James Baker

James Baker

Textual Inversion remains a popular method for personalizing diffusion models, in order to teach models new subjects and styles. We note that textual inversion has been underexplored using alternatives to the UNet, and experiment with textual inversion with a vision transformer. We also seek to optimize textual inversion using a strategy that does not require explicit use of the UNet and its idiosyncratic layers, so we add bonus tokens and enforce orthogonality. We find the use of the bonus token improves adherence to the source images and the use of the vision transformer improves adherence to the prompt. Code is available at https://github.com/jamesBaker361/tex_inv_plus.

James Baker

Personalizing diffusion models allows users to generate new images that incorporate a given subject, allowing more control than a text prompt. These models often suffer somewhat when they end up just recreating the subject image and ignoring the text prompt. We observe that one popular method for personalization, IP-Adapter, automatically generates masks that segment the subject from the background during inference. We propose to use this automatically generated mask on a second pass to mask the image tokens, thus restricting them to the subject, not the background, allowing the text prompt to attend to the rest of the image. For text prompts describing locations and places, this produces images that accurately depict the subject while definitively matching the prompt. We compare our method to a few other test time personalization methods, and find our method displays high prompt and source image alignment. We also perform a user study to validate whether end users would appreciate our method. Code available at https://github.com/jamesBaker361/monkey

James Baker

We propose a novel method for generating abstract art. First an autoencoder is trained to encode and decode the style representations of images, which are extracted from source images with a pretrained VGG network. Then, the decoder component of the autoencoder is extracted and used as a generator in a GAN. The generator works with an ensemble of discriminators. Each discriminator takes different style representations of the same images, and the generator is trained to create images that create convincing style representations in order to deceive all of the generators. The generator is also trained to maximize a diversity term. The resulting images had a surreal, geometric quality. We call our approach ARTEMIS (ARTistic Encoder- Multi- Discriminators Including Self-Attention), as it uses the self-attention layers and an encoder-decoder architecture.

James Baker

Spearheaded by retail traders on the website reddit, the GameStop short squeeze of early 2021 shows that social media embeds information that correlates with market movements. This paper seeks to examine this relationship by using daily frequencies of classified comments and buzzwords as additional factors in a Fama-French three factor model. Comments are classified using an unsupervised clustering method, while past studies have used pretrained models that are not specific to the domains being studied.

James Baker

Facial landmark tracking for thermal images requires tracking certain important regions of subjects' faces, using images from thermal images, which omit lighting and shading, but show the temperatures of their subjects. The fluctuations of heat in particular places reflect physiological changes like bloodflow and perspiration, which can be used to remotely gauge things like anxiety and excitement. Past work in this domain has been limited to only a very limited set of architectures and techniques. This work goes further by trying a comprehensive suit of various models with different components, such as residual connections, channel and feature-wise attention, as well as the practice of ensembling components of the network to work in parallel. The best model integrated convolutional and residual layers followed by a channel-wise self-attention layer, requiring less than 100K parameters.

James Baker

Teaching text-to-image models to be creative involves using style ambiguity loss, which requires a pretrained classifier. In this work, we explore a new form of the style ambiguity training objective, used to approximate creativity, that does not require training a classifier or even a labeled dataset. We then train a diffusion model to maximize style ambiguity to imbue the diffusion model with creativity and find our new methods improve upon the traditional method, based on automated metrics for human judgment, while still maintaining creativity and novelty.