigi Celona, Simone Bianco, Raimondo Schettini

The widespread sharing of face images on social media platforms and in large-scale datasets raises pressing privacy concerns, as biometric identifiers can be exploited without consent. Face anonymization seeks to generate realistic facial images that irreversibly conceal the subject's identity while preserving their usefulness for downstream tasks. However, most existing generative approaches focus on identity removal and image realism, often neglecting facial expressions as well as photometric consistency -- specifically attributes such as illumination and skin tone -- that are critical for applications like relighting, color constancy, and medical or affective analysis. In this work, we propose a feature-preserving anonymization framework that extends DeepPrivacy by incorporating dense facial landmarks to better retain expressions, and by introducing lightweight post-processing modules that ensure consistency in lighting direction and skin color. We further establish evaluation metrics specifically designed to quantify expression fidelity, lighting consistency, and color preservation, complementing standard measures of image realism, pose accuracy, and re-identification resistance. Experiments on the CelebA-HQ dataset demonstrate that our method produces anonymized faces with improved realism and significantly higher fidelity in expression, illumination, and skin tone compared to state-of-the-art baselines. These results underscore the importance of feature-aware anonymization as a step toward more useful, fair, and trustworthy privacy-preserving facial data.

Vsevolod Plohotnuk, Artyom Panshin, Nikola Banić et al.

Traditional Image Quality Assessment~(IQA) focuses on quantifying technical degradations such as noise, blur, or compression artifacts, using both full-reference and no-reference objective metrics. However, evaluation of rendering aesthetics, a growing domain relevant to photographic editing, content creation, and AI-generated imagery, remains underexplored due to the lack of datasets that reflect the inherently subjective nature of style preference. In this work, a novel benchmark dataset designed to model human aesthetic judgments of image rendering styles is introduced: the Dataset for Evaluating the Aesthetics of Rendering (DEAR). Built upon the MIT-Adobe FiveK dataset, DEAR incorporates pairwise human preference scores collected via large-scale crowdsourcing, with each image pair evaluated by 25 distinct human evaluators with a total of 13,648 of them participating overall. These annotations capture nuanced, context-sensitive aesthetic preferences, enabling the development and evaluation of models that go beyond traditional distortion-based IQA, focusing on a new task: Evaluation of Aesthetics of Rendering (EAR). The data collection pipeline is described, human voting patterns are analyzed, and multiple use cases are outlined, including style preference prediction, aesthetic benchmarking, and personalized aesthetic modeling. To the best of the authors' knowledge, DEAR is the first dataset to systematically address image aesthetics of rendering assessment grounded in subjective human preferences. A subset of 100 images with markup for them is published on HuggingFace (huggingface.co/datasets/vsevolodpl/DEAR).

Chaitra Agrahar, William Poole, Simone Bianco et al.

Kalman Filter (KF) is an optimal linear state prediction algorithm, with applications in fields as diverse as engineering, economics, robotics, and space exploration. Here, we develop an extension of the KF, called a Pathspace Kalman Filter (PKF) which allows us to a) dynamically track the uncertainties associated with the underlying data and prior knowledge, and b) take as input an entire trajectory and an underlying mechanistic model, and using a Bayesian methodology quantify the different sources of uncertainty. An application of this algorithm is to automatically detect temporal windows where the internal mechanistic model deviates from the data in a time-dependent manner. First, we provide theorems characterizing the convergence of the PKF algorithm. Then, we numerically demonstrate that the PKF outperforms conventional KF methods on a synthetic dataset lowering the mean-squared-error by several orders of magnitude. Finally, we apply this method to biological time-course dataset involving over 1.8 million gene expression measurements.

Egor Ershov, Artyom Panshin, Oleg Karasev et al.

This paper presents a review of the NTIRE 2024 challenge on night photography rendering. The goal of the challenge was to find solutions that process raw camera images taken in nighttime conditions, and thereby produce a photo-quality output images in the standard RGB (sRGB) space. Unlike the previous year's competition, the challenge images were collected with a mobile phone and the speed of algorithms was also measured alongside the quality of their output. To evaluate the results, a sufficient number of viewers were asked to assess the visual quality of the proposed solutions, considering the subjective nature of the task. There were 2 nominations: quality and efficiency. Top 5 solutions in terms of output quality were sorted by evaluation time (see Fig. 1). The top ranking participants' solutions effectively represent the state-of-the-art in nighttime photography rendering. More results can be found at https://nightimaging.org.

Egor Ershov, Alex Savchik, Ilya Semenkov et al.

Illumination estimation is the essential step of computational color constancy, one of the core parts of various image processing pipelines of modern digital cameras. Having an accurate and reliable illumination estimation is important for reducing the illumination influence on the image colors. To motivate the generation of new ideas and the development of new algorithms in this field, the 2nd Illumination estimation challenge~(IEC\#2) was conducted. The main advantage of testing a method on a challenge over testing in on some of the known datasets is the fact that the ground-truth illuminations for the challenge test images are unknown up until the results have been submitted, which prevents any potential hyperparameter tuning that may be biased. The challenge had several tracks: general, indoor, and two-illuminant with each of them focusing on different parameters of the scenes. Other main features of it are a new large dataset of images (about 5000) taken with the same camera sensor model, a manual markup accompanying each image, diverse content with scenes taken in numerous countries under a huge variety of illuminations extracted by using the SpyderCube calibration object, and a contest-like markup for the images from the Cube+ dataset that was used in IEC\#1. This paper focuses on the description of the past two challenges, algorithms which won in each track, and the conclusions that were drawn based on the results obtained during the 1st and 2nd challenge that can be useful for similar future developments.

Simone Bianco, Luigi Celona, Paolo Napoletano

Previous literature suggests that perceptual similarity is an emergent property shared across deep visual representations. Experiments conducted on a dataset of human-judged image distortions have proven that deep features outperform classic perceptual metrics. In this work we take a further step in the direction of a broader understanding of such property by analyzing the capability of deep visual representations to intrinsically characterize different types of image distortions. To this end, we firstly generate a number of synthetically distorted images and then we analyze the features extracted by different layers of different Deep Neural Networks. We observe that a dimension-reduced representation of the features extracted from a given layer permits to efficiently separate types of distortions in the feature space. Moreover, each network layer exhibits a different ability to separate between different types of distortions, and this ability varies according to the network architecture. Finally, we evaluate the exploitation of features taken from the layer that better separates image distortions for: i) reduced-reference image quality assessment, and ii) distortion types and severity levels characterization on both single and multiple distortion databases. Results achieved on both tasks suggest that deep visual representations can be unsupervisedly employed to efficiently characterize various image distortions.

Simone Bianco, Davide Mazzini, Paolo Napoletano et al.

In this work we propose a new deep multibranch neural network to solve the tasks of artist, style, and genre categorization in a multitask formulation. In order to gather clues from low-level texture details and, at the same time, exploit the coarse layout of the painting, the branches of the proposed networks are fed with crops at different resolutions. We propose and compare two different crop strategies: the first one is a random-crop strategy that permits to manage the tradeoff between accuracy and speed; the second one is a smart extractor based on Spatial Transformer Networks trained to extract the most representative subregions. Furthermore, inspired by the results obtained in other domains, we experiment the joint use of hand-crafted features directly computed on the input images along with neural ones. Experiments are performed on a new dataset originally sourced from wikiart.org and hosted by Kaggle, and made suitable for artist, style and genre multitask learning. The dataset here proposed, named MultitaskPainting100k, is composed by 100K paintings, 1508 artists, 125 styles and 41 genres. Our best method, tested on the MultitaskPainting100k dataset, achieves accuracy levels of 56.5%, 57.2%, and 63.6% on the tasks of artist, style and genre prediction respectively.

Simone Bianco, Remi Cadene, Luigi Celona et al.

This work presents an in-depth analysis of the majority of the deep neural networks (DNNs) proposed in the state of the art for image recognition. For each DNN multiple performance indices are observed, such as recognition accuracy, model complexity, computational complexity, memory usage, and inference time. The behavior of such performance indices and some combinations of them are analyzed and discussed. To measure the indices we experiment the use of DNNs on two different computer architectures, a workstation equipped with a NVIDIA Titan X Pascal and an embedded system based on a NVIDIA Jetson TX1 board. This experimentation allows a direct comparison between DNNs running on machines with very different computational capacity. This study is useful for researchers to have a complete view of what solutions have been explored so far and in which research directions are worth exploring in the future; and for practitioners to select the DNN architecture(s) that better fit the resource constraints of practical deployments and applications. To complete this work, all the DNNs, as well as the software used for the analysis, are available online.

Ghalia Hemrit, Graham D. Finlayson, Arjan Gijsenij et al.

In a previous work, it was shown that there is a curious problem with the benchmark ColorChecker dataset for illuminant estimation. To wit, this dataset has at least 3 different sets of ground-truths. Typically, for a single algorithm a single ground-truth is used. But then different algorithms, whose performance is measured with respect to different ground-truths, are compared against each other and then ranked. This makes no sense. We show in this paper that there are also errors in how each ground-truth set was calculated. As a result, all performance rankings based on the ColorChecker dataset - and there are scores of these - are inaccurate. In this paper, we re-generate a new 'recommended' set of ground-truth based on the calculation methodology described by Shi and Funt. We then review the performance evaluation of a range of illuminant estimation algorithms. Compared with the legacy ground-truths, we find that the difference in how algorithms perform can be large, with many local rankings of algorithms being reversed. Finally, we draw the readers attention to our new 'open' data repository which, we hope, will allow the ColorChecker set to be rehabilitated and once again to become a useful benchmark for illuminant estimation algorithms.

Simone Bianco, Luigi Celona, Raimondo Schettini

Recent research has widely explored the problem of aesthetics assessment of images with generic content. However, few approaches have been specifically designed to predict the aesthetic quality of images containing human faces, which make up a massive portion of photos in the web. This paper introduces a method for aesthetic quality assessment of images with faces. We exploit three different Convolutional Neural Networks to encode information regarding perceptual quality, global image aesthetics, and facial attributes; then, a model is trained to combine these features to explicitly predict the aesthetics of images containing faces. Experimental results show that our approach outperforms existing methods for both binary, i.e. low/high, and continuous aesthetic score prediction on four different databases in the state-of-the-art.

Franco Manessi, Alessandro Rozza, Simone Bianco et al.

In this work we present a method to improve the pruning step of the current state-of-the-art methodology to compress neural networks. The novelty of the proposed pruning technique is in its differentiability, which allows pruning to be performed during the backpropagation phase of the network training. This enables an end-to-end learning and strongly reduces the training time. The technique is based on a family of differentiable pruning functions and a new regularizer specifically designed to enforce pruning. The experimental results show that the joint optimization of both the thresholds and the network weights permits to reach a higher compression rate, reducing the number of weights of the pruned network by a further 14% to 33% compared to the current state-of-the-art. Furthermore, we believe that this is the first study where the generalization capabilities in transfer learning tasks of the features extracted by a pruned network are analyzed. To achieve this goal, we show that the representations learned using the proposed pruning methodology maintain the same effectiveness and generality of those learned by the corresponding non-compressed network on a set of different recognition tasks.

Simone Bianco, Marco Buzzelli, Davide Mazzini et al.

In this paper we propose a method for logo recognition using deep learning. Our recognition pipeline is composed of a logo region proposal followed by a Convolutional Neural Network (CNN) specifically trained for logo classification, even if they are not precisely localized. Experiments are carried out on the FlickrLogos-32 database, and we evaluate the effect on recognition performance of synthetic versus real data augmentation, and image pre-processing. Moreover, we systematically investigate the benefits of different training choices such as class-balancing, sample-weighting and explicit modeling the background class (i.e. no-logo regions). Experimental results confirm the feasibility of the proposed method, that outperforms the methods in the state of the art.

Simone Bianco

This paper introduces a new method for face verification across large age gaps and also a dataset containing variations of age in the wild, the Large Age-Gap (LAG) dataset, with images ranging from child/young to adult/old. The proposed method exploits a deep convolutional neural network (DCNN) pre-trained for the face recognition task on a large dataset and then fine-tuned for the large age-gap face verification task. Finetuning is performed in a Siamese architecture using a contrastive loss function. A feature injection layer is introduced to boost verification accuracy, showing the ability of the DCNN to learn a similarity metric leveraging external features. Experimental results on the LAG dataset show that our method is able to outperform the face verification solutions in the state of the art considered.

Simone Bianco, Claudio Cusano, Raimondo Schettini

In this paper we present a method for the estimation of the color of the illuminant in RAW images. The method includes a Convolutional Neural Network that has been specially designed to produce multiple local estimates. A multiple illuminant detector determines whether or not the local outputs of the network must be aggregated into a single estimate. We evaluated our method on standard datasets with single and multiple illuminants, obtaining lower estimation errors with respect to those obtained by other general purpose methods in the state of the art.

Simone Bianco, Gianluigi Ciocca

In this paper we consider how to automatically create pleasing photo collages created by placing a set of images on a limited canvas area. The task is formulated as an optimization problem. Differently from existing state-of-the-art approaches, we here exploit subjective experiments to model and learn pleasantness from user preferences. To this end, we design an experimental framework for the identification of the criteria that need to be taken into account to generate a pleasing photo collage. Five different thematic photo datasets are used to create collages using state-of-the-art criteria. A first subjective experiment where several subjects evaluated the collages, emphasizes that different criteria are involved in the subjective definition of pleasantness. We then identify new global and local criteria and design algorithms to quantify them. The relative importance of these criteria are automatically learned by exploiting the user preferences, and new collages are generated. To validate our framework, we performed several psycho-visual experiments involving different users. The results shows that the proposed framework allows to learn a novel computational model which effectively encodes an inter-user definition of pleasantness. The learned definition of pleasantness generalizes well to new photo datasets of different themes and sizes not used in the learning. Moreover, compared with two state of the art approaches, the collages created using our framework are preferred by the majority of the users.

Simone Bianco, Gianluigi Ciocca, Claudio Cusano

In this paper we propose a strategy for semi-supervised image classification that leverages unsupervised representation learning and co-training. The strategy, that is called CURL from Co-trained Unsupervised Representation Learning, iteratively builds two classifiers on two different views of the data. The two views correspond to different representations learned from both labeled and unlabeled data and differ in the fusion scheme used to combine the image features. To assess the performance of our proposal, we conducted several experiments on widely used data sets for scene and object recognition. We considered three scenarios (inductive, transductive and self-taught learning) that differ in the strategy followed to exploit the unlabeled data. As image features we considered a combination of GIST, PHOG, and LBP as well as features extracted from a Convolutional Neural Network. Moreover, two embodiments of CURL are investigated: one using Ensemble Projection as unsupervised representation learning coupled with Logistic Regression, and one based on LapSVM. The results show that CURL clearly outperforms other supervised and semi-supervised learning methods in the state of the art.

Simone Bianco, Claudio Cusano, Raimondo Schettini

In this work we describe a Convolutional Neural Network (CNN) to accurately predict the scene illumination. Taking image patches as input, the CNN works in the spatial domain without using hand-crafted features that are employed by most previous methods. The network consists of one convolutional layer with max pooling, one fully connected layer and three output nodes. Within the network structure, feature learning and regression are integrated into one optimization process, which leads to a more effective model for estimating scene illumination. This approach achieves state-of-the-art performance on a standard dataset of RAW images. Preliminary experiments on images with spatially varying illumination demonstrate the stability of the local illuminant estimation ability of our CNN.